LAWRENCE WEINER, Bicycle Edition, 2011
hand engraved signed and numbered, edition of 10 + 3 AP
hand painted designs and custom decals, fabricated by Atomic Signs
published by the New Museum, New York, USA
www.newmuseumstore.org/browse.cfm/lawrence-weiner-bicycle-edition/4,5346.html
History of prices:
New Museum, New York, USA € 2.330,- / US$ 3,000.- September 2012
KRISTJAN GUDMUNDSSON, Drawing in Round Frame, 2011
plexiglass, solid graphite diameter 20 cm / 7.8 inches
edition 20
In Drawing in Round Frame, Kristján Gudmundsson uses solid graphite framed in an unusual manner. For him another way of making a drawing on a wall and here also in a circular frame. As a minimalist he questions the viewer’s senses, as well as the functions and possibilities of making a fundamental drawing.
Kristján Gudmundsson is a pioneer of Icelandic conceptual art, creating intellectually challenging and sometimes humorous artworks that address issues of science, art, and philosophy. A process artist who drills the mediums of drawing and painting down to their bare essentials.
History of prices:
Galleri i8, Reykjavik, Iceland € 1.200,- / US$ 1.300.- February 2014
Galleri i8, Reykjavik, Iceland € 1.000,- / US$ 1.300.- February 2012
JEFF KOONS, Garage Tattoo, 2011 [Lobster]
15 x 10 cm
offset transfer print
edition unknown
part of a set of 5 transfer tattoos by John Baldessari, Dinos Chapman, Damien Hirst, Jeff Koons and Raymond Pettibon
published by Garage Magazine, Moscow, Russia – New York, USA
JOHN BALDESSARI, I will not wear any more boring tattoos. 2011
15 x 10 cm, offset transfer print
edition unknown
part of set of 5 transfer tattoos by John Baldessari, Dinos Chapman, Damien Hirst, Jeff Koons and Raymond Pettibon
published by Garage Magazine, Moscow, Russia – New York, USA
€ 145,- + € 15,- Track & Trace registered EU mail
inv.JBal 000-pr
Garage Art-Tattoo sticker, recto:
LOUISE BOURGEOIS, I have been to Hell and Back., 2009
ca 42 x 35 x 12 cm
screen print on cotton Tote bag
published by Moma, New York, USA
mint, very rare
limited edition
€ 620,- plus € 24,- registered Track & Trace mail
inv.LBou BF-plankN
The brilliant screen print on this bag is a bright reproduction of an embroidery work. Originally Louise Bourgeois embroidered on a handkerchief (2007) the text ‘I have been to hell and back. And let me tell you it was wonderful.’ It expresses her opinion that life is a journey with up and downs, and in the end it was worth it. She put this text on her husband’s handkerchief.
More details related to this item
In 2007 a handkerchief with the above text was published by Third Drawer Down in a numbered edition of 1000 for each colour; red, blue and pink. It was co-produced by Tate Modern, London.
Handkerchief, blue version
Handkerchief, label Third Drawer Down / Tate
LOUISE BOURGEOIS, Spider Woman, 2009
42 x 35 x 12 cm
print on cotton, Tote bag
pristine
rare
published by Moma, New York, USA
This screen print on cotton bag features a reproduction of Louise Bourgeois’ drypoint etching Spider Woman 2005. The bag has generous side gussets, an interior pouch (8″ x 10″) and an extra small pocket.
DINOS CHAPMAN, Garage Tattoos, 2011 [I’m with this idiot]
15 x 10 cm
offset transfer print
part of set of 5 transfer tattoos by John Baldessari, Dinos Chapman, Damien Hirst, Jeff Koons and Raymond Pettibon
published by Garage Magazine, Moscow, Russia – New York, USA
€ 145,- + € 15,- Track & Trace registered EU mail
inv.DCha 000-pr
DAMIEN HIRST, Garage Tattoo, 2011 [The Immaculate Heart]
15 x 10 cm
offset transfer print
part of set of 5 transfer tattoos by John Baldessari, Dinos Chapman, Damien Hirst, Jeff Koons and Raymond Pettibon
published by Garage Magazine, Moscow, Russia – New York, USA
mint condition
rare
€ 145,- + € 15,- Track & Trace registered EU mail
inv.DHir 000-pr
JONATHAN MONK, Grey/Gray, 2012
two 7” vinyl records, sleeves,
numbered on certificate with finger prints of grey paint
edition 100
signed
mint
published by CCA Wattis Institute, San Francisco, USA
€ 360,- plus € 20,- Track & Trace registered EU mail
inv.JMon 206
Within each edition copy Grey/Gray one of the two records is visually unique.
Side A is the sound of black paint being mixed with white. Side B is the sound of white paint being mixed with black.
One is in a black sleeve and the other one in a white sleeve, housed within a clear plastic sleeve with a printed sticker and a small offset printed certificate signed in pencil and painted with grey (English spelling) or gray (USA spelling) finger prints.
GLENN LIGON, I Am A Man, 2011
25 1/2 x 14 x 3 1/2 inches / bag itself approx. 14″x16″
tote bag
published by Modern Art Museum, Fort Worth, Texas, USA
p.o.r.
In 1968, at the height of the Civil Rights Movement, hundreds of black sanitation workers in Memphis went on strike. Famously, they carried signs reading, “I AM A MAN”. This statement “I AM A MAN” started out as an exasperated cry from an oppressed minority to be treated as human. The posters were carried by the workers on strike that drew Martin Luther King Jr. to Memphis, Tennessee the first week of April 1968. After King’s assassination later that week, the poster became a nationally recognized symbol of the struggle for equality and humanity. Twenty years later, Ligon replicated those signs in his painting Untitled, 1988. Working through the legacy of the civil rights movement he has found his artistic voice: this was one of Ligon’s earliest paintings to include appropriated text, an exploration that continues to this day.