
ULISES CARRIÓN, Projekt Clues, 1981
ULISES CARRIÓN, Projekt Clues, 1981
11,5 x 21 cm
stencil print
rare

ULISES CARRIÓN, Projekt Clues, 1981
ULISES CARRIÓN, Projekt Clues, 1981
11,5 x 21 cm
stencil print
rare

JENNY HOLZER, I am Awake in the Place where Women Die, 1996
20,2 x 40,1 cm
puzzle; offset, paper, wood, cardboard box (21,5 x 41,5 cm)
stamp signed, numbered
published by Galerie-Éditions Média, Neuchâtel, Switzerland
mint
p.o.r.
In the 90’s Jenny Holzer texts works were extreme, aggressive, contradictory or even an open door and were acclaimed for its visual one-liners on e.g. female victims of war that were more a statement than poetry. KvG
In 1990 she was awarded the Golden Lion Prize at the Venice Biennale.


JULIEN MONNERIE, untitled, 2018
10,7 x 8,8 cm
polaroid photo
series of 20 unique photos
felt pen signed, dated
published by Connoisseurs, Paris, France
With a necktie, cuff-inks, collar pins or his signature Julien Monnerie shows a preference for making works related to his body. Since 2014 he is specifically interested integrating his initial-like signature in his paintings and prints. In this polaroid edition he shaved his hair in the shape of his signature, playfully referring to artists like Man Ray and Yves Klein. KvG

PETER FISHLI & DAVID WEISS, Musée d’Art Moderne de la Ville de Paris, 1999
27,5 x 21,5 cm
SC, 160 pp., offset, high gloss MC paper
original grey cardboard in the middle, incl. sleeve as issued
published by Buchhandlung Walther Koenig, Cologne, Germany
mint
€ 280,- plus € 18,- registered mail
inv.F&W 000-pr
Peter Fischli: “We were interested in the element of chance”. David Weiss: “When the photographs come off, it’s like receiving a gift.”
and “In fact, they tread quite a thin line: we want to seduce viewers with floral opulence. But you can’t exactly view them ingenuously, either.”
This ‘book’ is one of the most outstanding visuals issued in the nineties as an industrially made artist’s book. The loose pages folded together as a book make each photographic double exposure on each spread an evocative experience for the eye. Soon one year later in 2000 a second edition was published due to its success.

DAVID SHRIGLEY, I Like the Way You Move, 2018
9,3 x 11 x 8 cm
ceramic mug, printed in glaze
published by SCP Ltd, London, England

JOHN M ARMLEDER, U 40 drop cloth, 1992
146 x 59 cm
paint, varnish, show print on cotton
pizza box with label
signed, both on cloth and box
edition 106, i.e. unique series of which this one was folded due to its over-size
published by Galerie van Gelder Editions, Amsterdam, Netherlands
p.o.r.

In 1992 John M Armleder exhibited in Museum Utrecht in The Netherlands. The exhibition was named “Pour Paintings 1989-1992” and a museum catalogue with all his Pour Paintings was published. On site and on behalf of his show he produced three large paintings that caused a lot of drippings on the floor. Armleder proposed to intercept these paint drippings on a large cotton cloth that would be cut into smaller pieces of cloth kept in a cardboard pizza box. In this way 105 pieces were cut with one exceptionally large left-over that was folded in the last pizza box.

DAVID SHRIGLEY, Box of Crap, 2017
diameter 11,4 cm, height 4,8 cm
text on 100 meter tape roll, label, sealed
published by Third Drawer Down Studio, Fitzroy, Australia
inv.nr DShri 650

MARK WALLINGER, “Study for self reflection”, 2018
26 x 20 cm
invitation card, silver foil cardboard
published by Hauser & Wirth, New York, USA
Usually the invitation cards of Hauser & Wirth depict reproductions of art works or reproduced photos of the artists involved in a coming exhibition. Here the printed matter is a piece of silver foil cardboard, apparently to use as a mirroring surface. Therefore first of all this card may be considered as a multiple.

YANN SÉRANDOUR, Folded to Fit, 2018
84 x 59,4 cm (folded to 54 x 42 cm)
silkscreen print, wooden stick (80 x 1 cm)
signed, numbered
edition 15 + 10 AP
published by More Publishers, Bussels, Belgium
This edition is made after a found herbarium-page, for which a plant was folded to fit the book format. The work consists of an enlarged print of the page, then folded, following the irregular leafs and branches of the plant. The folded print is to be installed over a wooden stick of 80 centimeters long, nailed to the wall.


BEN VAUTIER, Écoutez la mer, 2001
10 x 12 x 1,5 cm
metal balls, glue sealed plastic box with printed matter
comes with bulletin Praktikabel-podium per post, Nr 23, original envelope with Ben Vautier sticker
edition 300
signed, numbered
splendid condition, although the bulletin is folded due to being added to the box in a mailed envelope
published by Stichting Keunstwurk, Leeuwarden, Netherlands
inv.BVau 000-pr

-put it against your ear
-close your eyes
-listen to the Waddenzee


