SARAH MORRIS, Marcel Gem [Clip], 2011

SARAH MORRIS, Marcel Gem [Clip], 2011
23.6 x 23.6 inches
screenprint
edition 60
produced by White Cube, London, UK

This print is based on a painting from the artist’s Clips series in which she has used the motifs of standard office stationary, in particular the paper clip, to make abstract and complex images using a bold palette of colours.

History of price:
White Cube, London GBP 1,200.- December 2012

FRED TOMASELLI, 11 Nov., 2011

FRED TOMASELLI, Nov. 11, 2010
38 x 40,7 cm / 14 15/16 x 16 inches
silkscreen, inkjet print
edition 80
published by White Cube, London, UK

Other example of newspaper print: July 5, 2012 (Study), 2012

 

History of price:
White Cube, London, UK   € 1.025,- / GBP 840.- September 2012

ROMAN OPALKA, 5607249, 2011

ROMAN OPALKA, 5607249, 2012
Last number Roman Opalka (August 27, 1931 – August 6, 2011) wrote down on his last canvas. Not really a multiple, although an idea about repetition by counting up figures for a whole life time until time ends.

Opałka began painting numbers from one to infinity. Starting in the top left-hand corner of the canvas and finishing in the bottom right-hand corner, the tiny numbers were painted in horizontal rows. Each new canvas, which the artist called a ‘detail’, took up counting where the last left off. Each ‘detail’ is the same size 196 x 135 cm, the dimension of his studio door in Warsaw.

FRED TOMASELLI, Bloom, 2011

FRED TOMASELLI, Bloom, 2011
35,6 x 30,5 cm / 14 x 12 inches
screen print on archival inkjet print
signed, numbered
edition 200
mint condition
€ 780,- plus € 24,- Track & Trace registered mail
published by I.C. Editions, New York, USA

Fred Tomaselli makes psychodelic works through decorative bright colours. The negative photographic base on which a colorful pattern is laid creates a radiating oval black and white halo. The result is eye catching and hypnotic.

 

History of prices:
Adam Baumgold Gallery, New York, USA US$ 1,100.- (make offer) August 2021
Vallot Auctioneers, New York, USA US$ 600.- (hammer price) 6 August 2019
I.C. Editions, New York, USA US$ 350.- November 2012

MARIJKE VAN WARMERDAM, Gestreken en gevouwen, 2011

MARIJKE VAN WARMERDAM, Gestreken en gevouwen, 2011
59,4 x 84,1 cm; folded to 29,7 x 21 cm
offset print, 120 g/m2
signed and numbered on certificate, edition 100 + 7 A.P.
published by More Publishers, Brussels, Belgium   

Repetition is one of the favorite strategies Marijke van Warmerdam applies in her films, photo works and objects. Here a work depicts an ironed and folded handkerchief on poster, which in turn is folded as a poster.

BRIDGET RILEY, Rose, Rose, 2011 [print]

BRIDGET RILEY, Rose, Rose, 2011
76 x 60 cm
12 colour screen print on 300 gsm Somerset White Satin paper
edition of 250
signed, numbered, dated
published by Counter Editions, London, UK
sold out

Bridget Riley is celebrated for her optically vibrant paintings. By manipulating relationships between black and white, colours and shapes, she creates illusions of movement and light. For the Olympic Games 2011 in London she made ‘Rose, Rose’. Riley has arranged colours in horizontal stripes, indicating the direction of athletic tracks or swimming lanes, it is said, but where originates the title of this print?

 

History of prices:
Counter Editions, London, UK     € 3.750,- / GBP 3,000.-  October 2012
Counter Editions, London, UK     € 4.150,- / GBP 3,700.-  September 2016

LOUISE LAWLER, Adjusted to fit, 2011 [matchbox]

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LOUISE LAWLER, Adjusted to fit, 2011
each 0,9 x 5,6 x 3,6 cm
set of 9 matchboxes
edition unknown
mint
published by Metro Pictures, New York, Sprueth Magers, London and Yvon Lambert, Paris
rare
complete set: € 350,- plus € 16,- Track & Trace registered mail

 

In Louise Lawler’s photographs the context is her field of interest in which works of art are displayed, viewed, sold, and also stored in museums, private collections and auction houses. She is questioning the art practice in general, but at the same time she knows she is unavoidably part of this when she exhibits herself works of her own art. That demands self-criticism or at least a display consciousness. Most probably this brought her to have her huge photo prints matching exhibition walls, i.e. vinyl murals that are stretched and adjusted to fit the gallery walls. No wonder she called these exhibitions “Adjusted to fit”.

Listen also to: Louise Lawler, Birdcalls

HENK PEETERS, Echt = Henk Peeters, 2011

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HENK PEETERS, Echt = Henk Peeters, 2011
23 x 18 cm
hand written text on sewn facsimile catalogue “Henk Peeters”
signed, dated
edition 25
€ 420,- plus registered mail





Henk Peeters added the text ‘ECHT =” on 25 catalogues printed in facsimile and signed them. It is a ZERO / Nul catalogus from 1964 of which the pages have been sewn together on a sewing machine. It has a shape of a half circle following the outline of the depicted zero on the cover. Together with the other half on the back of the booklet showing the same outline te action forms a whole zero.
inv.HP 346

Ref. press release GEM, The Hague, Netherlands

LAWRENCE WEINER, XX XY blocks, 2011

LAWRENCE WEINER, XX XY blocks, 2011                                                                                     print on paper, wood, 9 parts, printed cardboard box,
edition 1000                                                                                                  
published by Galerie Yvon Lambert, Paris / Artware Editions, New York
p.o.r.

A representative of the Conceptual art movement. Lawrence Weiner’s primary medium is language, often in combination with red, yellow, blue or black and white signs. He is a New York and Amsterdam-based sculptor, in an effort to make art that is accessible, open-ended, mutable and transferable. Ref. http://yvon-lambert.com/2012/

JOHN BOCK, Lütte mit Rucola [with original drawing], 2011

   

JOHN BOCK, Lütte mit Rucola, 2011
32,7 x 26,5 x 5 cm
book, HC, unpaginated, cardboard pages, 66 pp.
with loose hand made knitted object
here with original ink drawing, signed, dated
mint
published by Verlag der Buchhandlung Walther König, Cologne, Germany
€ 560,- plus € 18,- Track & Trace EU registered mail

 

When opening this book a knitted hand made malleable object lies hidden inside the pages. In 2011 the introduction of this object book on the website of Buchhandlung Walther König was accompanied with the above beating heart. Very soon the animation was removed from the site.

The book is based on a film by John Bock. It is the story about an insane man who tries to find existential guidance through the humilation of another man – obviously having a financial debt – by pulling a tooth. By means of crazy diagrams attached to the human body and using the little girl Lütte as medium he believes to be able to find the right corrections and justifications. Drawing by artist on inner part of cover.