42,4 x 29 cm / 16.72″ x 11.44″
colour print
edition 20
numbered
certificate of authenticity
not available
Breuning possesses a vivid imagination with little, if any, reserve. Breuning takes us considerably further into the contradictions of his own position within the Western contemporary art world: problems of human existence are seemingly addressed, but, one often wonders, on the basis of what lived experience? With an undeniably self-ironic undertone Breuning confronts us with the consequences of a media-modelled, Pop-culture society. For this work, Olaf Breuning employs his signature technique of juxtaposing photographic imagery to create a fantastical composition of human and animal hybrids arranged around the planet Earth.
History of prices
Benefit Edition, Los Angeles, USA $350.- August 2012
The Archive is Limited, Amsterdam € 580,- January 2019
MATIAS FALDBAKKEN, Untitled (Plastic Bag), 2010
42,4 x 29 cm / 16.7″ x 11.44″
archival ink-jet print, numbered, certificate of authenticity
edition 20
Benefit Edition, Los Angeles, USA € 280,- / $ 350.- July 2012
Intervention #21 – Matias Faldbakken
September 1 2012 – January 27 2013
“A small selection of the work of Matias Faldbakken (Denmark, 1973) will be showing in the museum’s Klaverblad spaces. Faldbakken is known for his radical, provocative attacks on existing traditional structures and value systems. You could call him a conceptual saboteur, who expresses his ideas through literature and visual art forms, such as sculpture, installations, photography and film. With works like Untitled (Locker Sculpture #2) and Untitled (Garbage Bag #21) his presentation combines a convincing aesthetic with provocation and vandalism.” Museum Boijmans van Beuningen, Rotterdam, Netherlands.
JOSEPH BEUYS, Kunst=Kapital, 1980
screen print on slate, framed 32 x 44 x 0,9 cm
signed, numbered, her nr. 12/50
Edizioni Factotum-Art, Verona, Italy
Ref. Schellmann 367
not available
JOSEPH BEUYS, Kunst = Kapital 1980
screenprint (Art = Capital) on blackboard, wood. Courtesy Walker Art Center, Minneapolis, USA
signed in pencil on wooden frame
not available
History of prices:
Estimate by Auction House Lempertz, Cologne, € 20.000,- 5 December 2009 hammer price
Estimate by Lempertz, Cologne € 8000 – 10000,- 12 March 2012
MARTIN CREED, Work No. 117
audio cassette, offset, cassette
edition of 500
not available
All the sounds on a drum machine, recorded on a cassette tape. Martin Creed’s Work no. 117 and Two Minute Rest (1995) is a sound piece that rattles through every percussion sound on Creed’s synthesizer.
Hauser & Wirth, Zurich, Switzerland
Hauser & Wirth, Zurich, Switzerland February 2012 € 82,-
REINER RUTHENBECK, Rahmen mit schwarzer Kugel, 1987
25 x 30 cm / 9.4 x 11.8 inches, glass, metal grips, wooden sphere with diameter of 10 cm, paint
edition 12
published by Galerie Anselm Dreher, Berlin, Germany
Reiner Ruthenbeck is always in for questioning gravity and the balance of objects as one may see in this multiple.
History of prices:
Galerie Anselm Dreher, Berlin, Germany – November 1991 € 275,- / DM 600,-
DAAN VAN GOLDEN, Apperception, 2012
29,5 x 23,5 cm
catalogue, SC, 224 pp.
+ inserted very thin wrapping paper (20 x 20 cm)
edition 2000 of which 100 catalogues are signed, numbered
mint condition rare
€ 580,- plus € 18,- Track & Trace EU registered mail
The insert in this catalogue is a piece of original wrapping paper which the artist produced in 2000 for flower shop / exhibition space Brutto Gusto in Berlin, Germany
PAUL McCARTHY, Chocolate Nose Bar, 2000
chocolate, cardboard box
unlimited edition
published by Hauser & Wirth editions, Zurich, Switzerland
here excl. perspex show case
“…Paul McCarthy contributed a huge brown inflatable rubber sculpture, Chocolate Blockhead (Nose Bar Outlet), which looks like a seated Pinocchio with a mallet for a head. Inside the sculpture round chocolate bars shaped like Pinocchio’s nose could be bought from vending machines, as if commanding the audience to buy lies. In Marijke van Warmerdam’s film, Flecks of Light, a skinny boy stands silently on the bank of a forest lake, the dripping wet pockets of his yellow bathing shorts turned inside out. On the lake a duck paddles by. ‘Does the boy jump?’ a visitor inquired impatiently of the guard. He replied apologetically ‘Sorry, no, he doesn’t.’ ” Frieze Magazine about Expo 2000, Nov./Dec. 2000
GILBERT & GEORGE, Side by Side, 2012
20 x 13 cm
linen bound book, HC, 170 pp.
signed, hand numbered
edition 2000
co-published by Walther König Buchhandlung, Cologne / Enitharmon Editions, London, England
mint
inv.G&G 000-pr
The artist’s book “Side by Side” was first published in 1971 by Koenig Brothers in an edition of 600. This second and larger edition is a reprint. Note on the inside cover at the back of the book: ‘The linens used to bind “Side by Side” were individually hand-marbled by Gilbert & George’. Hence each linen bound cover is unique.
