KINKE KOOI, Be Precise, 2014

KINKE KOOI, Be Precise, 2014
60,5 x 46 cm
pencil drawing on piezografie print
each print is touched up and refined with pencil by the artist
edition 10
published by Plaats Maken, Arnhem, Netherlands

 

History of prices:
Plaats Maken, Arnhem, Netherlands € 395,- May 2014

 

DAMIEN HIRST, Mickey Mouse, 2014 [large or small version]

DAMIEN HIRST, Mickey Mouse, 2014 [large]
152,4 x 122,4 cm
silkscreen with glazes
signed, numbered
edition 50
published by Other Criteria, London, England
not available

History of prices:
Other Criteria, London, England £3.333,34 – excl. VAT, unframed, launch price 2014
Other Criteria, London, England £7.000 – incl. VAT, unframed May 2014 (“Please note that prices increase as the editions sell out.”)

Damien Hirst says: “The thing about Mickey is that even though he’s gone through so many shifts in form and association, he’s timeless. In a way, he means the same in the 21st Century as he did decades ago. He’s relevant because he’s remained so culturally ingrained and he still looks so great.”

 

 

 

DAMIEN HIRST, Mickey Mouse, 2014 [small]
87,5 x 70 cm
silkscreen with glazes
signed, numbered
edition 250
published by Other Criteria, London, England
sold

MARIJKE VAN WARMERDAM, Morning glory, 2014

MARIJKE VAN WARMERDAM, Morning glory, 2014
30,5 x 25 cm
inkjet print
edition 3 + 1 AP
p.o.r.

 

Marijke van Warmerdam often uses image and title as two dissimilar entities living in symbiosis. Such a combination emphasizes elements of what is already literally shown in the image itself. In this work it is a combination of time and the light of a photographed running iPad apparently switched on in the morning when one gets up. KvG

CHRISTIAN MARCLAY, Splat, 2013

CHRISTIAN MARCLAY, Splat, 2013
46,7 x 35,6 cm / 18-1/4 x 14 inches
screen print with splash painting
edition 30
published by Graphic Studio, Tampa, USA
not available

Continuing his exploration of collage and the visualization of sound these partly unique prints utilize imagery from Manga comics, originally published in Japan and translated for the US market, and onomatopoeic words. Since the late 1990s, Marclay has created “graphic” scores, non-traditional forms of notation, for improvisational interpretation by musicians and vocal performers.

History of prices:
Graphic Studio, Tampa, USA     € 3.270,- / $ 4,500.- December 2013

OLIVIER MOSSET, sans titre, 2012-2013 [sound post card]

OMosset2012sanstitre_postcard415

OLIVIER MOSSET, sans titre, 2012-2013
11,7 x 8,8 cm
virtual sound post card
unlimited edition
published by MAMCO, Geneva, Switzerland
Collection Kees van Gelder, Amsterdam

May be obtained for free by clicking here Olivier Mosset
At the moment no sound support by Mamco!

 
Olivier Mosset is known for being part of the BMPT (Buren-Mosset-Parmentier-Toroni) group founded in 1968 and his huge monochromes as shown at the Swiss pavilion of the Venice Biennual. Less known is that he is a fervent Harley Davidson motorbike driver as one may understand when looking/listening at the sound postcard.

 

List of artists who made sound post cards for MAMCO:

Luc Andrié — Lillian Ball — Cathryn Boch — Katinka Bock — Brice Catherin — Mio Chareteau — Jérémy Chevalier — Nina Childress — Rudy Décelière — Jacques Demierre — Paul Devautour — Tamara de Wehr — Léo Durand — Peter Downsbrough — Heike Fiedler — Luca Forcucci — Gilles Furtwängler — Aloïs Godinat — Alex Hanimann — Thomas Huber — Peter Kogler — Juan José “Pepe” Laici — Anne Le Troter — Beat Lippert — Elisabeth Llach — Marlene McCarty — Olivier Mosset — Ann Noël — ORLAN — Frédéric Post — Marta Riniker-Radich — Sarkis — THE DONKEY’S TAIL — Joëlle Tuerlinckx — Francis Baudevin, Christian Pahud — Filippo Filliger, Dorothée Thébert, Colette — Francesca Gabbiani, Eddie Ruscha

ANTHONY GORMLEY, Domain, 2013

ANTHONY GORMLEY, Domain, 2013
38 x 30,3 cm
etching
edition 100
numbered, signed
published by Baltic, Gateshead, England
p.o.r.

The installation ‘Domain Field’ (2003) at Baltic in Gateshead comprises 287 sculptures made of measurements from volunteers living in Newcastle and Gateshead resulting in a myriad of stainless steel trajectories, giving the impression of a field of human figures in steel representing the particular presence of a living inhabitant of Gateshead and Newcastle.
The etching ‘Domain’ (2013) represents an abstract human body with a Gormley-spiky background.