JIRI VALOCH, Eye Piece XIII, 1978-1979

JIRI VALOCH, Eye Piece XIII, 1978-1979
29,3 x 21 cm
letterpress print
edition 40
signed, numbered
€ 480,- plus € 15,- Track & Trace registered mail
inv.JVal 846

 

This signed and numbered stiff paper print is not numbered, but probably it was part of the 10th Anniversary Hundertmark Edition box issued in 1980.
Ref. Eric Andersen

Jiří Valoch’s works are not of the narrative kind. Basically he presents the reader a few words or a short text and the reader finishes the work as if a verbal puzzle has to be resolved. In all cases it creates relational images in the mind, playing with connotations of the used notions. It is a question of filling in the open space within a group of given data. With this he draws attention to what happens when one is ‘reading’ his given letters or words. In “Eye Piece XIII” the reader makes a sculpture above the print with movements of the eye. KvG

History of price:
The 10th Anniversary Hundertmark Edition box was priced € 16.000,- at Hundertmark in June 2019.

JIRI VALOCH, Study of identification, 1972

JIRI VALOCH, Study of identification, 1972
14,9 x 15 cm
portfolio with 4 cards
edition 100, here 26/100
signed and numbered on portfolio, each card also verso signed in pencil with surname
published by the artist
good condition, although slightly discoloured due to age and dog’s ear at lower right of portfolio
extremely rare
sold

 

This edition has been signed and dated on the portfolio. The backside of each separate card has been signed in pencil with ‘Valoch’. Two cards have been signed horizontally parallel to reading the words and two cards have been signed vertically, apparently to indicate that the words ‘here’ and ‘there’ should not be read horizontally on all of the four cards.

JIRI VALOCH, Do it yourself I – signs + Do it yourself II – dialogues, 1972

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JIRI VALOCH, Do it yourself I – signs + Do it yourself II – dialogues, 1972
each 20,8 x 15 x 0,3 cm
2 portfolios with each 9 sheets
edition 100, here 26/100
signed, numbered
published by the artist
good condition, although slightly discoloured due to aging
very rare
€ 595,- plus € 15,- Track & Trace registered EU mail
inv.JVal 847-pr

 

Jirí Valoch is a visual and conceptual poet and works with graphic and textual concepts. His minimal events and interventions in natural settings find their way often through conceptual drawings, short and ‘easy-to-make’ books and installations with texts.

Jirí Valoch had solo exhibitions since 1966 in the Czech Republic, Slovakia, Germany, Poland, Italy, The Netherlands and Austria. He participated in group shows in the Czech Republic, Slovakia, Great Britain, Mexico, Spain, Italy, USA, Argentina, Germany, Switzerland, Hungary, Poland, Portugal, Austria, France, Belgium, Yugoslavia, Austria, Israel and Canada. From 1968 – 1972 he was a member of Klub Konkretistu (Concretists’ Club) and since 1997 he has been a member of the Brno section of the Klub Konkretistu 2; since 1991 he has been a member of the TT Klub of Creative Artists and Theoreticians. He lives and works in Brno.

 

PIPILOTTI RIST, Pepperminta, 2005 [box with printed matter]

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PIPILOTTI RIST, Pepperminta, 2005
25 x 18,7 x 2,8 cm
cardboard box, linen bound
17 parts + stiff paper board, printed matter and various items
published by Lars Müller Publishers, Zurich, Switzerland
€ 100,- plus € 18,- Track & Trace registered EU mail
inv.PRis 864

 

This box includes images of dreams, saints, dreams and ideas of paradise. Rist is renown for her mesmerizing slow-video installations that are mixed with visual art, music, architecture, and social politics. Her work features often erotic and uncanny images of her own body. She states on one of the inlays: ‘The body is a planet. It wants to be a paradise. Paradise calms down fever’
This box was published on behalf of the Venice Biennale 2005 in which Pipilotti Rist represented Switzerland with a solo exhibition. All loose items may be considered as artist’s publications, apart from the colophon insert.

 

FRANZ ERHARD WALTHER, Find a purpose for the pocket, 1969 [unsigned]

FEWalther1969findaPurposeforpocket700

FRANZ ERHARD WALTHER, Find a purpose for the pocket, 1969
ca 37 x 13,5 cm
canvas shaped pocket
unlimited edition
not stamp signed
published by Vice-Versand, Remscheid, Germany
€ 420,- + € 18,- registered mail Track & Trace
inv. FEWal 28

History pf prices:
Artax, Düsseldorf, Germany € 460,- October 2024 (unsigned)
Artax, Düsseldorf, Germany € 450,- October 2015 (unsigned)

TANDORI DEZSÓ, instructions for hanging, 2004 [letter]

TANDORI DEZSÓ, instructions for hanging, 2004
29.7 x 21 cm, 2 parts
type written texts
signed
inv.TDez 000-pr

Born in Budapest in 1938 [died in 2019], Dezsö Tandori is a novelist, playwright, translator, and graphic artist, as well as one of Hungary’s most celebrated poets. Brilliantly eccentric, and characterized by an astonishing formal dexterity, these poems address fundamental issues: the effort to establish personal identity in an impersonal world, the conflicting demands — private, social, and historical — that provide the texture of a lived moment, and the necessity of affirmation that finds its locus in the act of writing.
Princeton University Press

LAWRENCE WEINER, Caught between ships passing in the night, 1999 [multiple, textile]

LAWRENCE WEINER, Caught between ships passing in the night, 1999
13,6 x 11,4 cm
silkscreen on cotton, certificate (15 x 21 cm)
verso stamped with initials ‘LW’
hand signed fully written in pencil
edition 900 + 100 AP, here hand stamped number 326
published by Gallery 360 degrees, Tokyo, Japan
inv.LWein 817-pr
€ 380,- plus 12,- Track & Trace EU mail

History of prices:
D.R. Fine Arts, new York, USA, November 2023 US$ 400.-
D.R. Fine Arts, new York, USA, December 2022 US$ 300.-

CORINNE VIONNET, Souvenirs d’un glacier, 2019

CORINNE VIONNET, Souvenirs d’un glacier, 2019
22 x 33 cm
offset, cover and pages of thick cardboard, 12 pp.
Lumbeck binding
edition 200
published by RRose Editions, Paris, France

 

Over the years, Corinne Vionnet has collected postcards of the Rhône glacier, spanning almost of century of images. The pictures have all been shot from the same perspective, from an “ideal” spot that reveals the glacier in its archetypal form and the roads that takes visitors there – as is often the case with touristic attractions. It is a pattern of repetition and superposition that Corinne Vionnet explored for instance in her Photo Opportunities series.