RICHARD ARTSCHWAGER, Quotation marks, 2012 [tattoos]
7,7 x 5 cm
4 quotation marks in plastic envelope, transfer prints, printed paper, staple
edition unknown
For sale in 2013 at the Whitney Museum, New York, USA
The space between two quotation marks either on human skin or e.g. on a gallery wall emphasize these spaces in between. This tattoo work with quotation marks is apparently not made to unravel what is ‘quoted’ in a given space. Whitney Museum, New York – March 2013
In March 2013 on its website the Whitney Museum categorizes this multiple as an edition that is ‘Reminiscent of Richard Artschwager’s artwork, where he utilizes punctuation outside of its normal realm, rendering its meaning questionable’ and was sold as “Air Quotes Temporary Tattoos”. There is no printed name of Richard Artschwager as a kind of authorization comparable to the “Richard Artschwager Quotation Earrings” The Whitney had simultaneously for sale.
LILY VAN DER STOKKER, This Belongs To Me, 2013
45 x 32,5 x 5 cm
4 parts + seal bag with utensils
two pencils, two brushes, two spatulas, three cups, rubber and sharpener, hand painted colour samples, manual, template, table of installation history to be filled in, artist’s impression of installation, cardboard box, hand signed, dated and numbered in print
edition 6 + 1 AP
published by the artist
€ 3.500,- plus 6% V.A.T.
GILLIAN WEARING, Total Stranger, 2013 – present
photo work in commission
signed, numbered
published by Art on the Tube Edition, London, England
GBP 3,000.- March 2014
“The Tube is full of strangers. We acknowledge this fact, knowing that we too are strangers to others. My project is to photograph a stranger. The person came forward via an open call advertised in the Metro newspaper and on the TfL website. I chose them through a raffleticket system, which did not reveal their name, age or gender. Until we met on a train and I took her photograph, I still didn’t know her identity, and she didn’t know who I was either. For a brief moment, we were total strangers to each other.” Gillian Wearing
GILLIAN WEARING, Total Stranger, 2013
84 × 52,5 cm
signed, numbered
edition 100
published by AOTUEditions / Art on the Underground Editions, London, England
“The Tube is full of strangers. We acknowledge this fact, knowing that we too are strangers to others. My project is to photograph a stranger. The person came forward via an open call advertised in the Metro newspaper and on the TfL website. I chose them through a raffleticket system, which did not reveal their name, age or gender. Until we met on a train and I took her photograph, I still didn’t know her identity, and she didn’t know who I was either. For a brief moment, we were total strangers to each other.” Gillian Wearing
LAWRENCE WEINER, Under ground, 2013
30 x 25 cm
vitreous enamel plaque
signed and numbered on certificate
edition 50 + 10 AP, here number 11/50
3 parts, i.e. comes with certificate + hanging instructions + authentic bag with four screws as issued
published by Art on the Underground, London, England mint
€ 1.000,- plus € 32,- Track & Trace registered mail
inv. LW 000-pr
The red curlicue is not merely a typographical gesture. Here it also expresses a wonderful experience of the artist when traveling under the ground from one stop to the next one. Lawrence Weiner says about this wall sign as work: “One is often confronted by the classic logo of the underground and the transportation system. There has to be something that deals with the sheer wonder and sensual sense of in fact traveling under the ground (being in motion). What has been transcribed to the poster and the plaque is my sense of traveling under the ground”. Hence the interspace between ‘under’ and ‘ground’. KvG
History of prices:
Phillips, New York, USA, 7 February 2026 US$ 1,290.- (incl. premium)
Antiquariat Querido-Frank Hermann, Düsseldorf, Germany, 15 January 2021 € 1.350,-
Art on the Underground, London, UK, 15 January 2021 GBP 1,200.-
Art on the Underground, London, UK, October 2013 GBP 600.-
KATE LEVANT, Untitled, 2013
19 x 14 cm
hand made artist’s book (nr 4/15), 16 pp., plasticized cover, hand written texts in pencil
(here including text of Leon Trotsky from 1924 and text of Kate Levant on ‘The malignant narcissist’)
edition 15
published by the artist, Amsterdam
KATE LEVANT, Untitled, 2013
19 x 14 cm
hand made artist’s book (nr 5/15), 12 pp. (sic), plasticized cover, hand written texts in pencil
(here including cover image and excluding 4 pages of texts by Leon Trotsky from 1924 and text of Kate Levant on ‘The malignant narcissist’)
edition 15
published by the artist, Amsterdam
CUT magazine about art, issue # 9, 2013
29,7 x 21 cm
digital print, tipped in program of 2nd set of performances, 16 pp.
edition 80, incl. 6 signed by Sigurdur Gudmundsson
‘CUT magazine about art appears irregularly however often’ and is published by Galerie van Gelder. This issue opens with a part of the diary of Sigurdur Gudmundsson together with color reproductions of new sculptures he made in China. Further more a visual report of gallery performances by Roderick Hietbrink, Kate Levant, Ekko Lokkwa and Kroôt Juurak invited by Aditya Mandayam.
ELVIRE BONDELLE, Maison, voiture, chien, 2013
22,5 x 13,9 cm, 48 pp.
artist’s book, SC, offset print, black and white
signed, numbered
edition 25
published by Book Machine / One Star Press, Paris, France
This artist’s book is read from back to the front, i.e. from both sides.
