GENERAL IDEA, Test Pattern – TV Dinner plate, 1988
22,4 x 29,8 x 1,5 cm
TV dinner plate, porcelain
with original box + sticker
edition 300, although only 238 realised
published by Spiral / Wacoal Art Center, Tokyo, Japan
pristine rare
€ 1.750,- plus € 32,- registered mail
inv.GIdea 602
Art Metropole gives this item a lower edition, namely 238. I remember that John Goodwin (director of Art Metropole between 1983-1988) told me that during the transport many plates appeared broken when they were unpacked. KvG
History of prices:
Caviar20, Toronto, Canada October 2023 US$ 2,000.-
Quittenbaum Kunstauktionen, Munich, Germany 10 December 2020 € 400,- (hammer price, used)
Kunstgriff, Zurich, Switzerland May 2018 SFr. 1500,-
RICHARD ARTSCHWAGER, BLP, 1978
each 22,2 x 8,9 cm
2 stickers, text on envelope (10,4 x 24 cm)
edition unknown
published by Clocktower, New York, USA, 1978 extremely rare
condition: excellent
€ 1.850,- plus € 18,- Track & Trace registered mail
inv.RArts 905
The two stickers, one in white and one in black, come in an envelope with printed text from an original type written description. These Blp’s were used for his installation at the Clocktower in New York, 1978.
In 1967 Richard Artschwager (1923 – 2013) introduces his Blips for the first time as an oval-shaped graffiti sign. These signs have been installed either vertical or horizontal as a device to focus on or draw attention to e.g. an empty gallery wall or a building front not commonly receptive for art.
Richard Artschwager first created his blps, pronounced as “blips” in the late 1960s. These installed black pill shaped forms or marks were meant to inspire focused looking and draw our attention to the places and things around us that often go unnoticed. Most of his “Blp’s” have a heavy material presence, usually made of wood, rubber or of a thick layer of hair. The sticker version is the most ephemeral work among the “Blp’s” and certainly of Richard Artschwager’s oeuvre.
Ref. Specific Object / David Platzker, New York: ‘Two vinyl self-adhesive ‘BLP’s, one each in white and black, from Richard Artschwager’s installation at the Clocktower, New York, April 5 – 29, 1978. Housed in facsimile of envelope provided to current owner.’
MARIJKE VAN WARMERDAM, Underwater I, 2008
each 19,9 x 13,6 cm
2 digital prints in book by Dutch poet Rozalie Hirs, 16 pp.
signed and numbered on last page
edition 100
published by Uitgeverij 69, Hiversum, Netherlands
BRUCE NAUMAN, Soundtrack from First Violin Film, 2016
32,3 x 32,3 x 1 cm
vinyl LP, 2 LP covers, inlay with text, fluorescent Perspex cassette, 5 parts
edition 100 + 12 AP, here regular number 59/100 signed, dated, numbered
published by Die Schachtel, Milan, Italy / Tanglewood Press Inc. New York, USA
mint (never played)
€ 2.200,- plus € 32,- Track & Trace registered EU mail
inv.BNau 605-06
Ref. Bruce Nauman Soundtrack from First Violin Film, 2016.
https://www.soundohm.com/product/soundtrack-from-first-vio
Photo: K. van Gelder, Amsterdam
Photo: K. van Gelder, Amsterdam
History of prices:
No Storefront, Placenza, Italy April 2025 € 1.300,-
Capsule Gallery, New York, USA (AP edition Nr XII) 27 June 2024 € 182,- (hammer price)
Capsule Gallery, New York, USA (AP edition Nr IX) 23 May 2024 € 346,- (hammer price)
Capsule Gallery, New York, USA (AP edition Nr X) 23 May 2024 € 346,- (hammer price)
Capsule Gallery, New York, USA (AP edition Nr IX) 23 May 2024 € 346,- (hammer price)
Capsule Gallery, New York, USA (AP edition Nr XI) 28 February 2024 € 299,- (hammer price)
Buchhandlung Walther Koenig, Cologne, Germany March 2023 € 1.400,-
Buchhandlung Walther Koenig, Cologne, Germany December 2022 € 980,-
Die Schachtel, Milan, May 2018 € 750
GERHARD RICHTER, Schwarz, Rot, Gold I, 1998
61,5 x 47,5 cm (42 x 29,7)
oil paint on canvas, framed
series of 128 unique collages + 6 AP
published by Texte zur Kunst, Cologne, Germany
pristine
not available
Texte zur Kunst: “Richter hat sich in seiner Edition für Texte zur Kunst der Collagentechnik bedient, so als wolle er den Eindruck einer geschlossenen Bildoberfläche unterlaufen, indem er bemalte Farbbahnen zerschnitt und aneinanderklebte. Da es sich bei dieser Arbeit um eine Variante über die Deutschlandfahne handelt – Richters Entwurf für den Berliner Bundestag -, liegt eine bestimmte Interpretationsebene nahe: Das Symbol für die Idee nationaler Einheit wird aufgebrochen und dadurch quasi seiner Essenz beraubt. Dieser Auflösungsprozess wird durch das Moment der Serialisierung wie durch leichte Farbabweichungen unterstrichen: „Schwarz”, „Rot” und „Gold” werden in jeweils vier Abstufungen kombiniert und sind demnach nur annäherungsweise repräsentiert. So variiert etwa das „Gold” zwischen Ocker und Senffarben”.
History of prices:
Adam Art Auction, Amsterdam May 2019 € 10.000,- (hammer price)
Lempertz Auktion, Germany 1 June 2017 € 23.560,- (hammer price)
Lempertz Auktion, Germany 4 June 2016 € 16.740,- (hammer price)
Lempertz Auktion, Germany 23 May 2012 € 10.370,- (hammer price)
Ketterer Kunst, Munich, Germany 26 March 2004 € 3.803,- incl. 17% premium
HAMISH FULTON, Nepal, 1975
20,8 x 28,7 cm
artist’s book, oblong format, SC
edition 1000
published by Stedelijk Van Abbemuseum, Eindhoven, Netherlands
splendid copy
€ 185,- plus € 24,- Track & Trace registered EU mail
inv.HFul 000-pr
This is an artist’s book with full page photos of a 20 day walk, a journey from Dolalghat following the trail to the Everest icefall. Colour and b/w illustrations.
JOËLLE TUERLINCKX, Audio and visual days, 2000
42 x 29,7 cm
poster, digital print, folded as issued, original plastic envelope
published by Argos, Brussels, Belgium
inv.JTue 000-pr
Galerie Suspekt, Fotografie van: Artur Barrio, a.o., 1983
poster
66,5 x 49,2 cm
screen print
condition: good, although with some weak dents
rare
€ 160,- plus € 32,- Track & Trace registered EU mail
inv.map 000
BOB and ROBERTA SMITH, You there make your own damn art, n.d. [1998]
50 x 34,9 cm
poster, Iris print
signed
published by Migros Museum, Zurich, Switzerland
splendid condition
€ 485,- plus € 24,- track & Trace registered EU mail
MapE-B&RSm
Migros Museum für Gegenwartskunst in Zurich produced various posters in 1998, among several ones made by Sylvie Fleury like “Hot wheels” and an XL yellow poster “Life can get heavy, mascara shouldn’t”. Visitors were allowed to take a poster with them home. For this screen print project initiated by the Migros Museum Bob and Roberta Smith made the above iris print poster in red and blue.