CUT magazine about art, issue #19 (November 2018, incl. Lily van der Stokker inserts)

CUT magazine about art, issue #19, November 2018
21 x 29,7 cm
comes with sticker and wrapping paper of Lily van der Stokker
for Special Cut Subscribers signed edition of 35 by Wjm Kok
including inserts by Lily van der Stokker
published by Galerie van Gelder, Amsterdam
edition 80
inv. CUT 000

GERHARD RICHTER, Abstract Painting 825-II, 69 Details, 1996 (signed, stamp numbered)

GERHARD RICHTER, Abstract Painting 825-II, 69 Details, 1996
19,2 x 12,3 x 1,5 cm (18,4 x 12,3)
artist’s book, English, HC, including slipcase
signed with fountain pen, stamp numbered, here number 771
edition 1000, of which 100 signed copies issued in English as Special Edition
published by Insel Verlag / for this edition Scalo, Zurich-Berlin-New York, USA
mint
€ 780,- plus € 15,- Track & Trace registered mail
inv.GRich 000-pr

This artist’s book is part of a Special Edition:
850 copies in German; 50 copies in French; 100 copies in English, signed and ink stamp numbered on the last page, subtitled on the fifth page: ‘Für Elise’;
(32 copies, signed in ink, subtitled on the fifth page: ‘Für Elise’, marked in felt-tip pen on the last page: h.c.)
inv.GRich 667

Regular edition: 4,090 copies in German, 5,000 copies in English

 

Afterword in English by Hans Ulrich Obrist.

 

History of prices:
Antiquariat/Galerie Buchholz, Cologne, Germany € 680,- 16 April 2020 (‘Für Elise’)
Buchhandlung Klaus Bittner, Cologne, Germany € 498,- 16 April 2020
Antiquariat Udo Schwörer, Pforzheim, Germany € 450,- 16 April 2020
Dashwood Books, New York, USA US$ 400,- 16 April 2020
eBay-zwilling90, Morfelden-Waldorf, Germany € 86,05 February 2007
eBay-marc79, Hannover, Germany € 91,37 August 2005
eBay-marc79, Hannover, Germany US$ 152.51 3 February 2004

ULISES CARRIÓN, Rob or Marta, n.d. [ca 1981]

I'm going to produce an artwork involving people named either Rob (Bob, Robert, Roberto, etc.) or Marta (Martha, Marthe, etc.). Profession, nationality, and place of residence are irrelevant. Please return this card to me if you want further information.

Ulises Carrión, Rob or Marta, ca 1981, invitation to participate

 

ULISES CARRIÓN, Rob or Marta, n.d. [ca 1981]
14,4 x 10,4 cm
stencil print
condition: top side slightly bumped due to mailing
extremely rare
€ 450,- plus € 15,- registered mail Track & Trace

The text on this invitation reads: ‘I’m going to produce an artwork involving people named either Rob (Bob, Robert, Roberto, etc.) or Marta (Martha, Marthe, etc.). Profession, nationality, and place of residence are irrelevant. Please return this card to me if you want further information.’

The text on this invitation to get more details reads: 'I'm going to produce an artwork involving people named either Rob (Bob, Robert, Roberto, etc.) or Marta (Martha, Marthe, etc.). Profession, nationality, and place of residence are irrelevant. Please return this card to me if you want further information.'

YOKO ONO / JOHN LENNON, War Is Over! If you want it, n.d. [1969] poster

YOKO ONO / JOHN LENNON, War Is Over! If you want it, n.d. [1969]
75,5 x 50,5 cm
block print letterpress
edition unknown
extremely rare in this vintage condition
condition: aged with various pinholes, two small tears in lower part
hand written text in pencil at lower left: ‘Sonja Carnaby Street London 1969’
Collection Thora Johansen, Amsterdam
inv.YOno 000-pr

“War Is Over, if you want it” is a 1969 poster and billboard action that inspired so much political action that the president of the United States Lyndon B. Johnson sought to have British Yoko Ono and John Lennon deported for fear that they would undermine his foreign policy and political fortunes.

At the lower left corner the following text is written in pencil: Sonja Carnaby Street London 1969.

 

Additional information:

This version of the poster with sub-text ‘Love and Piece from John & Yoko’ is in the collection of MoMA / Museum of Modern Art, New York, USA. In 1969 Yoko Ono and John Lennon showed the poster with the sub-text ‘Happy Christmas from John & Yoko’.

JENNY HOLZER, I am Awake in the Place where Women Die, 1996 [multiple; puzzle]

JENNY HOLZER, I am Awake in the Place where Women Die, 1996
20,2 x 40,1 cm
puzzle; offset, paper, wood, cardboard box (21,5 x 41,5 cm)
stamp signed, numbered
published by Galerie-Éditions Média, Neuchâtel, Switzerland
mint
p.o.r.

 

In the 90’s Jenny Holzer texts works were extreme, aggressive, contradictory or even an open door and were acclaimed for its visual one-liners on e.g. female victims of war that were more a statement than poetry. KvG

In 1990 she was awarded the Golden Lion Prize at the Venice Biennale.

 

BIRGIR ANDRÈSSON, Eyktarmörk se∂ frá Haekinsdal í Kjós, n.d. [1979]

BIRGIR ANDRÈSSON, Eyktarmörk se∂ frá Haekinsdal í Kjós, n.d. [1979]
20 x 16 cm
artist’s book, SC, 8 pp. + 7 pages of tracing paper in between the photographic images
published by the artist / printed at the Jan van Eyck Academie, Maastricht, Netherlands
splendid condition, very rare
sold

 

The title of Eyktarmörk se∂ frá Haekinsdal í Kjós could at best be translated as Orientation point of dayparts seen from Haekinsdal in Kjós.
This artist’s book of Birgir Andrèsson (1955 – 2007) shows seven parts of the day with the help of reading the shadows on surrounding mountains at fixed moments of the day. In the 18th century Icelanders in the countryside used this method for reading the time within each period of 24 hours. The eighth period of twelve ‘o clock at night was never used.

The book is dedicated to Douwe Jan Bakker (1943-1997) who lived and worked in Haarlem and visited several times Iceland where he studied the Icelandic vocabulary related to different conditions and characteristics of the Icelandic landscape.

FANDANGOS – nrs. 8.9.10.11 superb issue!, 1978 [magazine]

FANDANGOS – nrs. 8.9.10.11 superb issue!, 1978
30 x 21 cm
stickers, ink stamps
signed by Raúl Marroquin as Superbman
edition 500
published by Raúl Marroquin, Maastricht, Netherlands
excellent condition, very slightly aged
€ 225,- plus € 12,- Track & Trace registered mail
inv.RMar 969

 

This 4-in-1 Fandangos magazine has been the last issue of a series of 11 publications.
Numerous contributions by Raúl Marroquin including ‘From Video to T.V where he writes that ‘It is about time that Video Art becomes Television Art’ and Marroquin’s Vampires project, Paul Carter, Julia Hayward, Jana Haimsohn, Darcy Lange, Antonio Caro, Baladi, Angelika Schmid, Jonier Marin, Montadas, C. Garcia, Tobe Carey, Klaus Staek (2 pages), Jan Patric, David Zacki, J. Charlin, Eduard Bal, Sanja Ivekovic, Michel Cardena’s Live Video Performance (7 pages, includes Cardena rubberstamp), Tony Morgan’s live video performance at de appel, Marjo Schumans, Ben D’Armagnac, Elsa Stansfield, Madieon Hooykaas, Jantje Tetelepta, I. Akel, Joshua Jansen, Relly Carlo, Nan Hoover photographs from video by Koos Bay, Tony Pegotti (5 pages), Michael Krzyzanowski (2 pages), Ger van Dijk, John Liggins, Bob Takes/Michiel Romeyn, ‘Languages my friends speak’ by Ulises Carrion, Jorgos Chronis, Michael Gibbs, Marten Hendriks/ Ad Gerritsen, Marianne Heske, Kirsten Bates and Taki Bluesinger ‘Plumbing Repairs simplified’ (4 pages), Jenna Van Eegan, Richard Hefti, Yves de Smet, Nikolaus Urban, Jan Hendrix (3 pages), Reindeer Werk, Martha Hawley, Charlemagne Palestine, Peter Hutchinson, Phillip Pearlman, Anne Tardos, Roger Cutforth, Willoughby Sharp’s collage narratives ‘The Nation, the Region, Ideas and trends.’ (10 pages), R Heyman, Douglas Davis, Jean Depuy, Scott Burton, Larry Miller, Jacki Apple, Laurie Anderson, Jeffrey Deitch, Dalibor Martinis, Marcia Resnick, Anna Banana (3 pages), Rita Yokoi. The photographs by Geurt Van Dijk, A.Rainer and Dieter Rot, Luigi Ontani, Boltanski, Ad Gerritsen, A.Messager, Jurgen Klauke, B.Sleeuwenhoek all include the artists’ names in rubber stamps next to the images. Also ink stamps of various emblemata.

Includes articles on “Superbman”, the ‘nation’s number one citizen’, a character created by Raul Marroquin who, the article describes, was appointed as “Friendship Ambassador to Europe”. The article is uniquely handsigned by Raul Marroquin as Superbman: “With love Fandangos – Superbman” in red marker pen. Includes another article on Superbman’s nemesis a sado-masochistic underworld-type character called ‘Nikos Nukos the Worst’.
Other articles include “A lecture on video in museum” by Drs I.L Szenassy (5 pages in Dutch) and ‘Visual poetry as a form of marginal art’ by Peter Frank. Interviews with Ulises Carrion (in English) Maarten van Regteren Altena (in English), Robert Filliou (in Spanish), ‘Yogo’ the false-name of a Dutch drug trafficker (in English), Costa Gravas (in French), Art Taylor (in English), and Mohammed Ali (In English). Articles and texts vary between in English, Dutch, Spanish and French.

History of prices:
UnOriginals, UK April 2024 GBP 245.-
William Allen Word & Image, London 26 December 2020 GBP 125.-

JULIEN MONNERIE, untitled, 2018 [multiple]

JULIEN MONNERIE, untitled, 2018
10,7 x 8,8 cm
polaroid photo
series of 20 unique photos
felt pen signed, dated
published by Connoisseurs, Paris, France

 

With a necktie, cuff-inks, collar pins or his signature Julien Monnerie shows a preference for making works related to his body. Since 2014 he is specifically interested integrating his initial-like signature in his paintings and prints. In this polaroid edition he shaved his hair in the shape of his signature, playfully referring to artists like Man Ray and Yves Klein. KvG

HANA MILETIĆ, Your façades are peeling off like red onions (words found in Zagreb), 2015

HANA MILETIĆ, Your façades are peeling off like red onions (words found in Zagreb), 2015
32.3 x 21.9 cm
stapled artist’s book, offset, 27 pp.
signed, numbered
edition 70, here nr 68/70
published by Mark Pezinger Verlag, Vienna, Austria
mint
€ 150,- plus € 12,- Track & Trace registered EU mail
inv.HMil 000-pr

Hana Miletić started a collection of photographs that she has made over the years of graffiti on the city walls in Zagreb. These writings on the wall helped her to understand what is at stake on a (micro)political level in her hometown. By isolating the words from their environment and by expanding them onto the pages of a book Miletić is able to amplify their more basic qualities.

Hana Miletić refers to weaving as a kind of ‘care work’; more than just the production of cloth, it doubles as a mode of conscious reparation through which she can process the damage and disrepair she notices in the world into precious artefacts. No longer merely serviceable or disposable like their referents, they are ends in themselves. Yet they also seem to perform an ironic take on the economy of weaving, exchanging modest materials – albeit woven ones like tarpaulins and gaffer tape – for rich ones and trading functionality for aesthetic worth.