MARIEKE ELZERMAN, Moises y Noe, 2018
[trans. Moises in the Jungle]
20,3 x 30,5 cm
colour photo
signed, dated, numbered
edition 40
published by the artist
Added: postcard + souvenir, i.e. 2 presents from the artist given to ca all 10 crowd funders DoneerDoel.
ANDY WARHOL, Cow, 1976
110 x 75 cm
wallpaper, screen print in red, black and white, framed
dated in print
text: “Copyright Andy Warhol La Biennale 1976”
edition unknown
condition: very good to excellent
€ 1.500,- plus courier costs
inv.AWar 000
‘The iconic Warhol’s print of a cow was first executed in 1966 for his exhibition at the Leo Castelli Gallery, New York: ‘The idea to use a picture of a cow’s head reportedly stemmed from a comment by the dealer Ivan Karp that no one painted pastoral scenes any more. Warhol’s response was to find a picture of a cow in an old agricultural magazine and have it silkscreened as wallpaper’. Source: TATE Modern, London, UK.
Another source says: ‘Art dealer Ivan Karp proposed Andy Warhol to paint some cows after he claimed that traditional painting was “dead”. Printer Gerard Malanga subsequently came up with some photographs of a cow’s head which were shown to Warhol. This resulted in a series of cow prints, all screen printed on wallpaper between 1966 – 1976’.
This screen print “Cow” (1976) comes with a certificate of authenticity stating that the provenance is from a collection of a neighbour of Andy Warhol. See at The Archive is Limited: “Cow” (black and white) and “Mao” (2 heads, black and white) that were also part of this collection.
Condition details.
Overall the print looks excellent with bright paper colour. A very attractive lived-through wallpaper print! Framed as shown below.
History of prices:
Roseberys, London, UK € 1.824,- Cow n.d. pink on blue / 25 November 2025 (hammer price)
Selkirk Auctioneers & Appraisers, Saint Louis MO, USA € 2,161 Cow 1976 pink on violet / 13 June 2025 (hammer price, poor condition)
Andrew Jones Auctions, Los Angeles, USA € 5,489.- Cow 1971; brown on blue / 17 July 2024 (hammer price)
Phillips, New York, USA € 10.273,- Cow 1971; brown on blue / 27 June 2024 (hammer price)
Edward Kurstak Gallery, Casselberry, USA € 1.028,95 Cow 1976; red on b&w / June 2024
Bonhams, Los Angeles, USA US$ 1,912.- Cow 1976; red on b&w / 9 December 2021 incl. premium
Stair Galleries, Hudson NY, USA € 10.124,- Cow 1976; red on b&w / 2 June 2022 incl. premium
Cornette de Saint Cyr, Paris, France € 3.500,- Cow 1976; red on lemon yellow / 21 January 2021 incl. premium
Cornette de Saint Cyr, Paris, France € 4.550,- Cow 1976; red on lemon yellow / 21 January 2021 incl. premium
Rosebery’s Hill, London, UK € 4.617,- Cow 1976; dark pink on yellow / 6 October 2020, incl. premium
Quittenbaum, Munich, Germany € 800,- Cow 1976; purple on b&w / 27 June 2019, hammer price
ArtPrice.com € 1.910,- 12 December 2019, Cow 1976, incl. premium
Invaluable € 1500,- 4 December 2018, Cow 1976, hammer price
Prints from 1966:
Phillips, New York, USA € 9.427,- Cow 1966; red on yellow / 21 April 2021 (incl. premium)
Rosebery’s, London, UK € 8.178,- Cow 1966; red on yellow / 9 March 2021 (hammer price)
Phillips, New York, US$ 6,875.- Cow 1966; pink on yellow / 8 June 2011 (hammer price)
Phillips, New York, US$ 5,250.- Cow 1966 (stated as ‘1989’); pink on yellow / 26 April 2008 (hammer price)
More information about ‘Cow’ prints, 1966-1976
There are various kinds of so called Cow prints, with various widths and also publishers. One print run was made in 1966 with a text TRIM Andy Warhol, one in 1971 and another one in 1976.
In 1966, for the first time Andy Warhol produced Cow prints for his exhibition at Gallery Leo Castelli. For the Whitney Museum in New York he made another series of Cow prints. On the edge it reads: Whiney Musuem May 1 – June 13 1971.
For the Venice Biennale 1976 he showed Cow wallpaper produced on behalf of his presentation at the pavilion of the USA. On the brim of each sheet of wallpaper a text reads: Copyright Andy Warhol La Biennale 1976.
The first of the series, Cow, 1966, was published as a wallpaper for an exhibition at the Leo Castelli Gallery. Repeated imagery of cows on the wall surrounded visitors.
The second screen print of the series features an orange cow against a lilac background. This image was published for a 1971 Warhol exhibition at the Whitney Museum in New York.
The third screen print shows a cow that is coloured in bright yellow against a blue background. Of this work 150 copies have been hand signed. The unsigned versions have been authenticated by the Andy Warhol Art Authentication Board.
The last screen print of the series shows the cow in light pink against a purple background. This work was published for an exhibition at the Modern Art Pavilion in Seattle, Washington, from November, 1976-January 9, 1977. Prints in various colours have been signed in an unknown edition.
For some reason there is a fifth series of various colour combinations made in 1976, apparently during the time when the fourth series was produced. Several copies have been signed by the artist. See image below.
GENERAL IDEA, Test Pattern – TV Dinner plate, 1988
22,4 x 29,8 x 1,5 cm
TV dinner plate, porcelain
with original box + sticker
edition 300, although only 238 realised
published by Spiral / Wacoal Art Center, Tokyo, Japan
pristine rare
€ 1.750,- plus € 32,- registered mail
inv.GIdea 602
Art Metropole gives this item a lower edition, namely 238. I remember that John Goodwin (director of Art Metropole between 1983-1988) told me that during the transport many plates appeared broken when they were unpacked. KvG
History of prices:
Caviar20, Toronto, Canada October 2023 US$ 2,000.-
Quittenbaum Kunstauktionen, Munich, Germany 10 December 2020 € 400,- (hammer price, used)
Kunstgriff, Zurich, Switzerland May 2018 SFr. 1500,-
RICHARD ARTSCHWAGER, BLP, 1978
each 22,2 x 8,9 cm
2 stickers, text on envelope (10,4 x 24 cm)
edition unknown
published by Clocktower, New York, USA, 1978 extremely rare
condition: excellent
€ 1.850,- plus € 18,- Track & Trace registered mail
inv.RArts 905
The two stickers, one in white and one in black, come in an envelope with printed text from an original type written description. These Blp’s were used for his installation at the Clocktower in New York, 1978.
In 1967 Richard Artschwager (1923 – 2013) introduces his Blips for the first time as an oval-shaped graffiti sign. These signs have been installed either vertical or horizontal as a device to focus on or draw attention to e.g. an empty gallery wall or a building front not commonly receptive for art.
Richard Artschwager first created his blps, pronounced as “blips” in the late 1960s. These installed black pill shaped forms or marks were meant to inspire focused looking and draw our attention to the places and things around us that often go unnoticed. Most of his “Blp’s” have a heavy material presence, usually made of wood, rubber or of a thick layer of hair. The sticker version is the most ephemeral work among the “Blp’s” and certainly of Richard Artschwager’s oeuvre.
Ref. Specific Object / David Platzker, New York: ‘Two vinyl self-adhesive ‘BLP’s, one each in white and black, from Richard Artschwager’s installation at the Clocktower, New York, April 5 – 29, 1978. Housed in facsimile of envelope provided to current owner.’
BRUCE NAUMAN, Soundtrack from First Violin Film, 2016
32,3 x 32,3 x 1 cm
vinyl LP, 2 LP covers, inlay with text, fluorescent Perspex cassette, 5 parts
edition 100 + 12 AP, here regular number 59/100 signed, dated, numbered
published by Die Schachtel, Milan, Italy / Tanglewood Press Inc. New York, USA
mint (never played)
€ 2.200,- plus € 32,- Track & Trace registered EU mail
inv.BNau 605-06
Ref. Bruce Nauman Soundtrack from First Violin Film, 2016.
https://www.soundohm.com/product/soundtrack-from-first-vio
Photo: K. van Gelder, Amsterdam
Photo: K. van Gelder, Amsterdam
History of prices:
No Storefront, Placenza, Italy April 2025 € 1.300,-
Capsule Gallery, New York, USA (AP edition Nr XII) 27 June 2024 € 182,- (hammer price)
Capsule Gallery, New York, USA (AP edition Nr IX) 23 May 2024 € 346,- (hammer price)
Capsule Gallery, New York, USA (AP edition Nr X) 23 May 2024 € 346,- (hammer price)
Capsule Gallery, New York, USA (AP edition Nr IX) 23 May 2024 € 346,- (hammer price)
Capsule Gallery, New York, USA (AP edition Nr XI) 28 February 2024 € 299,- (hammer price)
Buchhandlung Walther Koenig, Cologne, Germany March 2023 € 1.400,-
Buchhandlung Walther Koenig, Cologne, Germany December 2022 € 980,-
Die Schachtel, Milan, May 2018 € 750
GERHARD RICHTER, Schwarz, Rot, Gold I, 1998
61,5 x 47,5 cm (42 x 29,7)
oil paint on canvas, framed
series of 128 unique collages + 6 AP
published by Texte zur Kunst, Cologne, Germany
pristine
not available
Texte zur Kunst: “Richter hat sich in seiner Edition für Texte zur Kunst der Collagentechnik bedient, so als wolle er den Eindruck einer geschlossenen Bildoberfläche unterlaufen, indem er bemalte Farbbahnen zerschnitt und aneinanderklebte. Da es sich bei dieser Arbeit um eine Variante über die Deutschlandfahne handelt – Richters Entwurf für den Berliner Bundestag -, liegt eine bestimmte Interpretationsebene nahe: Das Symbol für die Idee nationaler Einheit wird aufgebrochen und dadurch quasi seiner Essenz beraubt. Dieser Auflösungsprozess wird durch das Moment der Serialisierung wie durch leichte Farbabweichungen unterstrichen: „Schwarz”, „Rot” und „Gold” werden in jeweils vier Abstufungen kombiniert und sind demnach nur annäherungsweise repräsentiert. So variiert etwa das „Gold” zwischen Ocker und Senffarben”.
History of prices:
Adam Art Auction, Amsterdam May 2019 € 10.000,- (hammer price)
Lempertz Auktion, Germany 1 June 2017 € 23.560,- (hammer price)
Lempertz Auktion, Germany 4 June 2016 € 16.740,- (hammer price)
Lempertz Auktion, Germany 23 May 2012 € 10.370,- (hammer price)
Ketterer Kunst, Munich, Germany 26 March 2004 € 3.803,- incl. 17% premium
SALIM BAYRI, Sad Ali, 2017 [small version]
16,2 x 4,9 cm
print, lasered sky leather
signed, numbered, dated
edition 4
€ 250,-
Salim Bayri surrounds himself with an alter ego that he calls Sad Ali, a shortening of “sad alien”. This figure has no organs, undertakes no actions and opposite to a cartoon personality he doesn’t talk. As a kind of ambulant search machine he runs around checking out situations and things.
Salim Bayri: ‘I mostly use computer generated images, sound, footage and short actions because of their speed and fluidity.’
Salim Bayri is nominated for the Nationale Nederlanden Group Award 2018. The other nominees:
Pauline Curnier Jardin
Sam Samiee
Rafaël Rozendaal