GERHARD RICHTER, Hood, 1996
44 x 43,7 cm / 17.3 х 17.2 inches
offset, cardboard
edition 110 + 20 AP, i.e. 50 numbered, signed and dated and 60 numbered, signed and marked exclusively for Dokumenta X in 1997
signed, numbered, dated
not available
This print is based on a photograph taken from the Frankfurter Allgemeine Zeitung. The newspaper image was painted over, photographed and then printed in offset.
History of prices:
Christie’s, New York, US$ 2,125.- 7-8 February 2008
Christie’s, London, US$ 2,983.- 18 September 2013
MARIJKE VAN MARMERDAM, Pannenkoek, 1995
176 x 117 cm
screen print on paper, aluminum
edition 50 only few copies left
€ 9.500,- excluding crating and transport
MARIJKE VAN WARMERDAM, La Fille aux Crêpes, 1995
13,6 x 20,6 cm
paper on aluminum
edition 10 + 2 AP
published by the artist
During the opening days of the Venice Biennale 1995 Marijke van Warmerdam was named ‘the girl with the pancakes’ by Didier Vermeiren, because of her contribution in the catalogue. For her first Dutch solo exhibition (in Galerie van Gelder) in 1995 she used this nickname as the title of the exhibition, beside her own name. With the edition La fille aux crêpes she sought to raise that ambiguity once again.
VICTOR VASERELY, Rosenthalkarte, n.d. [ca 1995]
16 x 11,5 cm
printed ceramic postcard, pencil, plastic support, paper cushion, beauty box + original Rosenthal mail wrapping; complete as issued
edition unknown
published by Rosenthal GmbH, Selb, Germany
pristine condition (unused)
€ 120,- plus € 18,- Track & Trace registered EU mail
inv.VVa 000-pr
History of prices:
eBay-shop6zip9, Cologne, Germany January 2025 € 149,-
Galeria Tarquinia. Los Lagos, Chile 11 October 2022 € 750,-
eBay-armonia24, Planegg, Germany 11 October 2022 € 99,-
Catawiki, Assen, Netherlands 20 December 2018 € 310,- (hammer price)
RICHARD PRINCE, ‘I never had a penny to my name, so I changed my name.[1985]’, 1994
10,5 x 15 cm signed, dated
€ 225,- plus € 12,- Track & trace regsitered EU mail
inv.BF-storage.card
This postcard, here signed and dated, is a reproduction of a Richard Prince Joke painting.
Additional information
Remarkably, a shadow line in between the two parts of the reproduced painting has been replaced by a designer’s cut on the postcard. This makes a white line bluntly separating the left from the right section.
Coll. Rubell Family Collection, Miami, USA
inv.BF-storage.card
LOUISE BOURGEOIS, Untitled, 1994
each 92,7 x 71 cm / 36 x 28 inches
hand coloured intaglio print
edition 65 (black and white) and edition 35 (red)
signed, numbered
published by The Paris Review, New York, USA
not available
Louise Bourgeois made sculptures in wood, steel, stone and cast rubber and used drawing and printing as a tool of artistic expression, often organic in form and sexually explicit, emotionally aggressive yet witty, covered many stylistic bases. But from first to last they shared a set of repeated themes centered on the human body and its need for nurture and protection in a frightening world; protection often translated into images of shelter or home.
History of prices:
each US$ 3,500.- September 2012
LILY VAN DER STOKKER, Ja, goed!, 1994
29,7 x 42 cm
offset 4-colour print
limited edition of 15
signed, numbered, dated (verso)
published by GALERIE VAN GELDER EDITIONS, Amsterdam
€ 500,- plus € 15,- registered mail
TONY CRAGG, Untitled, 1994
each 34,5 x 39 cm
6 etchings
signed in pencil
limited edition
mint
published by Griffelkunst, Hamburg, Germany
€ 975,- plus € 32,- Track & Trace registered mail
inv.TCra 1025-pr
This series of etchings has the following titles: Things, Autumn, Current, The Foggy, Desert and Vessel.
History of prices:
K & K Auktionen, Heidelberg, Germany € 1.100,- 14 July 2023 (hammer price)
Berrenge, Berlin, Germany € 850,- 2 December 2022 (Qty 4, hammer price)
Dorotheum, Vienna, Austria € 832,- 10 October 2022 (Qty 6, hammer price)
Sturies Andreas, Düsseldorf, Germany € 950,- 14 November 2020 (hammer price)
Doebele-Kunstauktionen, Dettelbach-Effeldorf, Germany € 600,- 16 May 2020 (hammer price)
Catawiki June 2014 € 410,-
