CUT magazine about art, issue #10, 2014
29,7 x 21 cm, 12 pp.
digital printed magazine, tipped in invitation card Nicolas Chardon + sticker glued on back cover
edition 75
for Special Cut Subscribers: photo by Carlos Irijalba
signed, numbered, dated
edition of 35
‘CUT magazine about art appears irregularly however often’ and is published by Galerie van Gelder. Issue #10 opens with an image of a performance by Diego Bianchi (Argentina) together with a contribution of Carlos Irijalba.
JASON DODGE, Electricity, 2014
text on yellow paper, black feather, cardboard box
ca 32 x 21 cm / ca 4 x 25 x 8 cm
two versions: 20 copies come with a black feather, 10 with a white feather, 10 AP
signed, numbered,
hors série # 32 published by More Publishers, Brussels, Belgium
p.o.r.
JASON DODGE, Electricity, 2014
text on yellow paper, white feather, cardboard box
Typically for the work of Jason Dodge is his drive to make use of found objects with small subtle alterations. These may be called materially minimalistic, but its simplicity often belies a more complex artistic process or instruction. In ‘Electricity’ the feather is to be stuck in an electric socket in function resulting in a questioning surrealistic installation.
SIGURDUR GUDMUNDSSON, A is Anna – Geobserveerde gedichten, 2014
18,3 x 12,3 cm
offset, 36 pp., text in Dutch
signed, numbered
edition 150
published by Silver Press, Xiamen – 2nd print
MARIJKE VAN WARMERDAM, Morning glory, 2014
30,5 x 25 cm
inkjet print
edition 3 + 1 AP
p.o.r.
Marijke van Warmerdam often uses image and title as two dissimilar entities living in symbiosis. Such a combination emphasizes elements of what is already literally shown in the image itself. In this work it is a combination of time and the light of a photographed running iPad apparently switched on in the morning when one gets up. KvG
MAURIZIO CATTELAN, Sausage Mirror, n.d. [2014]
41 x 30 cm
digital print on glass mirror, plastic frame, tabletop stand
edition unknown
Lipstick Mirror comes in two sizes (small and large), both of which can be hung or used as a tabletop mirror when using the attached stand. Lipstick Mirror is designed by Maurizio Cattelan and Pierpaolo Ferrari for Toiletpaper, the duos provocative, image-only magazine turned product purveyor. It features multiple hands with lipstick ready to beautify whomever’s head appears in the center. Published for Toiletpaper magazine, distributed by Artware Editions, New York, USA
MAURIZIO CATTELAN, Lipstick Mirror, n.d. [2014]
41 x 30 cm
digital print on glass mirror, plastic frame, tabletop stand
edition unknown
mint
published for Toiletpaper magazine, distributed by Artware Editions, New York, USA
inv.MCat 000-pr
Lipstick Mirror comes in two sizes (small and large), both of which can be hung or used as a tabletop mirror when using the attached stand. The mirror is designed by Maurizio Cattelan and Pierpaolo Ferrari for Toiletpaper, an image-only magazine.
History of prices:
Art Space, New York, USA July 2024 € 44,-
Perrotin Shop, New York, USA July 2024 € 35,64
BARBARA KRUGER, Your gaze hits the side of my face, 2013
5-5/8 inches, width ca 1-3/4 inches
tortoise/black sunglasses with red temples
fabric drawstring sleeve for glasses, box
edition 100
published by LACMA, Los Angeles, USA
not available
The sentence “Your gaze hits the side of my face” phrase first appeared in an 1981 artwork along with the profile of an anonymous classical bust. A phrasing that suggests that such a gaze is impertinent. When it comes to the lens of a camera Barbara Kruger says: ‘What it menas to put a camera at another person, I think there is a brutality about that.’
Extra information:
Other versions published by LACMA each in an edition of 100:
CHRISTIAN MARCLAY, Splat, 2013
46,7 x 35,6 cm / 18-1/4 x 14 inches
screen print with splash painting
edition 30
published by Graphic Studio, Tampa, USA
not available
Continuing his exploration of collage and the visualization of sound these partly unique prints utilize imagery from Manga comics, originally published in Japan and translated for the US market, and onomatopoeic words. Since the late 1990s, Marclay has created “graphic” scores, non-traditional forms of notation, for improvisational interpretation by musicians and vocal performers.
History of prices:
Graphic Studio, Tampa, USA € 3.270,- / $ 4,500.- December 2013
ADITYA MANDAYAM, iliulu-uliilu, 2013
6 prints, envelope
edition 26
signed, numbered
published by the artist, Amsterdam – November 2013
€ 145,- plus free Track & trace registered EU mail
inv.PHal 000-pr
MESCHAC GABA, mug, 2013
7 x 8 cm
print on ceramic
limited edition
Published by Tate Modern, London, England
Collection Kees van Gelder, Amsterdam