MARC BIJL, Queen, 2013
50 x 50 cm
screenprint, airbrush, glitters
signed, numbered
edition 40
published by Plaats Maken, Arnhem, Netherlands
order at Plaats Maken: https://www.plaatsmaken.nl/nl/galerie/webshop/burnt-by-the-sun-after-malevich-zwartwit-kunst-online-kopen-maxima-marc-bijl-marcbijl
view a.
view b.
OLA VASILJEVA, untitled, 2013 [postcard]
10,5 x 14,8 cm
3D lenticular card
edition unknown
Coll. K. van Gelder
YOKO ONO, Arising – a call, 2013
pdf announcement in English and Japanese
mint condition
published by 360 grades Gallery, Tokyo, Japan
ZIN TAYLOR, Living systems, narrative haze (a sequence of palm trees obscured by the fog), 2013
set of 6 duotone prints
29,7 x 42 cm / 11.7 x 16.5 inches
edition 50
signed, numbered
published by Mousse Magazine, Milan, Italy
History of price:
Mousse Magazine, Milan, Italy € 300,- June 2013 (year of issue)
TRACY EMIN, My Photo Album, 2013
22 x 18 cm
offset, including art paper print (10 x 8 inches)
signed, dated, edition 100
published by Fuel Publishing, London, England
not available
My Photo Album, which is largely about her childhood and teenage years and not so much about being a confrontational artist she is known for today. It is a personal stash of circa 10,000 photos.
not available
History of prices:
Fuel Publishing, London, England GBP 150.- May 2013
GILLIAN WEARING, Total Stranger, 2013
84 × 52,5 cm
signed, numbered
edition 100
published by AOTUEditions / Art on the Underground Editions, London, England
“The Tube is full of strangers. We acknowledge this fact, knowing that we too are strangers to others. My project is to photograph a stranger. The person came forward via an open call advertised in the Metro newspaper and on the TfL website. I chose them through a raffleticket system, which did not reveal their name, age or gender. Until we met on a train and I took her photograph, I still didn’t know her identity, and she didn’t know who I was either. For a brief moment, we were total strangers to each other.” Gillian Wearing
CHRISTIAN MARCLAY, Klak, Klak, Klak, 2012
37 x 28,1 cm / 14 9/16 x 11 1/16 inches
photogravure
edition 25
published by Graphic Studio, Tampa, USA
not available
Continuing his exploration of collage and the visualization of sound this print utilize imagery from Manga comics (originally published in Japan and translated for the US market) and onomatopoeic words. Since the late 1990s, Marclay has created “graphic” scores, non-traditional forms of notation, for improvisational interpretation by musicians and vocal performers.
History of prices:
Graphic Studio, Tampa, USA € 2.900,- / $ 4,000.- July 2013
GARY HUME, Misery, 2012
49,8 x 32 cm
silver paper, acrylic paint, collage on hand made paper
series of 25 unique collages
numbered, signed
published by Monopol – Magazin für Kunst und Leben, Berlin
not available
Gary Hume once said: ‘The surface is all you get of me’, and one can see in this collage what he means given that his applied material is not only smooth and polished, but above all very present. He is known for paintings between figuration and abstraction on aluminum panels, which often feature colour combinations made with industrial paints.
Gary Hume was one of the very first of the Young British Artists to be embraced by the art establishment – the first to win the Jerwood Prize in 1997, the first to represent Britain at the Venice Biennale in 1999, the first to be elected to the Royal Academy in 2001.
History of price:
Monopol/Magazin für Kunst und Leben, Berlin € 3.900,- December 2012
FRED TOMASELLI, July 5, 2012 (Study), 2012
13 x 17 inches
screenprint on newsprint paper
edition 108, nrs 1 – 20 are part of a complete portfolio
published by Vera List Center for Art and Politics, New York, USA
not available
This work is part of a Vera List Anniversary Print Portfolio, which includes prints by Dan Graham, Paul RamÃrez Jonas, Sarah Morris, Matt Mullican, Fred Tomaselli, and Fred Wilson.
Fred Tomaselli has often caused controversy with his use of pattern or mosaic like collages of consciousness-altering plants and pills. “I want people to get lost in the work,” says the artist. “In that way the work is pre-Modernist. I throw all of my obsessions and loves into the work, and I try not to be too embarrassed about any of it.”
History of price:
Vera List Center for Art and Politics, New York, December 2012 US$ 750.-
Other example of newspaper print: Guilty, 2005
DAN GRAHAM, Fish Pond / Swimming Pool, 2012
22″ x 40″
digital print
signed, numbered, edition 108, of which 30 in portfolio with six prints
part of Vera List Anniversary Print Portfolio
published by Lincoln Center, MIT and Vera List Center
not available
Dan Graham’s Fish Pond/Swimming Pool reveals his fascination with reflection and perception. His plans for a partitioned fish pond-cum-swimming pool illustrate a bi-species participatory art experience, as both fish and humans move within the same environment. Guided by an interest in perspective, Dan Graham creates works that explore the activities of voyeurism and spectatorship through the artistic medium of architecture.
History of price:
Lincoln Center, MIT and Vera List Center US$ 750.- December 2012 (year of issue)