LAWRENCE WEINER, Water finds its own level, 2011
29,9 x 35,5 cm / 11 x 14 inches
archival print
edition 500
signed with initials, numbered on certificate, here nr. 6/500
published by Jen Bekman Projects, New York, USA
mint
€ 150,- plus € 18,- Track & Trace registered EU mail for purchase first visit: https://20×200.com/products/lawrence-weiner-water-finds-its-own-level
LAWRENCE WEINER – certificate of Water finds its own level, 2011
In December 2009, the New York City Council voted to require business owners to replace garage-style security gates with ones that allow views into the stores behind them by July 2026. Art Production Fund united 18 artists to make murals on security gate doors of shop in the Bowery. These were on view for two months, after which they were painted over, embodying the upcoming legislated disappearance of the gates across the city of New York.
This edition was published in 5 sizes: 8 x 10 inch, 11 x 124 inch, 16 x 20 inch, 24 x 30 inch and 30 x 40 inch.
LAWRENCE WEINER, Water finds its own level, 2010
paint on metal shop security gate, New York City, USA
History of price:
D.R. Fine Arts, New York, USA, December 2022 US$ 400.- (8 x 10 inches)
20 x 200, New York, USA October 2022 US$ 150.-
20 x 200, New York, USA December 2021 US$ 75.-
!–The Archive is Limited, Amsterdam December 2022 € 125,–>
RAYMOND PETTIBON, Garage Tattoo, 2011
15 x 10 cm
offset transfer print
edition unknown
part of a set of 5 transfer tattoos by John Baldessari, Dinos Chapman, Damien Hirst, Jeff Koons and Raymond Pettibon
published by Garage Magazine, Moscow, Russia – New York, USA
JCJ VANDERHEYDEN, Chinese Window, 2011
21 x 29,7 cm
digital print on Hahnemühle Photo, 310 g/m2
includes a publication, 16 pp.
25 + 10 AP
signed, numbered edition
published by Helix, Posterholt, Netherlands
History of price:
Helix, Posterholt, Netherlands € 350,- February 2012
DINOS CHAPMAN, Garage Tattoos, 2011
15 x 10 cm
offset transfer print
part of set of 5 transfer tattoos by John Baldessari, Dinos Chapman, Damien Hirst, Jeff Koons and Raymond Pettibon
published by Garage Magazine, Moscow, Russia – New York, USA
DAMIEN HIRST, Garage Tattoo, 2011 [The Immaculate Heart]
15 x 10 cm
offset transfer print
part of set of 5 transfer tattoos by John Baldessari, Dinos Chapman, Damien Hirst, Jeff Koons and Raymond Pettibon
published by Garage Magazine, Moscow, Russia – New York, USA
mint condition
rare
JOHN BALDESSARI, Stairway, Coat and Person, 2011
50,8 x 40,6 cm / 20 x 16 inches
archival inkjet print
edition 120
published by CCA Wattis Institute for Contemporary Arts, San Francisco, USA
John Baldessari is intentionally questioning the conventions of picture-making, among other things. He says: ‘I am interested in conceptual leaps people can make from one bit of information to another and how they can fill the space.’
FRANÇOIS DEY, Benjamin’s house, 2011
each ca 31 x 22 cm (installation size: 66 x 122 cm)
6 photo prints
signed, dated, numbered
edition 3
Swiss artist François Dey (1981) is attracted by the continuous flux of life in which nothing is basically fixed. Therefore improvisation and unexpected contexts make as much sense as well prepared plans and thought over constructions, whether in the physical reality or our mind. Also language is used breaking the laws of idiom and spelling which makes his written texts look peculiar and even shabby. For him it is a way to get out of the prison of too much treaded roads we already know of.
MAI-THU PERRET, ‘Tous les chevaux du rois, 2008’, 2011
21 x 14,8 cm
inkjet print on paper
inlay for catalogue ‘How not to become an artist’, published by Suðsuðvestur, Reykjanesbaer, Iceland, 2011
‘Tous les chevaux du rois, 2008’ – installation of 15 vases
JONATHAN MONK, Grey/Gray, 2012
two 7” vinyl records, sleeves,
numbered on certificate with finger prints of grey paint
edition 100
signed
mint
published by CCA Wattis Institute, San Francisco, USA
€ 360,- plus € 20,- Track & Trace registered EU mail
inv.JMon 206
Within each edition copy Grey/Gray one of the two records is visually unique.
Side A is the sound of black paint being mixed with white. Side B is the sound of white paint being mixed with black.
One is in a black sleeve and the other one in a white sleeve, housed within a clear plastic sleeve with a printed sticker and a small offset printed certificate signed in pencil and painted with grey (English spelling) or gray (USA spelling) finger prints.
CONSTANT DULLAART, Users, Phaedrus, No Sunshine, Impossible Sculptures, 2011
DVD
seal bag, unbound book as published (18,5 x 14,5 cm); insert with content table, 60 pp.
edition 250
hand numbered
published by Peeping Tom Éditions, Paris, France
See info on publishing house