
JOHN M ARMLEDER, White Cup, 2020
7,5 x 12 x 12 cm
porcelain, 2 parts
signed and dated in glaze
limited amount of solely saucer and cup out of an edition of 500
condition: mint
€ 150,- plus € 18,- Track & Trace EU registered mail


JOHN M ARMLEDER, White Cup, 2020
7,5 x 12 x 12 cm
porcelain, 2 parts
signed and dated in glaze
limited amount of solely saucer and cup out of an edition of 500
condition: mint
€ 150,- plus € 18,- Track & Trace EU registered mail


SALIM BAYRI, IAN PAGE and ÖZGÜR ATLAGAN, Wet rent wrong, 2020
21 x 29,7 cm
print op paper, 90 g/m2 (version A)
signed by all artists
edition 6
published by Galerie van Gelder Editions, Amsterdam
€ 55,- plus € 12,- Track & Trace registered EU mail
inv.SBay 000
verso:

Version B available on 180 g/m2

TAKAKO SAITO, Die Tuschzeichnung auf dem Düsseldorf Wasser, 1984
22 x 11,2 cm
4 torn marbled paper and hand folded folder
unique marbled paper
signed, dated, numbered; here nr 18
published by Noodle Edition, Düsseldorf, Germany
condition: pristine, aged folder
inv.TSait 914


TAKAKO SAITO, Die Tuschzeichnung auf dem Düsseldorf Wasser, 1984
20,6 x 11,6 cm
5 torn marbled papers and hand made folder
unique marbled paper
signed, dated, numbered; here nr 20
published by Noodle Edition, Düsseldorf, Germany
condition: pristine, aged folder
inv.TSait 915-pr


TAKAKO SAITO, Die Tuschzeichnung auf dem Düsseldorf Wasser, 1984
23,1 x 12,4 cm
5 torn marbled papers and hand folded folder;
unique marbled paper
signed, dated, numbered; here nr 37
published by Noodle Edition, Düsseldorf, Germany
condition: pristine, aged folder
inv.TSait 916


DAVID HORVITZ, Mood disorder, 2015
35 x 25 cm
SC, 72 pp., stapled
edition 2000
condition: very good
published by Chert, Berlin/Motto Books, Berlin-Lausanne/New Documents, Los Angeles-Vancouver
inv.DHor 000-pr
David Horvitz’s self-portrait with his head in his hands, ocean waves crashing in the background, was initially uploaded by him to the Wikimedia Commons, and placed on various Wikipedia pages. Mood Disorder documents the appropriation of David Horvitz’s photograph across the internet. The image began to circulate more intensely, appearing on over a hundred websites as a “stock” photo to illustrate articles on a wide range of mental health and wellness issues.
This artist’s book is still available at various selling venues.

DAVID HORVITZ, Everything that can happen in a day, n.d. [2008]
57,8 x 41,8 cm
offset on newsprint, twice folded as published
published by the artist
condition: splendid
inv.DHor 907

JOHN M ARMLEDER, White Plate, 2020
dinner plates, cup and saucers
set of 24 parts
all signed and dated in glaze; in 4 original cardboard boxes
limited edition 500
€ 495,- plus € 65,- Track and Trace EU registered mail,
incl. plywood crate or cardboard box 60 x 40 x 40 cm
inv.JMA Coffret01-pr
John M Armleder is known for leaving things as they come. While they come the objects of his choice seem to help him out of what to do with them. Paintings are poured over, debris come together and form obviously a natural sculpture.
For this edition the form, presence and sparkling whiteness helped the artist to decide to leave it all alone as it is and to add merely a title to the set of objects: “White Plate”. KvG

LUKAS DUWENHÖGGER & JULIAN GÖTHE, Eine kleine Kantate, 1993
10,7 x 14,7 cm
invitation card
published by Lukas & Hoffmann, Cologne, Germany
extremely rare
€ 180,- plus € 15,- Track & Trace registered mail
inv.LDuw 890-pr

CHRISTOPH BUECHEL, Free Manifesta, 2002
A4
high quality digital print from screen shot
published by eBay / freemanifesta
inv.ChrB 000-pr
After being invited to Manifesta 4, Christoph Büchel offered his participation rights to the highest bidder on eBay who purchased this eventually for $15,099.
On 20th of March 2002 I contacted Christoph Buechel to have a solo exhibition in my gallery in Amsterdam. He proposed to become the highest bidder of his eBay offer. Being the highest bidder Galerie van Gelder would have had a solo exhibition of Christoph Buechel at Manifesta 4 in Frankfurt, Germany. Unfortunately the highest bid was a bit too high for the gallery’s financial standards.

inv.CBüc 918