LAWRENCE WEINER, Caught between ships passing in the night, 1999 [multiple, textile]

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LAWRENCE WEINER, Caught between ships passing in the night, 1999
13,6 x 11,4 cm
silkscreen on cotton, certificate (15 x 21 cm)
verso stamped with initials ‘LW’
hand signed fully written in pencil
edition 900 + 100 AP, here hand stamped number 326
published by Gallery 360 degrees, Tokyo, Japan
inv.LWein 817-pr
€ 380,- plus 12,- Track & Trace EU mail

History of prices:
D.R. Fine Arts, new York, USA, November 2023 US$ 400.-
D.R. Fine Arts, new York, USA, December 2022 US$ 300.-

STEFAN BRÜGGEMANN, Showtitles, 2016 [artist’s book]

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STEFAN BRÜGGEMANN, Showtitles, 2016
7,3 x 14,2 x 1,8 cm
offset, printing on book edges, SC, 160 pp.
edition 700
published by Christophe Daviet-Thery, Paris, France

Showtitles is an ongoing work by Stefan Brüggemann of titles for exhibitions. They may be used freely by others. There is no need for any authorization, but their use must be credited to Stefan Brüggemann (show title, #XXXX by Stefan Brüggemann) on the back of the invitation. Please send a copy of the invitation card and any printed material to the address specified on the website www.showtitles.com.

CORINNE VIONNET, Souvenirs d’un glacier, 2019

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CORINNE VIONNET, Souvenirs d’un glacier, 2019
22 x 33 cm
offset, cover and pages of thick cardboard, 12 pp.
Lumbeck binding
edition 200
published by RRose Editions, Paris, France

 

Over the years, Corinne Vionnet has collected postcards of the Rhône glacier, spanning almost of century of images. The pictures have all been shot from the same perspective, from an “ideal” spot that reveals the glacier in its archetypal form and the roads that takes visitors there – as is often the case with touristic attractions. It is a pattern of repetition and superposition that Corinne Vionnet explored for instance in her Photo Opportunities series.

WJM KOK, Off Color (Crimson), 2019

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WJM KOK, Off Color (Crimson), 2019
7 x 7 cm
oil paint on canvas, wooden mini-easel; ca 11 x 8 x 8 cm
open series, unique works
signed, dated
€ 222,- plus € 12,- registered mail Track & Trace


When ordered, colour may differ from the colour shown above.

 

Striking in the work of Wjm Kok is his interest in open or closed series, i.e. limited in number as a pure consequence of a conceived system. He wants to make series that are not a goal in itself, but rather a result of a method to keep as far away as possible from an emotional choice. He likes to make work that is not hierarchical and that also does not refer to a pronounced uniqueness.

In the open series ‘Off Color’, Wjm Kok mixes a color directly on the canvas with the help of seven ad randem tufts of paint squeezed from the paint tube. The color is not easily predictable and often also produces a surprising effect for him during the making.

ANITA DI BIANCO, Corrections and Clarifications, 2001-2019

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ANITA DI BIANCO, Corrections and Clarifications, 2001-2019
45 x 34 x 5,5 cm
cardboard box with 15 newspapers, various sizes
open edition; as a complete set published by the artist
signed, dated
mint
published by the artist

Corrections and Clarifications is an ongoing series of newspapers, each time containing an edited compilation of corrections ad randomly collected from daily international news. Each issue covering merely a list of corrections page after page.
In the paper issued in December 2016 (edition of 200) the colophon reads as follows: ‘Corrections and Clarifications is an ongoing publication, an intermittent compilation of daily revisions, retractions, re-wordings, distinctions and apologies to print news from September 2001 to the present. A reverse-chronological cataloging of lapses in naming and classification, of tangled catchphrases, detectable patterns of mis-speech and inflection, distraction, connotation and enumeration.’

ANNAÏK LOU PITTILOUD, White Between The Darlings, 2014 [leporello postcards]

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ANNAÏK LOU PITTILOUD, White Between The Darlings, 2014
folded: 11 x 15 x 0.5 cm
leporello
numbered, signed
edition 200, here nr 47/200
published by Barbara Seiler Gallery, Zurich, Switzerland

Annaïk Lou Pittiloud collects postcards, mainly bought at museum shops and kept as a kind of darlings. She exhibits them as pairs following logics that draw comparisons between different postcard reproductions of the same artwork. The pairs are mounted in a passe-partout with a little space in between.
In this edition Annaïk Lou Pittiloud created a distance between a reproduction of an art work and its description on the backside of the postcard by skipping the reproduced art work completely. Instead she replaced the front of the postcard with a description of her gallery exhibition at Barbara Seiler Gallery, i.e. “White Between The Darlings”.
Edition is available at Barbara Seiler Gallery, Zurich, Switzerland.

 

DARIO FORLIN, Stay Healthy, 2019 [Tote bag]

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DARIO FORLIN, Stay Healthy, [2019]
ca 71 x 38 cm
Tote bag, spray drawing
signed, unique
inv.Tassen 619

Dario Forlin is a Swiss artist who features himself as illustrator: ‘Hallo! Mein Name ist Dario Forlin und ich bin Illustrator, wohnhaft Bern, Schweiz und Mitherausgeber von Gaffa’, a zine that is published in Zurich.
The Tote bag “Stay Healthy” refers to danger, he said while sitting behind his table at VOLUMES 2019, a book fair in Zurich, Switzerland.

NOKUKHANYA LANGA, 25 m2 + a gallerist, 2018

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NOKUKHANYA LANGA, 25 m2 + a gallerist, 2018
print on polyester flag, cardboard box, 4 handmade stickers, label
signed, numbered
edition 4
published by Galerie van Gelder, Amsterdam
€ 500,- plus € 15,- Track & Trace EU registered mail
inv.DIV4-ds

 

The four foam board boxes for this edition have been hand made by Nokukhanya Langa and is glued on with hand made stickers. On the inner part of the lid a green sticker is glued with ‘50% USA’ referring to a part of her identity. This is the very first multiple of this artist and was published by Galerie van Gelder Editions.