MICHELANGELO PISTOLETTO, Le Ultime Parole Famose, 1967
7,6 x 12,6 cm
artist’s book, letterpress, stapled
text in Italian and English
edition 60
published by the artist
naturally discoloured due to its wood-containing paper, light bump top right
good, uncommon in this condition
€ 395,- plus € 18,- registered mail
inv.MPis 155
This booklet is the first artist’s book by Michelangelo Pistoletto in a limited edition of 60 copies as is stated by him in a publication of Musée d’Art Contemporain in Lyon in France: “Michelangelo Pistoletto Continenti del Tempo”, 2001.
The text is both in Italian and English, the latter being very uncommon at the time! The first line in the book may be considered as the kernel of the whole manifesto and states what it means to be an artist:
“When a man realizes that he has two lives – an abstract one for his mind and a concrete one which is also for his mind – he ends up either like a mad-man, who, out of fear, hides one of his lives and plays the other as a role, or like the artist, who has no fear and who is willing to risk both of them.”
History of prices:
Bruno Tonini/Tonini Editore, Rome, Italy December 2025 € 350,- (poor condition with rusted staples)
Bruno Tonini/Tonini Editore, Rome, Italy February 2025 € 1.000,- (rusted staples)
Tim Byers Art Books, Richmond, UK GBP 650.- April 2023 (discoloured)
eBay-vetiver62, Firenze, Italy US$ 1,800.- April 2023 (poor and discoloured)
Ellis Bierbar, Milano, Italy € 700,- April 2022 (condition unknown)
Tim Byers Art Books, Richmond, UK GBP 650.- October 2021 (discoloured)
eBay-vetiver62, Firenze, Italy US$ 1,800.- October 2021 (poor and discoloured)
eBay-many-giochi, Rome US$ 550.- October 2008 (tear and discoloured)
Barneby’s US$ 850.- January 2018 (discoloured)
CLÉMENT RODZIELSKI, Comment, Mieux, Jouir, Noisette, 2018
42 x 15,5 x 1 cm
artist’s book, text, ring binder, 22 pp. including couver
edition 200
published by Connoisseurs, Paris, France
Ref. Connoisseurs, Paris
The first letters of Cyan, Magenta, Jaune (yellow) and Noir (black) are used for making 85 groups of four words featured in this artist’s book.
CLÉMENT RODZIELSKI, memo book Cyan, Magenta, Jaune, Noire, 2017
13 x 8 x 1 cm
hand written text, note book, 2 pp.
series of 20 unique books
spiral binding, covers come in four colours, here blue
signed
published by Connoisseurs, Paris, France
GLENN LIGON, Untitled (Barber shop), 2009
48 x 33 cm
offset, printed on MC paper
splendid condition
€ 950,- plus € 32,- Track & Trace registered EU mail
inv.GLig 97
Originally this poster was clandestinely distributed on the streets in Toronto.
Glenn Ligon is at the forefront of a generation of artists who came to prominence in the late 1980s with conceptually based work that investigates the social, linguistic, and political constructions of race, gender, and sexuality.
ANDY WARHOL, Cow, 1976
wallpaper
74 x 50 cm
screen print in black and white, framed
text in print: “Andy Warhol – TRIM”
edition unknown
condition: paper and colour more than excellent, left top corner shows a very weak dog’s ear, hardly noticeable toning
uncommon, details on provenance available
€ 3.800,- plus € 28,- Track & Trace registered mail
inv.AWar 000-pr
This screen print comes with a certificate of authenticity (produced by an auction house in 2018) in which is stated that the provenance is from a collection of a neighbour of Andy Warhol.
See at The Archive is Limited: “Cow” (black and white, red) and “Mao” (2 heads, black and white) that were also part of her collection.
The left top corner of this print has a very light flattened dog ear. For the rest in good condition; a more than attractive lived-through original print.
Added information
This snippet was a model for Andy Warhol’s cow in 1966. Warhol’s collaborator and Factory-assistant Gerard Malanga found this cow photo in an agricultural magazine; Jersey cattle, according to the article, possessed a “quality of refinement.”
History of price:
Hughes, Los Angeles, USA US$ 1,100.- Cow 1976; 8 June 2025 (poor condition)
ANDY WARHOL, Cow, 1976
110 x 75 cm
wallpaper, screen print in red, black and white, framed
dated in print
text: “Copyright Andy Warhol La Biennale 1976”
edition unknown
condition: very good to excellent
€ 1.500,- plus courier costs
inv.AWar 000
‘The iconic Warhol’s print of a cow was first executed in 1966 for his exhibition at the Leo Castelli Gallery, New York: ‘The idea to use a picture of a cow’s head reportedly stemmed from a comment by the dealer Ivan Karp that no one painted pastoral scenes any more. Warhol’s response was to find a picture of a cow in an old agricultural magazine and have it silkscreened as wallpaper’. Source: TATE Modern, London, UK.
Another source says: ‘Art dealer Ivan Karp proposed Andy Warhol to paint some cows after he claimed that traditional painting was “dead”. Printer Gerard Malanga subsequently came up with some photographs of a cow’s head which were shown to Warhol. This resulted in a series of cow prints, all screen printed on wallpaper between 1966 – 1976’.
This screen print “Cow” (1976) comes with a certificate of authenticity stating that the provenance is from a collection of a neighbour of Andy Warhol. See at The Archive is Limited: “Cow” (black and white) and “Mao” (2 heads, black and white) that were also part of this collection.
Condition details.
Overall the print looks excellent with bright paper colour. A very attractive lived-through wallpaper print! Framed as shown below.
History of prices:
Roseberys, London, UK € 1.824,- Cow n.d. pink on blue / 25 November 2025 (hammer price)
Selkirk Auctioneers & Appraisers, Saint Louis MO, USA € 2,161 Cow 1976 pink on violet / 13 June 2025 (hammer price, poor condition)
Andrew Jones Auctions, Los Angeles, USA € 5,489.- Cow 1971; brown on blue / 17 July 2024 (hammer price)
Phillips, New York, USA € 10.273,- Cow 1971; brown on blue / 27 June 2024 (hammer price)
Edward Kurstak Gallery, Casselberry, USA € 1.028,95 Cow 1976; red on b&w / June 2024
Bonhams, Los Angeles, USA US$ 1,912.- Cow 1976; red on b&w / 9 December 2021 incl. premium
Stair Galleries, Hudson NY, USA € 10.124,- Cow 1976; red on b&w / 2 June 2022 incl. premium
Cornette de Saint Cyr, Paris, France € 3.500,- Cow 1976; red on lemon yellow / 21 January 2021 incl. premium
Cornette de Saint Cyr, Paris, France € 4.550,- Cow 1976; red on lemon yellow / 21 January 2021 incl. premium
Rosebery’s Hill, London, UK € 4.617,- Cow 1976; dark pink on yellow / 6 October 2020, incl. premium
Quittenbaum, Munich, Germany € 800,- Cow 1976; purple on b&w / 27 June 2019, hammer price
ArtPrice.com € 1.910,- 12 December 2019, Cow 1976, incl. premium
Invaluable € 1500,- 4 December 2018, Cow 1976, hammer price
Prints from 1966:
Phillips, New York, USA € 9.427,- Cow 1966; red on yellow / 21 April 2021 (incl. premium)
Rosebery’s, London, UK € 8.178,- Cow 1966; red on yellow / 9 March 2021 (hammer price)
Phillips, New York, US$ 6,875.- Cow 1966; pink on yellow / 8 June 2011 (hammer price)
Phillips, New York, US$ 5,250.- Cow 1966 (stated as ‘1989’); pink on yellow / 26 April 2008 (hammer price)
More information about ‘Cow’ prints, 1966-1976
There are various kinds of so called Cow prints, with various widths and also publishers. One print run was made in 1966 with a text TRIM Andy Warhol, one in 1971 and another one in 1976.
In 1966, for the first time Andy Warhol produced Cow prints for his exhibition at Gallery Leo Castelli. For the Whitney Museum in New York he made another series of Cow prints. On the edge it reads: Whiney Musuem May 1 – June 13 1971.
For the Venice Biennale 1976 he showed Cow wallpaper produced on behalf of his presentation at the pavilion of the USA. On the brim of each sheet of wallpaper a text reads: Copyright Andy Warhol La Biennale 1976.
The first of the series, Cow, 1966, was published as a wallpaper for an exhibition at the Leo Castelli Gallery. Repeated imagery of cows on the wall surrounded visitors.
The second screen print of the series features an orange cow against a lilac background. This image was published for a 1971 Warhol exhibition at the Whitney Museum in New York.
The third screen print shows a cow that is coloured in bright yellow against a blue background. Of this work 150 copies have been hand signed. The unsigned versions have been authenticated by the Andy Warhol Art Authentication Board.
The last screen print of the series shows the cow in light pink against a purple background. This work was published for an exhibition at the Modern Art Pavilion in Seattle, Washington, from November, 1976-January 9, 1977. Prints in various colours have been signed in an unknown edition.
For some reason there is a fifth series of various colour combinations made in 1976, apparently during the time when the fourth series was produced. Several copies have been signed by the artist. See image below.
HENK PEETERS, Mooi!, 2000
21 x 29.7 cm
unique fax print
In 2000 Galerie van Gelder invited Henk Peeters for a solo exhibition for which he proposed to cover the gallery space with artificial grass and cow hides on the walls. For that an invitation card was made that he apparently liked and commented with ‘Mooi!’, meaning ‘Beautiful!.
GENERAL IDEA, Test Pattern – TV Dinner plate, 1988
22,4 x 29,8 x 1,5 cm
TV dinner plate, porcelain
with original box + sticker
edition 300, although only 238 realised
published by Spiral / Wacoal Art Center, Tokyo, Japan
pristine rare
€ 1.750,- plus € 32,- registered mail
inv.GIdea 602
Art Metropole gives this item a lower edition, namely 238. I remember that John Goodwin (director of Art Metropole between 1983-1988) told me that during the transport many plates appeared broken when they were unpacked. KvG
History of prices:
Caviar20, Toronto, Canada October 2023 US$ 2,000.-
Quittenbaum Kunstauktionen, Munich, Germany 10 December 2020 € 400,- (hammer price, used)
Kunstgriff, Zurich, Switzerland May 2018 SFr. 1500,-
RICHARD ARTSCHWAGER, BLP, 1978
each 22,2 x 8,9 cm
2 stickers, text on envelope (10,4 x 24 cm)
edition unknown
published by Clocktower, New York, USA, 1978 extremely rare
condition: excellent
€ 1.850,- plus € 18,- Track & Trace registered mail
inv.RArts 905
The two stickers, one in white and one in black, come in an envelope with printed text from an original type written description. These Blp’s were used for his installation at the Clocktower in New York, 1978.
In 1967 Richard Artschwager (1923 – 2013) introduces his Blips for the first time as an oval-shaped graffiti sign. These signs have been installed either vertical or horizontal as a device to focus on or draw attention to e.g. an empty gallery wall or a building front not commonly receptive for art.
Richard Artschwager first created his blps, pronounced as “blips” in the late 1960s. These installed black pill shaped forms or marks were meant to inspire focused looking and draw our attention to the places and things around us that often go unnoticed. Most of his “Blp’s” have a heavy material presence, usually made of wood, rubber or of a thick layer of hair. The sticker version is the most ephemeral work among the “Blp’s” and certainly of Richard Artschwager’s oeuvre.
Ref. Specific Object / David Platzker, New York: ‘Two vinyl self-adhesive ‘BLP’s, one each in white and black, from Richard Artschwager’s installation at the Clocktower, New York, April 5 – 29, 1978. Housed in facsimile of envelope provided to current owner.’
MARIJKE VAN WARMERDAM, Underwater I, 2008
each 19,9 x 13,6 cm
2 digital prints in book by Dutch poet Rozalie Hirs, 16 pp.
signed and numbered on last page
edition 100
published by Uitgeverij 69, Hiversum, Netherlands