Category Archives: Q-Z



Vereniging van Videokunstenaars, 1981 and 1983 [bulletins]

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Vereniging van Videokunstenaars, 1981 and 1983
ca A5
total of 24 pp. including covers
4 VvE bulletins, of which one is hand coloured
published by VvV, Amsterdam
excellent condition
€ 145,- plus € 12,- Track & Trace registered mail
inv.VvV 997

In these four bulletins video presentations of the following VvV members are announced:
– Yvonne Oerlemans, Peter Baren (May 1981)
– Nan Hoover, Hooykaas/Stansfield, Christiaan Bastiaans, Lous America, Paul Müller, Lydia Schouten, Raúl Marroquin, Daniel Brun, Ian Nichols, Christine Chiffrun (February 1983)
– Ásta Olafsdóttir, Diek Kubbe, Christiaan Bastiaans, Arno Arts (April 1983)
– Paula Vanes, Albert van Westing, Hooykaas/Stansfield, Christine Chiffrun, Roos Theuws, Paul Müller, Henk Wijnen (June 1983)

VIKTOR & ROLF, 2019 [Christmas hanger – bow]

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VIKTOR & ROLF, 2019
10,5 x 14,5 x 4 cm
Christmas hanger; glass, tin tag ‘HEMA – VIKTOR&ROLF’
limited edition ‘Jingle bows’
published by HEMA, Amsterdam
mint condition
Collection Thora K. Johansen, Amsterdam
inv.V&R 1023-pr

 

The image below was part of the PR announcements on the website of HEMA during the November/December 2019 campaign.

ULISES CARRIÓN, Vereniging van Videokunstenaars bulletin maart-april, 1983

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ULISES CARRIÓN, Vereniging van Videokunstenaars bulletin, maart – april 1983
21,1 x 15 cm
16 pp., incl. couver
very rare
published by VvV, Amsterdam
excellent condition, although very slightly aged paper
€ 280,- plus € 8,- Track & Trace registered mail
inv.UCar 991-pr

On page 10 of the VvV bulletin March – April 1983 the première of Ulises Carrión’s video work The Death of the Art Dealer is announced.

DAVID SHRIGLEY, DDWOPT Idiot, 1996 [felt pen drawn couver]

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DAVID SHRIGLEY, DDWOPT Idiot, 1996
14,2 x 10,2 cm
SC, unpaginated
limited edition: series of unique hand drawn cover
regular edition 400
published by The Armpit Press, Glasgow, Scotland
condition: used with smudged and aged couver
rare
€ 250,- plus € 12,- Track and Trace registered mail
inv.DShr 973-pr

Very rare edition and early artist’s book by David Shrigley, his 7th self-produced book. The cover is a drawing in coloured felt tip pen. The letters on the cover are standing for ‘Drawings Done Whilst On Phone To Idiot’.

The Armpit Press is a self-publishing press created by David Shrigley.

‘Very very rare limited edition early book work by David Shrigley, from a limited edition. The 7th book self produced by Dave Shrigley. The cover is a drawing in coloured felt tip pen by the artist.’ WorthPoint, Atlanta GA, USA

Intimacy, 2020 [Gold Edition, signed]

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Intimacy, 2020 – G o l d  E d i t i o n
32 x 23 x 4,5 cm
cardboard box with magnet clam strip, 69 parts
numbered box, with extra contributions
several signed items
edition 23, here number 3 / Gold Edition
published by Cult Club, Amsterdam
order at www.multiples.nl

 

This box was produced in an edition of 48 copies, i.e. a Silver Edition of 25 copies and a Gold Edition box of 23 copies, the latter containing several signed items and extra contributions. Artists documented and/or participating:

MARINA ABRAMOVIĆ Role Exchange, Amsterdam, 1975

AY-O Finger Box-Kit, 1991; Ay-O in New York, n/d.

MATTHEW BARNEY Dildo, 1995

PAUL BLANCA Father & Son, 1985

TRACEY EMIN Everyone I Have Ever Slept With (The Tent), 1963-1995

VALIE EXPORT Tapp-und-Tast-Kino

KAREL GOUDSBLOM All of This, 1998

AL HANSEN anna banana clacla fluxcomix, drawing, early 1970s

DON JUAN, flyer, 1978

KIRSTEN JUSTESEN RYGSKRIVER (write on one’s back), 1985

ALISON KNOWLES Serenade for Alison (Paik), Amsterdam, 1962

BAS KOSTERS Hope Bracelet / Hope card + BAS KOSTERS TV Head Inflatable Art Doll
signed

SHIGEKO KUBOTA Vagina Painting, New York, 1965

JOHN LENNON & YOKO ONO photo: Annie Leibovitz, 1980

ANDRIES DE MAREZ OYENS Love-Stop-Touch, sticker and postcard
signed on envelope

PIERRE MOLINIER Selfportrait with dildo, 1966

CHARLOTTE MOORMAN & NAM JUNE PAIK performing Chamber Music , Asolo, 1974

OTTO MUEHL with Mrs Conz, and people living in commune Friedrichshof, ca. 1983

YOKO ONO (with ANTHONY COX), The Bag, Knokke, 1967

ORLAN L’Origine de la Guerre, 1989

WILLEM DE RIDDER SUCK nr 8 (The Last Suck), front cover, 1974 + SUCK nr 7, back cover, n.d.

NIKI DE SAINT PHALLE (with JEAN TINGUELY and PER OLOF ULTVEDT) Hon, Stockholm, 1966

CAROLEE SCHNEEMANN Interior Scroll, 1975

ANDRES SERRANO Plassex-poster, 1997

BARBARA T. SMITH Feed Me, San Francisco, 1973

ANNIE SPRINKLE Look inside: Annie Sprinkle, flyer, 1990

ANNIE SPRINKLE / BETH STEPHENS Cuddling, Athens, 2017; sticker

MARCO TIBERIO Enlarge Sanitizer Gel (bottle)
signed

TINKEBELL INTIMACY 1,2,3, three postcards, 2020
all postcards signed

ULAY / ABRAMOVIĆ Breathing in – Breathing out, Amsterdam, 1977

BEN VAUTIER Project for INTIMACY, sketch + photo Bed Event (1998), with Francesco Conz, ORLAN, Carolee Schneemann

AAT VELDHOEN Paring, Rotaprint, 1964

MAXIME C. DE WAAL Real Nature / Real Duvall, print

LUUK WILMERING A Personal Geographic. De naakten kleden, nr.7, 2010
signed

LAWRENCE WEINER, AMS Multiple – Art Meets Science, 1992 [unique drawing]

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LAWRENCE WEINER, AMS Multiple, 1992
Art Meets Science
unique drawing, twice fold, ink, felt pen,
snippets of photo stat, pencil, colour pencil, collage
45,5 x 60,8 cm
signed “L.W. NY-96”, dated
splendid condition
p.o.r.
inv.LWein 403

Lawrence Weiner’s primary medium is language, often in combination with red, yellow, blue coloured signs, or in mere black and white. He is a New York and Amsterdam-based sculptor who prefers to make art that is accessible, open-ended, mutable and transferable. In the ‘Art Meets Science Multiple’ the artist skipped linguistic language completely, making this work an uncommon outspoken pictorial piece within his oeuvre.

The depicted drawing here is a draft for a new envelope as soon as the first run of 1992 is out of stock. Until today this never happened. The image on the brown envelope suggests that the multiple ought to be installed as depicted. In fact at a later stage Lawrence Weiner preferred to have the piece installed as one likes, although he did not want to have that explicitly mentioned as such.