LORIS GRÉAUD, Cellar Door, 2009

LORIS GRÉAUD, Cellar Door, 2009
ca 32 x 22.5 x 3.7 cm
cardboard clam box, handmade confetti punched from texts by various authors
edition 25 + 5 AP
numbered; here nr 6/25
published by Christophe Daviet-Thery, Paris, France
mint condition

This edition is announced as ‘A critical anthology on cellar door’. One of the confetti particles contains the number of the edition involved, her number 6/25.

 

RUMIKO HAGIWARA, DINA DANISH, JEAN-BAPTISTE MAITRE, Bracket Marble Bracket, 2017 [white version]


Foto: K. van Gelder

RUMIKO HAGIWARA, DINA DANISH, JEAN-BAPTISTE MAITRE, Bracket Marble Bracket, 2017
37 x 34,5 x 23,5 cm, w h i t e version
certificate, signed, numbered, dated in print
clay, cardboard box, matte marble print paper, hand painted manual, cellophane envelope with plugs and screws
edition 25 + 3 AP, here number 11/25
published by Multiple Choice, Amsterdam

 


Foto: K. van Gelder

RUMIKO HAGIWARA, DINA DANISH, JEAN-BAPTISTE MAITRE, Bracket Marble Bracket, 2017 [grey version]


Foto: K. van Gelder

RUMIKO HAGIWARA, DINA DANISH, JEAN-BAPTISTE MAITRE, Bracket Marble Bracket, 2017
35 x 34,5 x 23,5 cm, w h i t e version
certificate, signed, numbered, dated in print
clay, cardboard box, matte marble print paper, hand painted manual, cellophane envelope with plugs and screws
edition 25 + 3 AP, here number 5/25
published by Multiple Choice, Amsterdam

 


Foto: K.van Gelder

LILY VAN DER STOKKER, Poor museum has no money, 2018 [sticker]

LILY VAN DER STOKKER, Poor museum has no money, 2018
14 x 14 cm
sticker, comes with Cut magazine issue #19
edition 80
published by CUT magazine about art / Galerie van Gelder, Amsterdam
inv.LvdS 000

In 2018, Lily van der Stokker was invited to create a solo exhibition at the Stedelijk Museum in Amsterdam. In such a case it is not unusual to agree that the museum will purchase a work, as an expression of gratitude or support towards the artist. It soon turned out that there was no budget to purchase a work of art by this Dutch artist.

Lily was allowed to come up with proposals for the teaser campaign. She suggested making a sticker with the text ‘Poor museum has no money’. That plan was rejected because there could be a public fuss about money spent by the museum. Van der Stokker then suggested having wrapping paper printed with the text ‘Blockbuster or avantgarde?’. That was also seen as overly critical commentary on the museum.

This sticker comes together with a piece of wrapping paper called “Blockbuster or Avant garde?” as an insert in Cut magazine about art issue #19 – November 2018. Published by Galerie van Gelder, Amsterdam, Netherlands. These items accompany an open letter to Dutch journalist Lucette Terborg by Lily that starts as follows: ‘I’m writing to you in response to your review that was published on 13/14 November in the NRC about my retrospective exhibition at the Stedelijk Museum. It was the second time I’d done something like it (the first being in ‘97)….’

JOHN M ARMLEDER, Assiettes, 1988

JOHN M ARMLEDER, Assiettes, 1988
Porcelaine Winterling, set of dinner plates for soup, main course and dessert, 3 parts
verso signed in glaze
edition illimitée
published by Catherine Issert Editions, Saint Paul de Vence, France
rare
each set € 640,- plus € 24,- registered mail Track & Trace



 

 

 
Postcard published by Catherine Issert Editions in 1988:

In 2020 part of the edition was presented as a so-called ‘Furniture Sculpture’ at Galerie Catherine Issert. Opposite to this one all Furniture Sculptures have a number.

CUT magazine about art, issue #19 (November 2018, incl. Lily van der Stokker inserts)

CUT magazine about art, issue #19, November 2018
21 x 29,7 cm
comes with sticker and wrapping paper of Lily van der Stokker
for Special Cut Subscribers signed edition of 35 by Wjm Kok
including inserts by Lily van der Stokker
published by Galerie van Gelder, Amsterdam
edition 80
inv. CUT 000