
Galerie Suspekt, Fotografie van: Artur Barrio, a.o., 1983
poster
66,5 x 49,2 cm
screen print
condition: good, although with some weak dents
rare
€ 160,- plus € 32,- Track & Trace registered EU mail
inv.map 000

Galerie Suspekt, Fotografie van: Artur Barrio, a.o., 1983
poster
66,5 x 49,2 cm
screen print
condition: good, although with some weak dents
rare
€ 160,- plus € 32,- Track & Trace registered EU mail
inv.map 000

GIOVANNI ANSELMO, Invisibile, 1998
21 x 29,7 cm / 10,5 x 21,5 cm
A4 sheet + announcement card, 2 parts
published by Haus Edition / Anny De Decker and Stella Lohaus, Antwerp, Belgium
inv.GAns 000-pr

Aorta – Beeldstroom, 1982
63,2 x 44,9 cm
offset, poster
extremely rare in this condition
€ 250,- plus € 12,- registered mail
inv.PGie 000-pr

Sigurdur Gudmundsson, Skúlptúr, n.d. [1972]
51 x 39,2 cm
woodblock, print on thin paper
well aged; good condition
published by the artist
MapD-SG

Galerie Balderich, poster, offset, 1971
49 x 35 cm
published by Galerie Balderich, Munich, Germany
splendid condition
very rare
€ 380,- plus € 18,- registered mail
MapD-Bald

Space 251 Nord – Investigations 1985 [Place Saint Lambert, Liège, Belgium]
61 x 42 cm
poster, offset
good condition, very rare
€ 120,- plus € 28,-, registered mail
MapD-Space

BAS JAN ADER, A work by Bas Jan Ader…, 1972
21 x 29,7 cm
invitation, printed matter, stencil print
published by Art & Project, Amsterdam
good condition, i.e. slightly yellowed
extremely rare
€ 950,- plus € 13,- Track & Trace registered mail
BJAder 559-pr
Bas Jan Ader’s first solo exhibition took place at Art & Project in 1972. Twice a day from 15 until 21 April he performed by reading an article published in the Reader’s Digest: The Boy who fell over Niagara Falls. It describes the only recorded instance of someone surviving a fall. At certain moments during his reading performance Bas Jan Ader paused and drank from a glass of water.

MARIEKE ELZERMAN, Marieme / Marieke, 2018 [film]
11 x 11 x 2,3 cm
digital film, 21’31”
engraved USB stick, 4 film stills (selfies), English / Dutch text by Kees van Gelder
linen box
signed, numbered, dated
edition 13 + 2 AP
published by Galerie van Gelder Editions and Mo-Art Gallery, Amsterdam
€ 420,-
A new film titled “Marieme / Marieke” (2018) by Marieke Elzerman is of a natural beauty. The script is elementary: two girls of just no more teener decide to get to know each other better via WhatsApp. One studies and lives in Ghent (Belgium) and the other lives amidst her family in Dakar (Senegal). Both film their direct surrounding in a light-hearted and almost uneasy manner. Marieme is more defiant and expressive, while Marieke is more reflective and aloof. That brings on that one challenges the other to step more into the open and to make selfies.
No doubt there are contrasts in what is registered, but the differences are not that striking and that makes this film into a factual documenting of two equivalent environments of places of birth, without an underlying social-critical undertone. The latter makes this debut film friendly and human.
At the end of the film a warm gesture by Marieke is shown. Two individual youngsters come closer to each other, yet simultaneously one becomes aware of a calm and more timid attitude to life on one continent and a more carpe diem attitude on the other. More than anything else, these opposite attitudes seem to become crucial for the rest of their life.
In “Marieme / Marieke” (duration: 21′ 31″) the individual experience of one’s behaviour and own existence is the heart of the film and could therefore be called a film on existentialism made in 2018.
KvG
Marieke Elzerman (born in Amsterdam, 1996) studies at the film academy KASK in Ghent, Belgium

SALIM BAYRI, Running Time, 2018
ca 20 x 20 x 4 cm
clock, batteries, text on paper
signed, numbered, dated

SALIM BAYRI, Sad Ali, 2017 [small version]
16,2 x 4,9 cm
print, lasered sky leather
signed, numbered, dated
edition 4
€ 250,-
Salim Bayri surrounds himself with an alter ego that he calls Sad Ali, a shortening of “sad alien”. This figure has no organs, undertakes no actions and opposite to a cartoon personality he doesn’t talk. As a kind of ambulant search machine he runs around checking out situations and things.
Salim Bayri: ‘I mostly use computer generated images, sound, footage and short actions because of their speed and fluidity.’
Salim Bayri is nominated for the Nationale Nederlanden Group Award 2018. The other nominees:
Pauline Curnier Jardin
Sam Samiee
Rafaël Rozendaal