PETRA CORTRIGHT, 360 Spirit CAR, 2015
height 26,5 / diameter 12,5 cm
edition 10 + 2 AP
engraved vase, certificate
published by All Together Now, Rotterdam, Netherlands
pristine condition
€ 980,- plus € 32,- Track & Trace registered mail
The engraved inscription #Orchid #My Selfies #Are #The #Tags #I #Picked #Out #4Likes is an alluding hashtag text to ‘Emily, My Girlfriends Are The Sisters I Picked Out For Myself’ as advertised at Thingsremembered.com.
JAN KÄMMERLING, Greetings!, 2015
ca 20 x 18 x 1,5 cm
paint, cut postcard
series of 3 unique postcards
published by the artist
For a group exhibition in Galerie van Gelder, Amsterdam in 2015 named ‘Postcards are to be looked at’ Jan Kämmerling made a series of three unique wall sculpture made by postcards.
JAY TAN, Mums Magnets, 2015
10 x 5,9 cm
photo prints, magnetic flexible sheets
signed, numbered, dated
series of 4 different magnets; each edition 9
published by Galerie van Gelder Editions, Amsterdam, Netherlands
each € 100,- / set of 4 € 300,-
On Saturday 5 September 2015 four fridge magnets – nrs 6/9, 7/9, 8/9 and 9/9 – were stolen during the opening of Jaap Kroneman. These are officially registered at the police as taken away by someone of the inner (Arnhem) art circle.
One of the magnets:
Although Jay Tan makes installation-based exhibitions, often the works involved are dealt with in an individual way, including furniture, video, texts, printed matter, photos, food, clothing, presents from friends. She has recently begun to include performance. Occupied by the desire to understand relations between everyday materials and contextual knowledge, she questions both the eye and the mind by putting e.g. a drinking glass with cute small colourful candles all alone on a long clean kitchen sink. KvG
JOAN JONAS, untitled, 2015
140 x 140 cm / 54.6 x 54.6 inches,
hand-printed shawl (5% Cashmere, 35% Silk, 30% Wool), tag, print on wooden box
edition 160 + 10 AP, here nr 32/160
signed, numbered on certificate of authenticity
also print signed in fabric
mint
published by Yoox Group, Bologna, Italy
€ 460,- plus € 24,- Track & Trace registered EU mail
Known as an “artist’s artist,” Joan Jonas has influenced artists with her integration of live performance and video – from the late 1960’s on.
The Nam June Paik Art Center in Korea has named Joan Jonas as the winner of the Nam June Paik Prize 2024.
History of price:
Fondazione Ratti, Como, Italy January 2026 € 500,-
Artspace, new York, USA April 2023 € 583,-
LOUWRIEN WIJERS, Niet liegen/niet stelen/niet doden (“Don’t lie / don’t steel / don’t kill – grains / greens / beans”), 2015
14,8 x 21 cm, digital screen print, dibond
signed, dated, numbered
edition 11
published by Galerie van Gelder Editions, Amsterdam
€ 300,-
© K. van Gelder, Amsterdam
– NB This picture surreptitiously has been copied by https://arspublicata.com/listing/jonathan-monk-editions / website J. and P. Schellmann, Berlin
JONATHAN MONK, Hand Painted by Hand, 2015
26,7 x 19 cm
gouache on digital photographic fiber based matt paper
unique hand painted series of 25, here number 3/25
pristine condition, with waves in paper as issued
published by Camden Arts Centre, London, UK
inv.JMon 1097
available at publisher
This edition shows the hand from Bas Jan Ader’s work I’m Too Sad to Tell You, with the background painted by hand by Jonathan Monk. The latter is known for emphasizing the simplicity inherently present in a working plan like painting a background of a hand by his hand. Any subject is allowed as long as the obvious can be banally pushed further: “… Once something has been done, it can be done again in a different colour.” By means of doubling and repeating the result has most of the time the effect of a Fluxus-like humor.
Together with artists like Yann Sérandour, Claude Closky, Nicolas Chardon, Martin Creed a.o. Jonathan Monk belongs to a generation that is – apparently being impressed by historical mile stones – making use of references to works of famous colleagues in the past.
Photo: K. van Gelder
DAVID HORVITZ, Studio Rent Editions, 2015 (December)
each 12,6 x 17,6 cm, 2 parts
colour photo prints, verso hand stamped
gravel imprints and two scuffings due to postal handling
signed, numbered, dated
edition 10
published by the artist
inv.DHor 000-pr
MARLENE DUMAS, ‘For Whom the Bell Tolls’, 2015
101 x 101 cm
Habotai silk scarf, original linen bound box, card
edition 500
published by Tate Modern, London, England
mint
inv.MDum 000-pr
MARLENE DUMAS, For Whom the Bell Tolls, 2008. In this painting – here in print – Marlene Dumas shows interest in emotional expressions that are often represented in cinema, and rarely in contemporary painting. For this she applied a variety of watery drip painting techniques and used a film still (from ‘For Whom the Bell Tolls’, 1943) of Ingrid Bergman experiencing sorrow and mourning. Two seemingly emblematic black bird images in the eyes add an extra eery and dramatic touch to it all.
‘In 2007 my mother died at noon at the age of 86.
For Whom the Bell Tolls was about loss and departure, but also about transformation and freedom. A spirit set free, my grief and her relief. So I made the [film] stars [Ingrid Bergman. a.o.] and the gods weep for her. Marlene Dumas
This item is wrapped in a linen box with a loose piece of paper with instructions for cleaning.
Additional information
Marlene Dumas’s painting For Whom te Bell Tolls was used for the reproduction of her Tate Modern scarf and the painting from 2008 itself is based on a film still. Appropriation is of all times, also e.g. Victor Young’s vinyl “For whom the bell tolls” (2019) features the same image.
History of price:
ArtWise, Brooklyn, New York, USA US$ 125.- August 2021
Tate Modern, London, England GBP 85.- February 2015 (since May 2017 not available anymore)
Ref. Tate Modern, London: silk scarf Marlene Dumas
LAWRENCE WEINER, Here, there & everywhere, 2015
diameter 5,5 cm
badge
edition unknown
published by Whitney Museum of American Art, New York, USA
€ 145,- plus € 12,- Track & Trace registered EU mail
YOKO ONO, Mended Cups and Unbroken Cup, 2015
17 x 29 x 29 cm
print on ceramics, 14 parts in display box, leaflet, tag, folded poster
published by Illy Art Collection, Italy
Collection Kees van Gelder, Amsterdam
inv.YOno 000-pr
“Mended Cups and Unbroken Cup” consists of six cups that bear gold, ‘shattered’ and ‘mended’ crack lines – accompanied by six individual saucers that state, in Yoko Ono’s handwriting, six catastrophic events that have affected the world; some have directly affected her life, and others only indirectly, yet bringing death to millions of people. Each saucer states the date and place of the tragic event. Why and how the tragic events have been “mended” is unclear….
The seventh cup in the collection, ‘Unbroken Cup’, is untouched with no cracked or mended lines, reflecting peace and hope with Ono’s handwritten words on the saucer, Yoko Ono: “This cup will never be broken as it will be under your protection.”
