Schiefertafel, 1972 [recto]:
Schiefertafel, 1972 [verso]
JOSEPH BEUYS
Schiefertafel, 1972
17,1 x 25,2 cm / 6,7 x 9,9 inches
silk screen print recto and verso, ink stamp
signed, stamped, numbered
published by Kunstring Folkwang, Essen, Germany
Ref. Schellmann 52
not available
Schiefertafel framed (recto/verso):
History of prices:
Van Ham Auktionen, Germany, number 187/200 € 2.322,- 5 June 2012
Ketterer Kunst Auktion, Germany, number 187/200 € 2.806,- 24 October 2009
WJM KOK, Maxi-Color (Ice Cream) – Serial number 56909, 2012
14,8 x 10,5 cm
card, printed recto-verso, cellophane envelope, sticker
signed verso, numbered on sticker
edition ca 25
verso with sticker:
JEFF KOONS, plate edition, 2012
diameter 26,7 cm / 10.5 inches
estimated edition 2500
signed in print
produced by Art Production Fund / Works On Whatever, New York, USA
out of stock
Art Production Fund invites artists to experiment with commercial materials and techniques to bring art off the walls and into homes as everyday objects. Works On Whatever introduces contemporary art to a larger community, with revenues from sales supporting our non-profit mission. WOW functions conceptually with APF’s program of expanding art audiences and helps fund additional major public art initiatives. For each plate purchased, APF will make a donation to the Koons Family Institute, a resource of the International Centre for Missing & Exploited Children.
DAAN VAN GOLDEN, Violen, 1991-2012
32 x 32 cm
colour photo
edition 100 + 30 AP
signed, numbered
mint
published by En/Of part of Bottrop-boy, Kleve, Germany
€ 1.250,- plus € 18,- Track & Trace registered mail
En/Of 046 was released on the occasion of an exhibition Daan van Golden at De Hallen in Haarlem. The artist chose an image from his well known series “New Delhi”. It comes with a new album with music by by Jefre Cantu-Ledesma, who has worked previously on an En/Of record as part of Tarentel. This publication comes with a folded poster of 30 x 30 cm as issued.
When it comes to making a photo edition for Daan van Golden there is not really an interest in limiting an edition in forehand. Basically he prefers to have the amount of a photo edition defined by the amount of buyers during an exhibition. Nevertheless, apparently here he has agreed on applying edition numbers to ‘Violen, 1991-2012′.
Re-using a work from even decades ago is another modus operandi. In this sense the editions by Daan van Golden are contextualized and re-usable any time in whatever form or technique.
History of prices:
Mo-Art Gallery, Amsterdam September 2023 € 1.500,-
Venduehuis, The Hague, Netherlands 14 April € 500,- (hammer price)
Mo-Art Gallery € 1.200,- November 2014
Adam Amsterdam Auctions, Amsterdam 3 December 2018 € 1.200,- (hammer price)
En/Of, Kleve, Germany February 2012 – price in year in of issue € 129,-
MATTHEW LUTZ-KINOY, goody bag, 2012
35 x 32 x 11 cm
paper bag with stapled postcard, cosmetics, jewell paper, various items
edition ca 100
On October 11, 2012, Matthew Lutz-Kinoy’s performance “STARS” was shown in the Stedelijk Museum in Amsterdam being the first one of the Stedelijk/Performance Series. It presented three iterations of a single choreography taken from/elaborated on the Martha Graham work Acts of Light. At the end of his 50 minute performance with event features performers Isabel Lewis, Marlous Borm, Max Pitegoff, Calla Henkel and costumes by Travis Boyer goody bags were handed out to visitors.
VANESSA SAFAVI, After the Monument Comes the People, 2012
100 x 70 cm
digital print
signed, numbered
edition 10 + 2 AP
published by Kunsthalle, Basel, Switzerland
Vanessa Safavi explores the meaning of monuments in various cultures. In the title ‘After the Monument Comes the People’ she calls attention to monuments that are commonly thought to embody “the ideals and goals” of a people. Instead, they mainly support the political goals of the state — a state that has monuments built by the people supposedly for the people. After the monument, a dictation by ideology comes the people, the community, which articulates its own goals.
In her wall sculpture ‘After the Monument Comes the People’, shown in the Kunsthalle Basel, Vanessa Safavi makes use of abstract, slim and upright forms that reflect the individual in a geometric abstract way. Curves or incomplete rings in these vertical figures represent ‘faces’. They become self-made symbols when they function as a reference to the individuality of each of the figures, which assembled together form a kind of ‘community’. Here two of them are shown in the print with the same title ‘After the Monument Comes the People’.
PETER WÜTHRICH, Lolita, 2012
height ca 15 cm
canned book, signed, numbered
edition 10
published by the artist
price in year of issue € 1.500,-
MARTIN CREED Work No. 1370 – ‘Chicago’, 2012
vinyl LP, watercolour painted cover
signed, numbered
edition 200
published by The Vinyl Factory and MCA/Museum of Contemporary Art, Chicago, USA
not available
Each cover features a unique aquarel by Martin Creed, hand painted at Museum of Contemporary Art in Chicago earlier in 2012. Four new songs were recorded all analogue at John McEntire’s Soma Studios.
History of prices:
The Vinyl Factory and MCA/Museum of Contemporary Art, Chicago 2012 year of issue GBP 200.-
RICHARD ARTSCHWAGER, Quotation Mark, 2013
handmade pair of earrings, cardboard clip and leporello in box
edition 25
published by Whitney Museum, New York, USA
extremely rare
€ 420,- plus € 18,- Track & Trace registered mail
Two texts on leporello read: “These earrings are based on Richard Artschwager’s 1980 Quotation Mark originally fabricated in Formica on painted wood in an edition of 25. Made exclusively for the Whitney Museum in a limited quantity.”
“RICHARD ARTSCHWAGER! [this is the title of the solo exhibition in the Whitney Museum] is a comprehensive review of the artist’s remarkable creative explorations of the mediums of sculpture, painting, and drawing and the first U.S. retrospective exhibition of Artschwager’s work since one organised at the Whitney in 1988.”
On the site of the Whitney Museum the following text announces this limited edition:
“Product Description:
Frame your face with our exclusive, whimsical Quotation Mark Earrings, adapted from Richard Artschwager’s Quotation Mark, 1980. Taken out of context, the quotation mark as an object becomes an ornamental form, adorning and enhancing the shape of your ear. Size: 3/4 inch at longest point. Made of black acrylic painted white to imitate the original, which is white formica on painted wood. Sterling silver post.”
RICHARD PRINCE, It’s a Free Concert Now, 2015
31,3 x 31,5 cm
screen print on vinyl, 12 inch LP, black sleeve in plastic bag
A-side: It’s a Free Concert Now / B-side: Record House, 2012
limited edition
unsigned
published by Brigade Commerz, Pforzheim, Germany
mint condition
€ 340,- plus € 18,- Track & Trace registered mail
inv.RPri 201-pr
Richard Prince says about the vinyl covered house depicted on the label:
“Record House is located on Righter Rd. right down from my studio in upstate NY. It once was a hunting cabin. After I bought it, I removed the porch that surrounded it. I bought a lot of records on e-bay and cut them into shapes of shingles and nailed them up all over the structure. Vinyl and wax siding.”