CINDY SHERMAN
Woman in Pool, 2007
print on huge beach towel, tag, plastic envelope
178 x 152,5 cm / 70 x 60 inch
original wrapping as issued
produced by Works on Whatever
inv.CShe 000
History of price:
eBay-TheArteryFineArt, Miami, USA December 2022 US$ 1,000.- (make offer)
YANN SÉRANDOUR, Cahiers Clairefontaine, 2006
22 x 17 cm
school notebooks with lined pages in six colours, stapled, each 32 pp.
edition 1500, of which 32 numbered, signed with insert of original ink drawing on tracing paper
produced by Cahiers Clairefontaine, Paris, France
The printed grids on the notebook pages of ‘Cahiers Clairefontaine’ have been originally hand drawn by pupils of the Jules Verne Primary School in Croissy-sur-Seine in France and were reproduced in print. These notebooks are used for learning to write straight by making use of horizontal blue and vertical red printed lines. The edition is 1500 of which 32 are numbered and signed.
MARIJKE VAN WARMERDAM, On and on, 2006
15,5 x 21,5 x 1,4 cm
offset, 50 pages on stiff paper
edition 300
30 are signed and numbered
published by CCA Kitakyushu, Japan
After the funeral of her mother in 2006, Marijke van Warmerdam made photos of the flowers on her grave. In the following weeks she recorded the stages of withering, while the winter weather also brought some snow. In On and on the sequence of the photos is reversed, the intention being to turn back time.
LAWRENCE WEINER, Give & Get, Have & Take, 2006
two incised copper plates, 4 times folded leporello in offset, subscription card, cardboard box
edition 1000
mint
published by Cereal Art, New York, USA
€ 360,- plus € 18,- Track & Trace registered EU mail
inv.LW 000-pr
History of prices:
DR Fine Arts, New York, USA November 2023 US$ 450.-
DR Fine Arts, New York, USA October 2022 US$ 225.-
Maison Jules Veilinghuis, Ghent, Belgium, 2 December 2017 € 100,-
MARIJKE VAN WARMERDAM, Days and holidays, 2006
3,8 cm / 2,5 cm
badges in plastic bag, stapled print on paper, 2 parts
edition 250
published by IKON Gallery, Birmingham, England
€ 85,-
When Marijke van Warmerdam was commissioned to make a badge for the IKON Gallery in Birmingham, she based her design on the spots from a cup and saucer she has used for a mobile with rotating photos called Take a break. She compares a working day to a holiday and so she made two badges representing both kinds of days. The printed light reflections on each badge suggest that the circular form is an air bubble. KvG
Helvetica as Metallica, 2006
wood cut print
49 x 59 cm
edition 20
numbered, signed
printed by David Liaudet, Esbam, Le Mans, France
The inversion of two extremely opposed visual identities. Helvetica is a sans serife font created in 1957 by Swiss graphic designer Max Miedinger (1910–1980) for the Haas Type Foundry in Basel. Metallica is an American heavy metal group formed in 1981 in Los Angeles.
MARIJKE VAN WARMERDAM, In and out, 2006
66 x 100 cm
photo print on black mirror, dibond
edition 5 + 1 AP
published by World House Editions, Middlebury, Connecticut, USA
p.o.r.
“Nature decides the fate of an apple that falls from a tree. Here it falls either on the embankment or in the ditch”. Marijke van Warmerdam, 2011
Quote from catalogue ‘Close by in the distance’, published by Museum Boijmans van Beuningen, Rotterdam.
JESSICA STOCKHOLDER, With Your Salad, 2006
2.00″ x 12.50″ x 16.50 inches
lamp, plastic cooler, fabric, light fixtures, various materials
edition 30
‘With Your Salad’ is an edition of 30 light sculptures, each slightly different from the others and handmade by the artist.
EDWARD RUSCHA, City Space, 2006
23.75 x 19.75 inches
colour aquatint with sugar lift flat bite and hard ground etching
edition 30
published by Crown Point Press, San Francisco, USA
not available
Edward Ruscha seems to strip down traffic signs and in general gives order to the barrage of mass media-fed images that assault us on a daily basis. His early career as a graphic artist continues to strongly influence his aesthetic and thematic approaches, as may be shown here in City Space.
History of price:
Crown Point Press, San Francisco, USA € 5,000.- March 2010
EDWARD RUSCHA, Your Space #2, 2006
29.75 x 29 inches
edition 30
colour aquatint with sugar lift flat bite and hard ground etching
published by Crown Point Press, San Francisco, USA
not available
At the age of 18, Edward Ruscha intended to become a commercial painter but found himself drawn to fine art, over time being shaped by three influences: Marcel Duchamp, Pop art, and the movies. Meeting Duchamp when the Pasadena Art Museum hosted the French conceptual artist’s first U.S. show, Ruscha was especially affected by his use of readymade objects and imagery, rendered unfamiliar through unexpected titles or text. He says: ‘When I began painting, all my paintings were of words which were gutteral utterances like Smash, Boss, Eat. Those words were like flowers in a vase; I just happened to paint words like someone else paints flowers. It wasn’t until later that I was interested in combinations of words and making thoughts, sentences, and things like that.’
History of price:
Crown Point Press, San Francisco, USA € 5,000.- February 2010