WJM KOK
Maxi-Color (Ice Cream), 2012
various sizes, 7 parts, framed
print on paper
unique series of 36
Collection Utrechts Medisch Centrum, Utrecht, Netherlands
published by the artist
€ 3.000,- October 2012
inv. WJM 000
Each image of this unique series Maxi-Color in seven parts in size successively reproduced from circa stamp size to A4 comes from a children colour book called Maxi-Color. All together there are 32 different icons framed as ready mades.
WJM KOK, Maxi-Color (Ice Cream)# – Serial number 68671, 2012
14,8 x 10,5 cm
card, printed recto-verso, cellophane envelope, sticker
signed verso, numbered on sticker
edition ca 25
inv. WJM 000-pr
card in cellophane envelope – verso:
WJM KOK, Maxi-Color (Ice Cream) – Serial number 56909, 2012
14,8 x 10,5 cm
card, printed recto-verso, cellophane envelope, sticker
signed verso, numbered on sticker
edition ca 25
verso with sticker:
VANESSA SAFAVI, After the Monument Comes the People, 2012
100 x 70 cm
digital print
signed, numbered
edition 10 + 2 AP
published by Kunsthalle, Basel, Switzerland
Vanessa Safavi explores the meaning of monuments in various cultures. In the title ‘After the Monument Comes the People’ she calls attention to monuments that are commonly thought to embody “the ideals and goals” of a people. Instead, they mainly support the political goals of the state — a state that has monuments built by the people supposedly for the people. After the monument, a dictation by ideology comes the people, the community, which articulates its own goals.
In her wall sculpture ‘After the Monument Comes the People’, shown in the Kunsthalle Basel, Vanessa Safavi makes use of abstract, slim and upright forms that reflect the individual in a geometric abstract way. Curves or incomplete rings in these vertical figures represent ‘faces’. They become self-made symbols when they function as a reference to the individuality of each of the figures, which assembled together form a kind of ‘community’. Here two of them are shown in the print with the same title ‘After the Monument Comes the People’.
OLIVIER MOSSET Untitled, 2012
68 x 68 cm
print
edition 30
published by Annual Magazine Limited Editions, Nicosia, Cyprus
SARAH MORRIS, Marcel Gem [Clip], 2011
23.6 x 23.6 inches
screenprint
edition 60
produced by White Cube, London, UK
This print is based on a painting from the artist’s Clips series in which she has used the motifs of standard office stationary, in particular the paper clip, to make abstract and complex images using a bold palette of colours.
History of price:
White Cube, London GBP 1,200.- December 2012
FRED TOMASELLI, Nov. 11, 2010
38 x 40,7 cm / 14 15/16 x 16 inches
silkscreen, inkjet print
edition 80
published by White Cube, London, UK
Other example of newspaper print: July 5, 2012 (Study), 2012
History of price:
White Cube, London, UK € 1.025,- / GBP 840.- September 2012
FRED TOMASELLI, Bloom, 2011
35,6 x 30,5 cm / 14 x 12 inches
screen print on archival inkjet print
signed, numbered
edition 200
mint condition
€ 780,- plus € 24,- Track & Trace registered mail
published by I.C. Editions, New York, USA
Fred Tomaselli makes psychodelic works through decorative bright colours. The negative photographic base on which a colorful pattern is laid creates a radiating oval black and white halo. The result is eye catching and hypnotic.
History of prices:
Adam Baumgold Gallery, New York, USA US$ 1,100.- (make offer) August 2021
Vallot Auctioneers, New York, USA US$ 600.- (hammer price) 6 August 2019
I.C. Editions, New York, USA US$ 350.- November 2012
MARIJKE VAN WARMERDAM, Gestreken en gevouwen, 2011
59,4 x 84,1 cm; folded 29,7 x 21 cm
offset print, 120 g/m2
signed and numbered on certificate, edition 100 + 7 A.P.
published by More Publishers, Brussels, Belgium
inv.MvW 04-024
Repetition is one of the favorite strategies Marijke van Warmerdam applies in her films, photo works and objects. Here a work depicts an ironed and folded handkerchief on poster, which in turn is folded as a poster.
BRIDGET RILEY, Rose, Rose, 2011
76 x 60 cm
12 colour screen print on 300 gsm Somerset White Satin paper
edition of 250
signed, numbered, dated
published by Counter Editions, London, UK
sold out
Bridget Riley is celebrated for her optically vibrant paintings. By manipulating relationships between black and white, colours and shapes, she creates illusions of movement and light. For the Olympic Games 2011 in London she made ‘Rose, Rose’. Riley has arranged colours in horizontal stripes, indicating the direction of athletic tracks or swimming lanes, it is said, but where originates the title of this print?
History of prices:
Counter Editions, London, UK € 3.750,- / GBP 3,000.- October 2012
Counter Editions, London, UK € 4.150,- / GBP 3,700.- September 2016