JOHN M ARMLEDER, Black Noise, 2017
27,3 x 17,4 x 9,9 cm
32 booklets, offset, stapled, cardboard box with high gloss paper and screen print
edition 600
mint
published by Ecart Publications, Geneva, Switzerland
CHRISTIAN MARCLAY, More Encores, 1989
vinyl, LP, merely inner sleeve
Edition No Man’s Land
condition: splendid, never played vinyl
published by Review Records, Wurzburg, Western-Germany
€ 18,- plus € 12,- Track & Trace registered EU mail
CHRISTIAN MARCLAY, business card, 1996
6,7 x 9 cm, pictorial onomatopoeia with handwritten telephone/fax number
This card apparently was printed in Japan considering a printed code at the lower left. Here the card has been barred for privacy reasons.
CHRISTIAN MARCLAY, Splat, 2013
46,7 x 35,6 cm / 18-1/4 x 14 inches
screen print with splash painting
edition 30
published by Graphic Studio, Tampa, USA
not available
Continuing his exploration of collage and the visualization of sound these partly unique prints utilize imagery from Manga comics, originally published in Japan and translated for the US market, and onomatopoeic words. Since the late 1990s, Marclay has created “graphic” scores, non-traditional forms of notation, for improvisational interpretation by musicians and vocal performers.
History of prices:
Graphic Studio, Tampa, USA € 3.270,- / $ 4,500.- December 2013
CHRISTIAN MARCLAY, Klak, Klak, Klak, 2012
37 x 28,1 cm / 14 9/16 x 11 1/16 inches
photogravure
edition 25
published by Graphic Studio, Tampa, USA
temporarely not available
Continuing his exploration of collage and the visualization of sound this print utilize imagery from Manga comics (originally published in Japan and translated for the US market) and onomatopoeic words. Since the late 1990s, Marclay has created “graphic” scores, non-traditional forms of notation, for improvisational interpretation by musicians and vocal performers.
History of prices:
Graphic Studio, Tampa, USA € 2.900,- / $ 4,000.- July 2013
CHRISTIAN MARCLAY, Carpe Diem, 2010
25 x 3 x 0.8 cm
sterling silver, steel ball bearings, leather
edition of 40
published by White Cube, London, England
not available
Christian Marclay’s practice is often related to sounds, music and sound carriers. ‘Carpe Diem’ is a watch ticking in time and place, although different from a regular one. A clock face lacks, instead this artwork has a flat silver reflective face, with ball bearings within, creating a jangling and defunct tik-tok sound.
History of prices:
White Cube, London, England GBP 1.150.- January 2013