
WILLEM DE RIDDER, untitled, n.d., [1962-2019]
40 x 40 cm
digital print on canvas
signed
not numbered
edition 3, of which one is larger
produced by the artist / Galerie A, Amsterdam
Private collection, Amsterdam
inv.WdR 723-pr


WILLEM DE RIDDER, untitled, n.d., [1962-2019]
40 x 40 cm
digital print on canvas
signed
not numbered
edition 3, of which one is larger
produced by the artist / Galerie A, Amsterdam
Private collection, Amsterdam
inv.WdR 723-pr


JOSEPH BEUYS, Zeichen aus dem Braunraum III, 1984
10,5 x 14,7 cm
post card, screen print
signed
condition: excellent, elegantly aged
published by Edition Stack, Heidelberg, Germany
€ 200,- plus € 12,- Track & Trace registered EU mail
inv.JBeu 219-pr
History of prices:
Catawiki, Germany, March 2022 € 200,- (hammer price)
Van Ham Auktionen, Cologne, Germany, 27 May 2021 € 774,-
(2 post cards, hammer price)
Mühlheim an der Ruhr, Germany, 30 June 2018 € 250,- (hammer price)

JONATHAN MONK, Picture Post Card from Post Box Pictured, 2005
15 x 10,5 cm
post card
signed, stamp dated 12-01-2006
published by ICA / Institute of Contemporary Arts, London, UK
inv.JMon 605-606

DAAN VAN GOLDEN, untitled / Souvenir, 2017
3 parts
screen print on fabric: 10,5 x 12,9 cm / gold envelope: 11 x 15,6 cm
condition: splendid
condition outer envelope “Souvenir”: smudged, verso crumpled
private collection
inv.DvG 000-pr
This gold coloured envelope with screen print on vinyl cloth depicts a characteristic dark red Daisy pattern that Daan van Golden often uses in his paintings and photographs. There is no sign of origin.
A white outer envelope entitled “Souvenir” contains a screen print in a golden coloured smaller envelope. At the back side a ‘D’ in print refers to the first name of the artist. The envelope’s colour in gold alludes with the surname of Daan van Golden. It is known that instead of a name plate next to his door bell a plate painted in gold was mounted, referring to his surname.
The grey line frame on the white envelope shows that this item was a thank object presented to family and friends for their compassion, condolences and sympathy after Daan van Golden deceased in 2017. Both envelopes lack any form of origin of publication.

Outer envelope
12 x 18,1 cm
conditio: scuffing, stains, crumpled on left side
recto: text “Souvenir”, verso initial “D” – both in screen print

ROB SCHOLTE, untitled, not dated
14,7 x 10,4 cm / 15 x 11 cm
digital print on Soft Textured Natural White Etching Paper Surface
2 cards
published by the artist / Rob Scholte Museum, Den Helder, Netherlands
mint
inv.RSch 000-pr
These digital printed cards based on paintings of Piet Mondriaan slightly vary in size due to hand cut paper. The card on the left depicts a painting of Rob Scholte called “Mondriaan Revisited (New York Boogie Woogie)”, the card showing a painting on the right is called “Mondriaan Revisited 2”.

OLIVIER MOSSET, Sans titre, 1995
35 × 35 cm
etching
signed, numbered
edition 150 + 5 HC
published by CEC / Centre d’Edition Contemporaine, Geneva, Switzerland
inv.OM 000
This circle within a circle was etched on a square copper plate. Its blind imprint is barely noticeable since there are no scratches in the non-engraved parts that is so characteristic for common etchings.
The edition was offered to members of the Centre Genevois de Gravure Contemporaine Association in 1995.

JONATHAN MONK, Picture Post Card from Post Box Pictured, 2006
14,8 x 10,5 cm
post card, stamp [delivered on 2-12-2022]
signed
published by Jan Mot, Brussels, Belgium
inv.JMon 000


SYLVIE FLEURY, untitled, ca 2004
19,8 x 21 cm
print
edition 4500
ink stamped signature, numbered in pencil
mint
rare
published by Contemporary, London, UK
inv.SF 337-pr
This basically monochrome card has the appearance of a reproduction of a Minimalistic work from the sixties or seventies, for the largest part made by male artists. Here, Sylvie Fleury used a lipstick colour for her monochrome card to which she added a lipstick kiss imprint.
Contemporary was a 3-monthly art magazine based in London, founded and edited by Keith Spencer as a quarterly publication. It re-emerged twice, the first time as Contemporary Art in 1993 and the second time again as Contemporary in 2002 (stopped in 2008), but this time not limited anymore to visual arts. Once subscribed to the magazine each issue came with a print, with ink stamped signature and sometimes hand signed on sticker or just authorised with a text of origin.



UGO RONDINONE, 2002
colour print
26 x 20 cm
hand signed, numbered
sticker at the back of the print is mounted upside down
edition 4500, here number 2522
mint
published by Contemporary, London, UK
rare
€ 260,- plus € 12,- Track & Trace registered EU mail
inv.URon 387-pr
Contemporary was a monthly art magazine based in London, founded and edited as The Green Book by Keith Spencer as a quarterly publication. It re-emerged twice, the first time named Contemporary Art in 1993 and the second time again as Contemporary in 2002, but not limited anymore to visual arts. Once subscribed to the magazine each issue came with a print, with ink stamped signature and sometimes hand signed on sticker.
In spite of its large edition this colour card is difficult to find.



ANDY WARHOL, Mao, 1974
135 x 44,5 cm
screen print, wallpaper with text “Andy Warhol – TRIM”
published by Musée Galliera, Paris, France
condition: fine, although partly hue-like discoloured
€ 850,- plus € 24,- Track & Trace EU registered mail
Wallpaper “Mao” can be found with different texts on the left or right border of the print. Apart from this black and white print colour versions were produced.
Andy Warhol had solo exhibition in Musée Galliera in Paris from 23 February through 18 March, 1974.

History of price:
Sworders Fine Arts Auctioneers, Stanstead, UK 22 August 2023 GBP 580 (hammer price)
DuMouchelles, Detoit MI, USA 16 July 2021 US$ 800.- (hammer price)