MUNGO THOMSON, Font Study (TIME), 2011
33,7 x 26 cm
artist’s book, offset, HC, 196 pp.
signed, numbered
edition 20/50
published by LACMA / Los Angeles Museum of Art, Los Angeles, USA
mint
Ref. LACMA shop Mungo Thomson US$ 325.-
All right pages show a different font used during the decades Time Magazine was issued.
DAVID SHRIGLEY, Box of Crap, 2017
diameter 11,4 cm, height 4,8 cm
text on 100 meter tape roll, label, sealed
published by Third Drawer Down Studio, Fitzroy, Australia
inv.nr DShri 650
NICOLAUS URBAN, Principle and Material Force, Song for Elephants, 1983
18,3 x 18 cm
EP cover, vinyl record
condition couver acceptable / pristine record
published by De Appel, Amsterdam
€ 25,- plus registered mail
YANN SÉRANDOUR, Folded to Fit, 2018
84 x 59,4 cm (folded to 54 x 42 cm)
silkscreen print, wooden stick (80 x 1 cm)
signed, numbered
edition 15 + 10 AP
published by More Publishers, Bussels, Belgium
This edition is made after a found herbarium-page, for which a plant was folded to fit the book format. The work consists of an enlarged print of the page, then folded, following the irregular leafs and branches of the plant. The folded print is to be installed over a wooden stick of 80 centimeters long, nailed to the wall.
BEN VAUTIER, Écoutez la mer, 2001
10 x 12 x 1,5 cm
metal balls, glue sealed plastic box with printed matter
comes with bulletin Praktikabel-podium per post, Nr 23, original envelope with Ben Vautier sticker
edition 300
signed, numbered
splendid condition, although the bulletin is folded due to being added to the box in a mailed envelope
published by Stichting Keunstwurk, Leeuwarden, Netherlands
inv.BVau 000-pr
-put it against your ear
-close your eyes
-listen to the Waddenzee
CLÉMENT RODZIELSKI, Comment, Mieux, Jouir, Noisette, 2018
42 x 15,5 x 1 cm
artist’s book, text, ring binder, 22 pp. including couver
edition 200
published by Connoisseurs, Paris, France
Ref. Connoisseurs, Paris
The first letters of Cyan, Magenta, Jaune (yellow) and Noir (black) are used for making 85 groups of four words featured in this artist’s book.
CLÉMENT RODZIELSKI, memo book Cyan, Magenta, Jaune, Noire, 2017
13 x 8 x 1 cm
hand written text, note book, 2 pp.
series of 20 unique books
spiral binding, covers come in four colours, here blue
signed
published by Connoisseurs, Paris, France
ANDY WARHOL, Cow, 1976
wallpaper
74 x 50 cm
screen print in black and white, framed
text in print: “Andy Warhol – TRIM”
edition unknown
condition: paper and colour more than excellent, left top corner shows a very weak dog’s ear, hardly noticeable toning
uncommon, details on provenance available
€ 3.800,- plus € 28,- Track & Trace registered mail
inv.AWar 000-pr
This screen print comes with a certificate of authenticity (produced by an auction house in 2018) in which is stated that the provenance is from a collection of a neighbour of Andy Warhol.
See at The Archive is Limited: “Cow” (black and white, red) and “Mao” (2 heads, black and white) that were also part of her collection.
The left top corner of this print has a very light flattened dog ear. For the rest in good condition; a more than attractive lived-through original print.
Added information
This snippet was a model for Andy Warhol’s cow in 1966. Warhol’s collaborator and Factory-assistant Gerard Malanga found this cow photo in an agricultural magazine; Jersey cattle, according to the article, possessed a “quality of refinement.”
History of price:
Hughes, Los Angeles, USA US$ 1,100.- Cow 1976; 8 June 2025 (poor condition)
ANDY WARHOL, Cow, 1976
110 x 75 cm
wallpaper, screen print in red, black and white, framed
dated in print
text: “Copyright Andy Warhol La Biennale 1976”
edition unknown
condition: very good to excellent
€ 1.500,- plus courier costs
inv.AWar 000
‘The iconic Warhol’s print of a cow was first executed in 1966 for his exhibition at the Leo Castelli Gallery, New York: ‘The idea to use a picture of a cow’s head reportedly stemmed from a comment by the dealer Ivan Karp that no one painted pastoral scenes any more. Warhol’s response was to find a picture of a cow in an old agricultural magazine and have it silkscreened as wallpaper’. Source: TATE Modern, London, UK.
Another source says: ‘Art dealer Ivan Karp proposed Andy Warhol to paint some cows after he claimed that traditional painting was “dead”. Printer Gerard Malanga subsequently came up with some photographs of a cow’s head which were shown to Warhol. This resulted in a series of cow prints, all screen printed on wallpaper between 1966 – 1976’.
This screen print “Cow” (1976) comes with a certificate of authenticity stating that the provenance is from a collection of a neighbour of Andy Warhol. See at The Archive is Limited: “Cow” (black and white) and “Mao” (2 heads, black and white) that were also part of this collection.
Condition details.
Overall the print looks excellent with bright paper colour. A very attractive lived-through wallpaper print! Framed as shown below.
History of prices:
Roseberys, London, UK € 1.824,- Cow n.d. pink on blue / 25 November 2025 (hammer price)
Selkirk Auctioneers & Appraisers, Saint Louis MO, USA € 2,161 Cow 1976 pink on violet / 13 June 2025 (hammer price, poor condition)
Andrew Jones Auctions, Los Angeles, USA € 5,489.- Cow 1971; brown on blue / 17 July 2024 (hammer price)
Phillips, New York, USA € 10.273,- Cow 1971; brown on blue / 27 June 2024 (hammer price)
Edward Kurstak Gallery, Casselberry, USA € 1.028,95 Cow 1976; red on b&w / June 2024
Bonhams, Los Angeles, USA US$ 1,912.- Cow 1976; red on b&w / 9 December 2021 incl. premium
Stair Galleries, Hudson NY, USA € 10.124,- Cow 1976; red on b&w / 2 June 2022 incl. premium
Cornette de Saint Cyr, Paris, France € 3.500,- Cow 1976; red on lemon yellow / 21 January 2021 incl. premium
Cornette de Saint Cyr, Paris, France € 4.550,- Cow 1976; red on lemon yellow / 21 January 2021 incl. premium
Rosebery’s Hill, London, UK € 4.617,- Cow 1976; dark pink on yellow / 6 October 2020, incl. premium
Quittenbaum, Munich, Germany € 800,- Cow 1976; purple on b&w / 27 June 2019, hammer price
ArtPrice.com € 1.910,- 12 December 2019, Cow 1976, incl. premium
Invaluable € 1500,- 4 December 2018, Cow 1976, hammer price
Prints from 1966:
Phillips, New York, USA € 9.427,- Cow 1966; red on yellow / 21 April 2021 (incl. premium)
Rosebery’s, London, UK € 8.178,- Cow 1966; red on yellow / 9 March 2021 (hammer price)
Phillips, New York, US$ 6,875.- Cow 1966; pink on yellow / 8 June 2011 (hammer price)
Phillips, New York, US$ 5,250.- Cow 1966 (stated as ‘1989’); pink on yellow / 26 April 2008 (hammer price)
More information about ‘Cow’ prints, 1966-1976
There are various kinds of so called Cow prints, with various widths and also publishers. One print run was made in 1966 with a text TRIM Andy Warhol, one in 1971 and another one in 1976.
In 1966, for the first time Andy Warhol produced Cow prints for his exhibition at Gallery Leo Castelli. For the Whitney Museum in New York he made another series of Cow prints. On the edge it reads: Whiney Musuem May 1 – June 13 1971.
For the Venice Biennale 1976 he showed Cow wallpaper produced on behalf of his presentation at the pavilion of the USA. On the brim of each sheet of wallpaper a text reads: Copyright Andy Warhol La Biennale 1976.
The first of the series, Cow, 1966, was published as a wallpaper for an exhibition at the Leo Castelli Gallery. Repeated imagery of cows on the wall surrounded visitors.
The second screen print of the series features an orange cow against a lilac background. This image was published for a 1971 Warhol exhibition at the Whitney Museum in New York.
The third screen print shows a cow that is coloured in bright yellow against a blue background. Of this work 150 copies have been hand signed. The unsigned versions have been authenticated by the Andy Warhol Art Authentication Board.
The last screen print of the series shows the cow in light pink against a purple background. This work was published for an exhibition at the Modern Art Pavilion in Seattle, Washington, from November, 1976-January 9, 1977. Prints in various colours have been signed in an unknown edition.
For some reason there is a fifth series of various colour combinations made in 1976, apparently during the time when the fourth series was produced. Several copies have been signed by the artist. See image below.