AI WEIWEI, Sunflower Seeds, 2013 [small version]

AI WEIWEI, Sunflower Seeds, 2013 [small version]
40 x 40 cm
cotton handkerchief, hand rolled edges
published by Third Drawer Down, Indooroopilly, Australia

Sunflower Seeds; interview with Ai Wei Wei about the production of ceramic seeds for Tate Modern Turbine Hall in London.

Sunflower Seeds was an installation made up of ten million unique porcelain sunflower seeds. However realistic they may seem, these life-sized sunflower seed husks are in fact intricately hand-crafted in porcelain. Each seed has been individually sculpted and painted by specialists working in small-scale workshops in the Chinese city of Jingdezhen. Far from being industrially produced, they are the effort of sixteen hundred inhabitants with skilled hands. The seeds were displayed at Tate Modern Turbine Hall’s vast industrial space, the 100 million seeds formed a seemingly infinite landscape.

AI WEIWEI, The world is not changing…, 2013

AI WEIWEI, The World is not changing if you don’t shoulder the burden of responsibility, 2013
skateboard
hand numbered, signed in print on deck
edition 150
published by TheSK8room.com                

This is part of a set of three, hand-numbered and signed in print skateboard decks by Ai Weiwei. In the works of Ai Weiwei, the story and political context is important, if not more relevant than the objects themselves. In the case of the depicted crabs on his skate board design he refers to a story about a dinner party Ai arranged in 2010 as a protest against a sudden bureaucratic decision to demolish his brand-new studio. In 2008 when the mayor of Jiading (a northern district of Shanghai) invited Ai to build a studio space that would provide a cultural center for the city. The government promised to provide all the proper permits and to support the studio’s construction. Soon after the building was completed in 2010, the same government pledged to demolish Ai’s newly built studio. In response, Ai invited friends and supporters via Twitter to gather in his studio’s courtyard for a feast of 10,000 river crabs standing for the false “harmony” and invitation the government offered. Ai was placed under house arrest and couldn’t attend the feast with the crabs, but it went on without him. In the beginning of 2011 the studio was razed.

Based on stories like the one above porcelain crabs and sesame seeds have become part of his oeuvre, accompanied by one of his aphorisms, such as “The World is not changing if you don’t shoulder the burden of responsibility” or “There are no outdoor sports as graceful as throwing stones at a dictatorship in the world.”

TAUBA AUERBACH, untitled, 2013 [clock]

TAUBA AUERBACH, untitled, 2013 [clock]
diameter 26, cm
clock, battery, original wrapping
edition unknown
published by The Thing Quarterly, San Francisco, CA, USA

Tauba Auerbach plays in a phenomenological way with readability and abstraction, permeability and solidity – phenomena that she unifies within surfaces and volumes. Here in her clockwork multiple she has compressed the traditional clock plate with Roman figures from I-XII into figures from I – XXIII plus a nil position representing figure XXIV.

DAVID HORVITZ, Untitled (sand mailed by the artist’s mother from California), 2013

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DAVID HORVITZ, Untitled (sand mailed by the artist’s mother from California), 2013
11 x 14,5 cm / 10,7 x 16,6 cm
stamped address on envelope / plastic bag with sand
unlimited edition
published by the artist
Galerie Chert, Berlin € 50,- July 2015

Untitled (sand mailed by the artist’s mother from California) is a work that consists of a posted envelope of sand from the Californian beach by the artist’s former home, where his mother still resides. Originally the artist’s mother sends this sand by post to the buyer. This same beach and sand is a repetitive motif for Horvitz and has been used for several projects including: Rarely seen Bas Jan Ader, Disappear, Public Access, The Distance of a Day and his Studio Rent Editions.

BEN VAUTIER, introspection truth art & sex, 2013

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BEN VAUTIER, introspection truth art & sex, 2013
issued in linen bound cardboard box (7,4 x 18,5 x 24,9 cm)
content: 4 parts, screen print on mirror (21,2 x 15,2 cm), two books with embossed texts (0,8 x 21,6 x 15,3 cm / 2,8 x 21,6 x 15,3 cm), larger book hand signed in red felt pen ink with embossed number #20
all items in black linen bound display box
edition 100 + 10 AP, of which 50 numbered 1-50 and 50 HC Roman numbered from I – L
Published by Global Art Affairs Foundation, Leiden, Netherlands

 

 

BVautier2013introspection600

DAMIEN HIRST, Isolated Elements Swimming in the Same Direction for the Purpose of Understanding (Left), 1991 [shopping bag, 2013]

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DAMIEN HIRST, Isolated Elements Swimming in the Same Direction for the Purpose of Understanding (Left), 1991 – shopping bag 2013
ca 35 x 40 x 20 cm
firm plastic PVC bag, lenticular print, canvas handles, tag, printed text on bottom
edition unknown
mint
extremely rare
published by Tate Modern, London, UK
€ 1.850,- plus € 32 Track & Trace registred EU mail
inv.DHir 000-pr

 

Damien Hirst PVC shopping bag, bottom:
DHirst1991isolatedElements-Left_bottom600

GARY HUME, 1000 Windows, 2013

GARY HUME, 1000 Windows, 2013
37 x 31,5 cm
black hand painted surface, paper, yellow frame, cardboard box
series of 1000
signed
published by Tate Modern, London, England
mint
€ 800,- plus € 24,- Track & Trace registered EU mail

In 2002 Gary Hume painted Yellow Window. In 2013 he multiplied one window a thousand times, hence the title 1000 Windows. This edition comes in original wrapping.

History of prices:
eBay-thearteryfineart, Boston, MA, USA US$ 1,200.- September 2022

 

Extra information:

GARY HUME Yellow Window , 2002 (unique painting
135 x 98 cm / 53 1/8 x 38 5/8 inches
gloss paint on aluminum, signed, dated
Sold at Christie’s estimate GBP 8,000 – 12,000 and sold for GBP 25,000.- / € 29.000,- February 2012

TAMI VIBBERSTOFT / NIELS GADE, Apperaat ? ! [1st album of Apperaat], 2013

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TAMI VIBBERSTOFT / NIELS GADE, Apperaat ?! [first album of Apparaat], 2013
25 x 17 x 5,5 cm
CD in seal bag, sand in seal bag, cork and piece of rope in seal bag, song texts on rolled up print, colophon on postcard, business card, numbered photo;
all in cardboard box
hand numbered
edition 200
published by DanMus Publishing, Taastrup, Denmark

contact for details: apperaat@gmail.com

History of price:
DanMus Publishing, Taastrup, Denmark € 20,- (year of issue)