ROB PRUITT, untitled, 2011 [business card]

ROB PRUITT, untitled, 2011
5,4 x 8,5 cm
business card of Gavin Brown’s enterprise
published by Gavin Brown’s Enterprise, New York, USA
€ 35,- plus registered mail Track & Trace

During Art Basel 2011 this 2-colour card was handed out to interested visitors of the booth of Gavin Brown’s Enterprise.
RPrui 609

ULISES CARRIÓN, Alphabet, 1981 [Embryo No. 13 – stack of 20 cards]

ULISES CARRIÓN, Alphabet – Embryo No. 13-cards, 1981
14,9 x 10,5 x 0,5 cm
stack of cards, offset
cover card with sticker, green text card, 20 postcards, plastic seal bag
edition unknown
published by Embryo magazine, Stockholm, Sweden
extremely rare
€ 300,- plus € 12,- Track & trace registered EU mail
inv.UCar 479

including postcard of Ulises Carrión: Alphabet, 1981

ULISES CARRIÓN, Alphabet, 1981
14,9 x 10,5 cm
offset, postcard

This card depicts a drawing of an alphabet starting in the middle. The letters are drawn in such a way they they never cross each other, making it into a kind of labyrinth.

Participating artists:
Sten Hanson, Sweden: 96
Max M Book, Sweden: Trans-
J.O. Mallander, Finland: The Anxiety of Influence
Stig Sjöland, Sweden, Swing
Hans Clavin, Holland: (phrase)
Jim Axen, Sweden: Nu
Mats B., Sweden: Life is a tram
Bjørn Nørgaard, Denmark: Kunstneren i Paris
C M von Hausswolff, Sweden: Jordmån IV
Hans Esselius, Sweden: Imagobild nr. 1 – Esse Williams
Eva Löfdahl, Sweden: ur Halt
Peter Andersson, Sweden: Hanging
Likka-Juhani Takalo-Eskola, Finland: Grenens frihet
Leif Elggren, Sweden: Framförande II
Pug Karlsson, Sweden: Excursion Area/Revisited
Lars-Gunnar Bodin, Sweden: Enbart en gradvis förskjutning
Åke Hodell, Sweden: Electronic Brain Wash
Henrik Francis Thomsen, Denmark: Articulation Gramma 3
Curt Olson, Sweden: Art trainery
Ulises Carrion, Holland: Alphabet

Colophon:

History of price:
The Idea of the Book, Portland OR, USA May 2024 US$ 350.-

LAWRENCE WEINER, Point d’Ironie, 1998 [published by Agnes B.]

LAWRENCE WEINER, Point d’Ironie, 1998 (AFTER THE FACT…)
43,2 x 30,6 cm
here only once folded in order to create a newspaper format
each 8 pp., offset on thin paper, only spine folded
stack of 18 copies + 1 viewing copy + delivery ticket + colophon on inlay
text in English: 4 pp. and in French: 4 pp.
edition 100.000
published by Agnes B., Paris, France
mint condition
extremely rare in this condition, namely stocked out of day light
comes here with a custom made foam board box
€ 850,- plus € 32,- Track & Trace EU registered mail
inv.Pointd 533

 

Contrary to many distributed copies this Point d’Ironie (Agnès B.) edition is folded as printed. The distributor was supposed to fold this tabloid size before putting it on display.
Eighteen of the nineteen copies of this stack are in mint condition, i.e. none of them are discoloured as is usually the case, apart from the top one.

English part:

1.
AFTER
2.
AFTER
3.
AFTER THE FACTS & BEFORE THE DELUGE

_____________

1 & 2 & 3
BEFORE THE FUTURE

 

French part:

1.
APRES
2.
APRES
3.
APRES LES FAITS & DEVANT LE DELUGE

1 & 2 & 3
AVANT L’AVENIR

 

 

colophon:

 

delivery ticket:

History of price:
DR Fine Arts, New York, USA February 2026 € 80,- i.e. 1 copy
Zwiggelaar Auctions, Amsterdam 6 December 2024 € 100,- i.e. 1 copy (hammer price)
DR Fine Arts, New York, USA June 2017 GBP 40.48 i.e. 1 copy

JOELLE TUERLINCKX, Dacht en Nacht Open 24/24 – Open Museum, 1997 [poster]

JOELLE TUERLINCKX, Dacht en Nacht Open 24/24 – Open Museum, 1997 (also known as “Openstelling”)
91,5 x 62 cm
double-sided poster designed by Joëlle Tuerlinckx
published by Provinciaal Museum, Hasselt, Belgium
inv.JTue 000-pr

Joëlle told me that after the opening of her exhibition ‘Dacht en Nacht Open’ she was informed by Stanley Brouwn that he does not appreciate to be mentioned in exhibitions he does not know about. Joëlle decided to meet his wish by crossing out his name on the posters. Recently she told me that this crossing is a drawing for her and that she would even be willing to sign it as such in case such a crossed poster would pop up somewhere.
Talk with Rudy Hodel in GvG, April 2025

“Openstelling” is an exhibition based on a concept of Joëlle Tuerlinckx who invited or integrated the following artists:
Orla Barry
Stanley Brouwn
James Coleman
Tacita Dean
Daniel Faust
Christoph Fink
Michel François
Thibaut Halbardier & Philippe van Van Cutsem
Douglas Huebler
Ann-Veronica Janssens
On Kawara
Suchan Kinoshita
David Lamelas
Guy Mees
Bernard Piffaretti
Michaelangelo Pistoletto
Joëlle Tuerlinckx
Marijke van Warmerdam
Richard Venlet

FELIX GONZALEZ-TORRES, Nowhere better than this place. / Somewhere better than this place, n.d. [2008]

FELIX GONZALEZ-TORRES, Nowhere better than this place. / Somewhere better than this place, 1989-1990, 2008
2 parts, each 58,4 x 74 cm
offset on thin paper, vintage prints from pair of stacks
unlimited edition
€ 245,- + € 24,- Track & Trace registered EU mail
inv.FGT 000-pr

Ref. Two Works by Felix Gonzalez-Torres Colby Museum of Art, Waterville, Maine, USA

FRANCIS ALŸS, Lada Kopeika Project, 2014 [postcard]

FRANCIS ALŸS, Lada Kopeika Project, April 16 – 21, 2014
10,5 x 14,8 cm
postcard, with texts in Russian and English
edition unknown
published by Manifesta 10
€ 45,- + € 8,- Track & Trace registered EU mail
inv.FAly 471-pr

The text on this card reads: ‘When we were young, my brother and I shared a 1981 Lada Riva. One day we decided to escape our bourgeois Belgian society and drive to Leningrad. But the car broke down and soon after our lives parted. 30 years later I invite my brother to drive from Belgium to St.Petersburg, now in a 1977 Lada Kopeika. Upon arrival we’ll crash the car into a tree in the courtyard of the Winter Palace, together with the illusions of our youth.

Without an ending there is no beginning.’

Francis Alÿs is well-known for a walk called The Green Line through Jerusalem, along the 1948 partition lines, through armed checkpoints, holding a leaking can of paint: ‘Sometimes doing something poetic can become political and sometimes doing something political can become poetic’.

Additional information