LOUISE BOURGEOIS, I have been to Hell and Back., 2009
ca 42 x 35 x 12 cm
screen print on cotton Tote bag
published by Moma, New York, USA
mint, very rare
limited edition
€ 620,- plus € 24,- registered Track & Trace mail
inv.LBou BF-plankN
The brilliant screen print on this bag is a bright reproduction of an embroidery work. Originally Louise Bourgeois embroidered on a handkerchief (2007) the text ‘I have been to hell and back. And let me tell you it was wonderful.’ It expresses her opinion that life is a journey with up and downs, and in the end it was worth it. She put this text on her husband’s handkerchief.
More details related to this item
In 2007 a handkerchief with the above text was published by Third Drawer Down in a numbered edition of 1000 for each colour; red, blue and pink. It was co-produced by Tate Modern, London.
LOUISE BOURGEOIS, Spider Woman, 2009
42 x 35 x 12 cm
print on cotton, Tote bag
pristine rare
published by Moma, New York, USA
This screen print on cotton bag features a reproduction of Louise Bourgeois’ drypoint etching Spider Woman 2005. The bag has generous side gussets, an interior pouch (8″ x 10″) and an extra small pocket.
DINOS CHAPMAN, Garage Tattoos, 2011 [I’m with this idiot]
15 x 10 cm
offset transfer print
part of set of 5 transfer tattoos by John Baldessari, Dinos Chapman, Damien Hirst, Jeff Koons and Raymond Pettibon
published by Garage Magazine, Moscow, Russia – New York, USA
€ 145,- + € 15,- Track & Trace registered EU mail
inv.DCha 000-pr
DAMIEN HIRST, Garage Tattoo, 2011 [The Immaculate Heart]
15 x 10 cm
offset transfer print
part of set of 5 transfer tattoos by John Baldessari, Dinos Chapman, Damien Hirst, Jeff Koons and Raymond Pettibon
published by Garage Magazine, Moscow, Russia – New York, USA
mint condition
rare
€ 145,- + € 15,- Track & Trace registered EU mail
inv.DHir 000-pr
JOHN BALDESSARI, Stairway, Coat and Person, 2011
50,8 x 40,6 cm / 20 x 16 inches
archival inkjet print
edition 120
published by CCA Wattis Institute for Contemporary Arts, San Francisco, USA
John Baldessari is intentionally questioning the conventions of picture-making, among other things. He says: ‘I am interested in conceptual leaps people can make from one bit of information to another and how they can fill the space.’
FRANÇOIS DEY, Benjamin’s house, 2011
each ca 31 x 22 cm (installation size: 66 x 122 cm)
6 photo prints
signed, dated, numbered
edition 3
Swiss artist François Dey (1981) is attracted by the continuous flux of life in which nothing is basically fixed. Therefore improvisation and unexpected contexts make as much sense as well prepared plans and thought over constructions, whether in the physical reality or our mind. Also language is used breaking the laws of idiom and spelling which makes his written texts look peculiar and even shabby. For him it is a way to get out of the prison of too much treaded roads we already know of.
CONSTANT DULLAART, Users, Phaedrus, No Sunshine, Impossible Sculptures, 2011
DVD
seal bag, unbound book as published (18,5 x 14,5 cm); insert with content table, 60 pp.
edition 250
hand numbered
published by Peeping Tom Éditions, Paris, France
See info on publishing house
RYAN GANDER, Still not even to be trusted with a paperclip, 2011
38.2 x 45.8 cm (image 25,4 x 33,9 cm)
archival inkjet print on paper
edition 50
published by Ingleby Gallery, Edinburgh, Scotland
not available
History of price:
Ingleby Gallery, Edinburgh, Scotland € 725,- / GBP 600.- July 2013
Ingleby Gallery, Edinburgh, Scotland € 690,- / GBP 600.- April 2018
Ryan Gander’s print is a close up image of a shirt with a small piece of paper poking out of the pocket displaying a description of a dream by a friend of the artist.
KATHARINA GROSSE, 2010 Ohne Titel 2010
36 × 18 × 12 cm acrylic paint, PVC
unique series of 6
published by NBK/Neuer Berliner Kunstverein, Berlin, Germany
not available
History of price:
NBK/Neuer Berliner Kunstverein, Berlin, Germany € 1.600,- May 2012
