MARIJKE VAN WARMERDAM, La Fille aux Crêpes, 1995

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MARIJKE VAN WARMERDAM, La Fille aux Crêpes, 1995
13,6 x 20,6 cm
paper on aluminum
edition 10 + 2 AP
published by the artist

During the opening days of the Venice Biennale 1995 Marijke van Warmerdam was named ‘the girl with the pancakes’ by Didier Vermeiren, because of her contribution in the catalogue. For her first Dutch solo exhibition (in Galerie van Gelder) in 1995 she used this nickname as the title of the exhibition, beside her own name. With the edition La fille aux crêpes she sought to raise that ambiguity once again.

VICTOR VASERELY, Rosenthalkarte, n.d. [ca 1995]

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VICTOR VASERELY, Rosenthalkarte, n.d. [ca 1995]
16 x 11,5 cm
printed ceramic postcard, pencil, plastic support, paper cushion, beauty box + original Rosenthal mail wrapping; complete as issued
edition unknown
published by Rosenthal GmbH, Selb, Germany
pristine condition
€ 260,- plus € 18,- Track & Trace registered EU mail


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History of prices:
Galeria Tarquinia. Los Lagos, Chile 11 October 2022 € 750,-
eBay-armonia24, Planegg, Germany 11 October 2022 € 99,-
Catawiki, Assen, Netherlands 20 December 2018 € 310,- (hammer price)

RICHARD PRINCE, I never had a penny to my name…., 1994

RICHARD PRINCE, ‘I never had a penny to my name, so I changed my name.[1985]’, 1994
10,5 x 15 cm
signed, dated
p.o.r.

 

This signed postcard is a reproduction of a Richard Prince Joke painting that comes in more than one version. A shadow line in between the two parts of the painting has been replaced by a designer’s cut on the post card. By this a vertical white line is created that is not part of the painting as is shown below.

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Coll. Rubell Family Collection, Miami, USA
inv.BF-storage.card

LOUISE BOURGEOIS, Untitled, 1994

     

LOUISE BOURGEOIS, Untitled, 1994
each 92,7 x 71 cm / 36 x 28 inches
hand coloured intaglio print
edition 65 (black and white) and edition 35 (red)
signed, numbered
published by The Paris Review, New York, USA
not available

Louise Bourgeois made sculptures in wood, steel, stone and cast rubber and used drawing and printing as a tool of artistic expression, often organic in form and sexually explicit, emotionally aggressive yet witty, covered many stylistic bases. But from first to last they shared a set of repeated themes centered on the human body and its need for nurture and protection in a frightening world;  protection often translated into images of shelter or home.

 

History of prices:
each US$ 3,500.-  September 2012

DIETER ROTH, Quick, 1994

DIETER ROTH, Quick, 1965/1994
20 x 32 x13 mm
mini book, plastic box, folded stencil ca A5, signed, dated: 1965/94
edition 45 + 105
published by Boekie Woekie, Amsterdam 1994                                    
Boekie Woekie, Amsterdam € 220,-   July 2012
Boekie Woekie, Amsterdam € 450,-   September 2013
Collection Kees van Gelder, Amsterdam

Artist book originally published by Rudolf Reiser in 1965 in an edition 150. In 1994 Rudolf Zwirner / Galerie Rudolf Zwirner in Cologne found one day a shoe box in his storage with left-overs of the edition. He asked Walter Koenig / Buchhandlung Walther Koenig if he was interested in these books. The latter contacted the artist who suggested that he could take the shoe box with the books to Boekie Woekie artist’s Bookshop in Amsterdam for a revival of this project started in 1965. Dieter Roth wanted to have a little container for the book, which was supplied by the bookshop. In this way the remaining 105 copies which remained unsold, were re-issued in Amsterdam in 1994, signed and dated ‘1965/94’ by Roth on the front cover, supplied with a wrap-around information sheet (apart from Dutch text, with stenciled handwriting of the artist) in Icelandic, German (recto), English and Dutch (verso); together with a small plastic box.

The artistic practice of Dieter Roth (Swiss, born in Germany, 1930–1998) encompassed everything from painting and sculpture to film and video, but it is arguably through his editioned works—prints, books, and multiples—that he made his most radical contributions. These experiments include the use of organic materials in lieu of traditional mediums, including book-sausages filled with ground paper in place of meat, and multiples of plastic toys mired in melted chocolate, as well as a dazzling array of variations on printed postcards. Here the magazine Quick was cut and used to the smallest book he ever made.

Mechanical Reproduction, 1994

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Mechanical Reproduction, 1994
14,8 x 10,5 cm
artists: HENRY BOND & LIAM GILLICK, SYLVIE FLEURY, RICHARD HAWKINS, ARNOLD MOSSELMAN and WOLFGANG TILLMANS
17 machine produced photos, 2 pages with text, transparant celluloid cover, 20 pp.
hand numbered
edition 50
extremely rare
published by Galerie van Gelder, Amsterdam
€ 1.500,- plus € 18,- Track & Trace registered mail

Published on behalf of exhibition ‘Een goed in de weg staande tafel’ / “A table absolutely standing in the way” in Galerie van Gelder in 1994, curator Jack Jaeger.

TONY CRAGG, Untitled, 1994 [6 etchings Griffelkunst]

TONY CRAGG, Untitled, 1994
each 34,5 x 39 cm
6 etchings
signed in pencil
limited edition
mint
published by Griffelkunst, Hamburg, Germany
€ 975,- plus € 32,- Track & Trace registered mail
inv.TCra 1025-pr

This series of etchings has the following titles: Things, Autumn, Current, The Foggy, Desert and Vessel.

History of prices:
K & K Auktionen, Heidelberg, Germany € 1.100,- 14 July 2023 (hammer price)
Berrenge, Berlin, Germany € 850,- 2 December 2022 (Qty 4, hammer price)
Dorotheum, Vienna, Austria € 832,- 10 October 2022 (Qty 6, hammer price)
Sturies Andreas, Düsseldorf, Germany € 950,- 14 November 2020 (hammer price)
Doebele-Kunstauktionen, Dettelbach-Effeldorf, Germany € 600,- 16 May 2020 (hammer price)
Catawiki June 2014 € 410,-