MARTIN CREED, Work 88, 1995 [crumpling]

MARTIN CREED, Work No. 88, 1995
diameter ca 5 cm crumpled sheet of A4 paper, paper shavings, cardboard box
numbered, signed on certificate
unlimited edition
published by Hauser & Wirth Edition, Zurich, Switzerland
not available

This work is made out of a sheet of A4 paper crumpled into a ball. It is an unlimited edition, but this doesn’t mean that such a work is available for ever: www.hauserwirth.com/editions/30/work-no-88-br-a-sheet-of-a4-paper-crumpled-into-a-ball/view/ 

MARIJKE VAN WARMERDAM, Klok, 1995 [electric doorbell]

MvW1995klokdoorbell350

MARIJKE VAN WARMERDAM, Klok, 1995
height ca 40 cm, different heights
bronze, ceiling clamp, electric device
series of 12 unique doorbells, cast in different pitches
Collection Kees van Gelder

 

‘Marijke van Warmerdam could be the very founder of Reaction Art, i.e. context triggers her imagination. The idea of making a school bell in the form of a carillon with two melodies struck Van Warmerdam as a good alternative to the piercing sound of the bell that normally rings out across the schoolyard. She invited composer Jeff Hamburg to make one melody for the start of lessons and another for when school ends. From there in the context of her first commercial gallery show in Amsterdam in 1995 she decided to turn the gallery’s doorbell into a doorbell bell creating a very deep sound in the building when visitors rang it.’ september 2012 KvG

MARIJKE VAN WARMERDAM, Vuilnisbak, 1995

MARIJKE VAN WARMERDAM, ‘Vuilnisbak’, 1995
65 x Ø 35 cm
zinc dustbin, gold leaf, varnish
signed, dated, numbered
edition 20
p.o.r.

‘We use a dustbin every day and half our lives end up in it.’ Based on this idea, the artist felt it was time to place dustbins on a pedestal by providing them with a layer of gold leaf.

VICTOR VASERELY, Rosenthalkarte, n.d. [ca 1995]

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VICTOR VASERELY, Rosenthalkarte, n.d. [ca 1995]
16 x 11,5 cm
printed ceramic postcard, pencil, plastic support, paper cushion, beauty box + original Rosenthal mail wrapping; complete as issued
edition unknown
published by Rosenthal GmbH, Selb, Germany
pristine condition (unused)
€ 120,- plus € 18,- Track & Trace registered EU mail
inv.VVa 000-pr

VVaserely-postcardCeramic-verso600

VVaserely-postcardCeramic-postpackage600

History of prices:
eBay-shop6zip9, Cologne, Germany January 2025 € 149,-
Galeria Tarquinia. Los Lagos, Chile 11 October 2022 € 750,-
eBay-armonia24, Planegg, Germany 11 October 2022 € 99,-
Catawiki, Assen, Netherlands 20 December 2018 € 310,- (hammer price)

SYLVIE FLEURY, Slim-Fast / vanille, 1993

SYLVIE FLEURY, Slim-Fast / vanille, 1993
15 x 18 x 10 cm
screen print on wooden block
signed, numbered
edition 250
condition: very good
published by Art & Public, Geneva, Switzerland
€ 650,- plus € 28,- Track & Trace registered EU mail

A recurrent contamination of the masculine world and the feminine, of fashion and art or advertising is seen in the works of Sylvie Fleury. In the early nineties she showed in her first exhibition with John M Armleder and Olivier Mosset a pile of empty Coco Chanel boxes intuitively collected by her for years, because of its attractiveness as she once said. Her installations with shopping bags triggered people to call her the ‘Bag Lady’ at a certain point. Nowadays her work is described as political, but definitively her oeuvre does not lack a post-conceptual attitude at all. With the multiple ‘Slim-Fast’ she shows that the idea is very close to how the artist originally was attracted by the Coco Chanel mascara and perfume boxes, only now more rationally made with a tongue-in-cheek to Pop-art.

History of prices:
Piasa, Paris, France 27 September 2023 € 350 (hammer price)
Dorotheum, Vienna, Austria 10 October 2022 € 576,-
Art & Public, Geneva, Switzerland August 1993 SFr 500,-

JOHN M ARMLEDER, AP [door sign], 1993-1994

AP, 1993-1994
enamel door sign (name plate)
22,7 x 16,2 cm, edition 6 + 2 AP
signed, numbered, dated
published by GALERIE VAN GELDER EDITIONS, Amsterdam    
€ 3.400,-

* John M Armleder made this logo composed of two letters inside a tumbled zero for AP Magazine published by Galerie van Gelder in Amsterdam. Each copy was supposed to have a glued sticker with this logo on the cover. The first and only issue has contributions of John Tremblay, Claude Closky, Sylvie Fleury and Marijke van Warmerdam. A small edition was produced as an enamel door plate. Ever since a proof of this plate is mounted next to the entrance of Galerie van Gelder. For the Basel Art Fair 1992 he initiated a co-operation called ‘AP / Associated Publishers Ecart Editions’ with the following galleries:

Gallery Daniel Newburg, New York

Galerie Daniel Buchholz, Cologne

Gallery John Gibson, New York

Galerie van Gelder, Amsterdam

Ecart, Geneva

JOHN M ARMLEDER, La Ligne d’ Arrivée, 1993

La Ligne d’Arrivée, 1993
21 x 9,7 cm
‘Plat du Jour’ voucher of 200 FFrs
edition of 100
signed, numbered, dated
rare
€ 185,- plus € 13,- Track & Trace registered EU mail

‘La Ligne d’Arrivée’ was a restaurant opposite Galerie Gilbert Brownstone & Cie in Paris. The voucher – here unused – could be validated by dining at the restaurant. Only ca 30 have been signed by the artist and very few have been issued, because soon the restaurant closed its doors.

History of prices:
€ 125,- Galerie van Gelder, Amsterdam December 2011
€ 150,- Galerie van Gelder, Amsterdam June 2016

SYLVIE FLEURY, Vital Perfection, 1993 [fur-lined shoe box]

SYLVIE FLEURY, Vital Perfection, 1993
9,3 x 27,8 x 17 cm
faux fur-lined cardboard shoe box, printed in gold on lid
signed, numbered
edition 100
published by Hervé Mikaeloff, Paris, France
rare
€ 950,- plus € 32,- Track & Trace registered EU mail, Margin Scheme

This shoe box (number 19/100) was part of goup exhibition ‘Post Human’, Deichtorhallen, Hamburg / d’Este Foundation for Contemporary Art, Athens, Greece

Collection National Gallery of Australia, Canberra, AU Sylvie Fleury
Collection MOMA, New York, USA Sylvie Fleury

verso: vintage sticker Deichtorhallen, Hamburg, Germany:

History of prices:
Phillips Auctions, London, UK 7 June 2024 € 353,- (hammer price, poor condition)
Live Auctioneers-Wright, Chicago, USA 6 October 2021 € 488,- (hammer price, see condition)

MARTIN KIPPENBERGER, Schlecht belegte Studentenpizza gepollockt, 1993

MARTIN KIPPENBERGER, Schlecht belegte Studentenpizza gepollockt [quarter], 1993
22 x 30 x 2,5 cm
wood, paint
edition 28 + 8 AP
signed, numbered, certificate
published by Printed Matter, New York, USA

not available anymore

MARTIN KIPPENBERGER, Schlecht belegte Studentenpizza gepollockt / Poorly topped student pizza, pollocked, 1993
diameter 45,1 cm / 17 3/4 inches
carved and painted wood, signed, numbered
edition 10 + 5 AP

 

This multiple was issued in 3 variations: full pizza, half and quarter slices. Ref. “Kippenberger: Multiples,” Verlag der Buchhandlung Walther König, Cologne, 2003, 120-121 pp.

 

History of prices:
The Archive is Limited € 1.500,- December 2012