GERHARD RÜHM, portrait, 1996
10,1 x 14,4 cm
colour photo print, verso sticker with text, envelope
edition unknown
photo: Francesco Conz
published by Galerie A, Amsterdam
inv.Flux 000
Category Archives: Fluxus
ERIC ANDERSEN, set of 4 badges, 2012
ERIC ANDERSEN, badges, 2012
each diameter 7,5 cm
set of 4 badges
published by Museum Wiesbaden, Germany
inv.EAnd 000-pr
TAKAKO SAITO, Fluxsock, 1992 [signed, dated]
TAKAKO SAITO, Fluxsock, 1992
22 x 23 x 1,5 cm
sock, acrylic paint, yarn, finger parts of latex glove
signed, dated
splendid condition
inv.TSait 000-pr
TAKAKO SAITO, invitation, 2023 [Kunstmuseum Bochum, Germany]
TAKAKO SAITO, invitation, 2023
34,6 x 21 cm
offset, 3-fold leaflet “Pi-pi-po,po”
published by Kunstmuseum Bochum, Germany
inv.TSai 706-707
The principle of her work is simple, ‘do it yourself’ or better ‘do it together’.
TAKAKO SAITO, hand out by Takako on 14 July in Wiesbaden, 2022 [part of performance]
TAKAKO SAITO, hand out by Takako on 14 July in Wiesbaden, 2022
ca 14 x 15 x 7 cm
plastic cup with text “On on On on”, felt pen ink, bean, colour print, cellophane bag
This object in cellophane bag was part of a performance in Nassauischer Kunstverein, Wiesbaden (Germany). Every ten years a Fluxus Anniversary is organised.
‘Takako’s performance consisted of her digging up all kinds of objects from a bag and throwing them one by one to the audience. Each object had one or more words on it. The people who caught the objects had to read aloud what was written on it. Completely different words, meaning didn’t matter, they were fantasy words to me. It did work comically, especially when she threw a lot of things in quick succession.’
From an email by Harry Ruhé to KvG, September 12, 2022
TAKAKO SAITO, Wassermusik, 2000
TAKAKO SAITO, Wassermusik, 2000
33 x 17,3 cm
hand made plastic bag, permanent felt pen ink, heat press ridges, metal rings, dried up water and sand from river Rhine
series of circa 2-3 unique works
signed, dated
inv.TSai 262-pr_for art handling use gloves
It is known that Takako Saito has made a few of these unique hand made plastic bags called “Wassermusik”, with geometric patterns alluding to musical scores without written notes. Apparently the water took care of the music. The bag is supposed to hang on a wall and was filled with water from the Rhine in Düsseldorf, Germany. In the long run this evaporated. Considering the use and age of this unique item it is in an excellent condition, without tears, cracks, rust or petrification. KvG June 2022
BEN VAUTIER, Stencils de Ben 1963-1969, 1969 [stencils in folder]
BEN VAUTIER, Stencils de Ben 1963-1969, 1969
31 x 21,5 cm
stencils on paper, 58 loose sheets in folder with printed title
edition of 180
artist’s publication
not available
The text in French reads:
‘This collection contains old stencils dating from 1963 to 1969. I removed these stencils because lately people often asked me for old issues of TOUT from 1 to 6 which are sold out.
This collection is far from complete; most of the stencils of magazine ‘BEN DIEU’, those of the chapter ‘Poetry’ and ‘Moi Ben je Signe’, have not been preserved’
BEN VAUTIER, Je doute, donc je suis, n.d. [drawing, ca 2017]
BEN VAUTIER, Je doute, donc je suis, n.d. [ca 2017]
29,7 x 23 x 3 cm
notebook, spiral binding
with pencil drawing: ‘Don’t[?] fill it up’
signed
published by Quo Vadis, France
inv.BVau 000-pr
This note book comes with a pencil drawing.
WILLEM DE RIDDER, Wenn Du diese Karte erhälst,…, nd [2012]
WILLEM DE RIDDER, Wenn Du diese Karte erhälst,…, nd [2012]
14,8 x 21 cm
photo copy
signed in print
part of performance in Wiesbaden, Germany in 2012
WILLEM DE RIDDER, Schau Dich bitte um…, nd [2012]
WILLEM DE RIDDER, Schau Dich bitte um…, nd [2012]
14,5 x 21 cm
photo copy
signed in print
part of performance in Wiesbaden, Germany, 2012