JAAP KRONEMAN, Globloids, 1998

JAAP KRONEMAN, Globloids, 1998
various magazine sizes
screen print on transparent foil, 10 parts
signed on label, cardboard box
edition 75
published by Plaats Maken, Arnhem, Netherlands
inv.JK 000_000-pr                              

Jaap Kroneman is the founder of Flat Art, to which the works of Dutch artists Hester Oerlemans, Wouter van Riessen, Wouter van Risen, Lieven Hendriks, Rosemin Hendriks, a.o. could belong to. They are known for their graphic-like contour paintings and drawings. The Globloids depicted above on floor was installed by the artist on behalf of his solo exhibition at Galerie van Gelder, Amsterdam.

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GERHARD RICHTER, Schwarz, Rot, Gold II, 1998

GERHARD RICHTER Schwarz, Rot, Gold II, 1998
21 x 29,7  x 1,3 cm /8.27×11.69 inches
synthetic resin paint behind glass, hard fiberboard mount, metal parts
4 different shades of each colour
edition of a unique series 64 + 3 AP
verso signed, dated on sticker
published by Galerie Fred Jahn, Munich, Germany
out of stock

This edition is marked with a three digit combination in felt-tip pen on reverse and each multiple with inv.id WV-Nr. 855-8 was made in conjunction with ‘Schwarz, Rot, Gold’ from 1999, a commissioned work by the German Bundestag for the Reichstag building in Berlin, Germany.

History of prices:
Auction Ketterer Kunst, Munich, Germany         € 5.000,-  /  $ 6,657.-    24 April 2010
Auction Van Ham, Cologne, Germany                € 6.200,-  /  $ 8,300.-   June 2011

ROB SCHOLTE, Nu met gratis doek van Rob Scholte, ca 1997

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ROB SCHOLTE, Nu met gratis doek van Rob Scholte, ca 1997
27,5 x 9,3 x 5,5 cm
Glassex Ultra-Action pistol, flex print on cloth, sealed as issued
signed in print
limited edition unknown
inv.RSchol-pr 307

 
Rob Scholte is being looked at as the enfent terrible in the Dutch art scene. Appropriation of a polka dot, a Monopoly game or a Philips logo it is all in the game of making the notion copyright into a dispute. Here with ‘Nu met gratis “piece of fabric” van Rob Scholte’/’Now with free canvas of Rob Scholte’ he alludes to giving away a canvas to the buyer of a commodity item.
Next to a yellow spray cap there is a blue spray cap version called Glassex Multi-Action and a re-fill flask, both including a cloth with signature in print.

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inv.RSchol306-pr

MESCHAC GABA, Untitled, n.d. [1997, box with money safety pins]

MESCHAC GABA, Untitled, 1997
1,2 x 5,9 x 3,9 cm
22 safety pins with banknote particles, plastic box
signed on lid
edition unknown
published by the artist
Collection K. van Gelder, Amsterdam
inv.MGab 000-pr

In 1997 various items made out of banknotes were offered at one of the annual Open Ateliers of the Rijksakademie in Amsterdam. This transparent box produced in a small edition was offered for sale in the studio of Meschac Gaba. Gold coloured safety pins are stuck into Benin banknote particles in the shape of a tiny circle.

 

MGaba1997-ndA550

TONY OURSLER, Untitled (Talking Photograph), 1996

TONY OURSLER, Untitled (Talking Photograph), 1996
photo, plastic frame, audio recording
15 cm x 18 cm x 1,3 cm / 6 x 7 x 0.5 inches (size photo)
signed, numbered
edition 100
published by Artists Space, New York, USA
out of stock

History of prices
Artists Space, New York, USA June 2013 € 750,- / US$ 1,000.-  

MARTIN CREED, Work 88, 1995 [crumpling]

MARTIN CREED, Work No. 88, 1995
diameter ca 5 cm crumpled sheet of A4 paper, paper shavings, cardboard box
numbered, signed on certificate
unlimited edition
published by Hauser & Wirth Edition, Zurich, Switzerland
not available

This work is made out of a sheet of A4 paper crumpled into a ball. It is an unlimited edition, but this doesn’t mean that such a work is available for ever: www.hauserwirth.com/editions/30/work-no-88-br-a-sheet-of-a4-paper-crumpled-into-a-ball/view/ 

MARIJKE VAN WARMERDAM, Klok, 1995 [electric doorbell]

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MARIJKE VAN WARMERDAM, Klok, 1995
height ca 40 cm, different heights
bronze, ceiling clamp, electric device
series of 12 unique doorbells, cast in different pitches
Collection Kees van Gelder

 

‘Marijke van Warmerdam could be the very founder of Reaction Art, i.e. context triggers her imagination. The idea of making a school bell in the form of a carillon with two melodies struck Van Warmerdam as a good alternative to the piercing sound of the bell that normally rings out across the schoolyard. She invited composer Jeff Hamburg to make one melody for the start of lessons and another for when school ends. From there in the context of her first commercial gallery show in Amsterdam in 1995 she decided to turn the gallery’s doorbell into a doorbell bell creating a very deep sound in the building when visitors rang it.’ september 2012 KvG

MARIJKE VAN WARMERDAM, Vuilnisbak, 1995

MARIJKE VAN WARMERDAM, ‘Vuilnisbak’, 1995
65 x Ø 35 cm
zinc dustbin, gold leaf, varnish
signed, dated, numbered
edition 20
Galerie van Gelder, Amsterdam        

‘We use a dustbin every day and half our lives end up in it.’ Based on this idea, the artist felt it was time to place the dustbins on a pedestal by providing them with a layer of gold leaf.

VICTOR VASERELY, Rosenthalkarte, n.d. [ca 1995]

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VICTOR VASERELY, Rosenthalkarte, n.d. [ca 1995]
16 x 11,5 cm
printed ceramic postcard, pencil, plastic support, paper cushion, beauty box + original Rosenthal mail wrapping; complete as issued
edition unknown
published by Rosenthal GmbH, Selb, Germany
pristine condition
€ 260,- plus € 18,- Track & Trace registered EU mail


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VVaserely-postcardCeramic-postpackage600

History of prices:
Galeria Tarquinia. Los Lagos, Chile 11 October 2022 € 750,-
eBay-armonia24, Planegg, Germany 11 October 2022 € 99,-
Catawiki, Assen, Netherlands 20 December 2018 € 310,- (hammer price)