LOUISE BOURGEOIS, I have been to Hell and Back., 2009
ca 42 x 35 x 12 cm
screen print on cotton Tote bag
published by Moma, New York, USA
mint, very rare
limited edition
€ 620,- plus € 24,- registered Track & Trace mail
inv.LBou BF-plankN
The brilliant screen print on this bag is a bright reproduction of an embroidery work. Originally Louise Bourgeois embroidered on a handkerchief (2007) the text ‘I have been to hell and back. And let me tell you it was wonderful.’ It expresses her opinion that life is a journey with up and downs, and in the end it was worth it. She put this text on her husband’s handkerchief.
More details related to this item
In 2007 a handkerchief with the above text was published by Third Drawer Down in a numbered edition of 1000 for each colour; red, blue and pink. It was co-produced by Tate Modern, London.
GIJS VAN LENTHE, Zanddoos, 2011
DVD, sound
wooden box (7 cm x 21 cm x 21 cm), wrapper, photo print, certificate, usb stick
signed, dated, numbered
edition 3
LOUISE BOURGEOIS, Spider Woman, 2009
42 x 35 x 12 cm
print on cotton, Tote bag
pristine rare
published by Moma, New York, USA
This screen print on cotton bag features a reproduction of Louise Bourgeois’ drypoint etching Spider Woman 2005. The bag has generous side gussets, an interior pouch (8″ x 10″) and an extra small pocket.
LAWRENCE WEINER, Water finds its own level, 2011
29,9 x 35,5 cm / 11 x 14 inches
archival print
edition 500 signed with initials, numbered on certificate, here nr. 6/500
published by Jen Bekman Projects, New York, USA
mint
€ 100,- plus € 18,- Track & Trace registered EU mail for purchase first visit: https://20×200.com/products/lawrence-weiner-water-finds-its-own-level
LAWRENCE WEINER – certificate of Water finds its own level, 2011
In December 2009, the New York City Council voted to require business owners to replace garage-style security gates with ones that allow views into the stores behind them by July 2026. Art Production Fund united 18 artists to make murals on security gate doors of shop in the Bowery. These were on view for two months, after which they were painted over, embodying the upcoming legislated disappearance of the gates across the city of New York.
This edition was published in 5 sizes: 8 x 10 inch, 11 x 124 inch, 16 x 20 inch, 24 x 30 inch and 30 x 40 inch.
LAWRENCE WEINER, Water finds its own level, 2010
paint on metal shop security gate, New York City, USA
History of price:
New Art Editions, The Hague, Netherlands January 2026 US$ 60,- (8 x 10 inches)
D.R. Fine Arts, New York, USA, December 2022 US$ 400.- (8 x 10 inches)
20 x 200, New York, USA October 2022 US$ 150.-
20 x 200, New York, USA December 2021 US$ 75.-
!–The Archive is Limited, Amsterdam December 2026 € 150,-
The Archive is Limited, Amsterdam December 2022 € 125,–>
RAYMOND PETTIBON, Garage Tattoo, 2011
15 x 10 cm
offset transfer print
edition unknown
part of a set of 5 transfer tattoos by John Baldessari, Dinos Chapman, Damien Hirst, Jeff Koons and Raymond Pettibon
published by Garage Magazine, Moscow, Russia – New York, USA
€ 145,- + € 15,- Track & Trace registered EU mail
inv.RPat 000-pr
JCJ VANDERHEYDEN, Chinese Window, 2011
21 x 29,7 cm
digital print on Hahnemühle Photo, 310 g/m2
includes a publication, 16 pp.
25 + 10 AP
signed, numbered edition
published by Helix, Posterholt, Netherlands
History of price:
Helix, Posterholt, Netherlands € 350,- February 2012
DINOS CHAPMAN, Garage Tattoos, 2011 [I’m with this idiot]
15 x 10 cm
offset transfer print
part of set of 5 transfer tattoos by John Baldessari, Dinos Chapman, Damien Hirst, Jeff Koons and Raymond Pettibon
published by Garage Magazine, Moscow, Russia – New York, USA
€ 145,- + € 15,- Track & Trace registered EU mail
inv.DCha 000-pr
DAMIEN HIRST, Garage Tattoo, 2011 [The Immaculate Heart]
15 x 10 cm
offset transfer print
part of set of 5 transfer tattoos by John Baldessari, Dinos Chapman, Damien Hirst, Jeff Koons and Raymond Pettibon
published by Garage Magazine, Moscow, Russia – New York, USA
mint condition
rare
€ 145,- + € 15,- Track & Trace registered EU mail
inv.DHir 000-pr
JOHN BALDESSARI, Stairway, Coat and Person, 2011
50,8 x 40,6 cm / 20 x 16 inches
archival inkjet print
edition 120
published by CCA Wattis Institute for Contemporary Arts, San Francisco, USA
John Baldessari is intentionally questioning the conventions of picture-making, among other things. He says: ‘I am interested in conceptual leaps people can make from one bit of information to another and how they can fill the space.’
FRANÇOIS DEY, Benjamin’s house, 2011
each ca 31 x 22 cm (installation size: 66 x 122 cm)
6 photo prints
signed, dated, numbered
edition 3
Swiss artist François Dey (1981) is attracted by the continuous flux of life in which nothing is basically fixed. Therefore improvisation and unexpected contexts make as much sense as well prepared plans and thought over constructions, whether in the physical reality or our mind. Also language is used breaking the laws of idiom and spelling which makes his written texts look peculiar and even shabby. For him it is a way to get out of the prison of too much treaded roads we already know of.
