Eat Your Art Out – Food in the Arts, 2010 [with Alison Knowles, Bernhard J. Blume, a.o.]

 

Eat Your Art Out – Food in the Arts, 2010
31,5 x 22,8 x 8,2 cm
cardboard box with stickers containing two black boxes with ceramic multiple, DVD, photos, prints:
Fredie Beckmans, Bernhard Johannes Blume (signed), Hugo Kaagman (signed), Alison Knowles (signed), Pauline Wiertz, Luuk Wilmering (signed), Ton Zwerver (signed)
hand numbered certificate with list of contributing artists
edition 50
published by Harry Ruhé / Jeannette Dekeukeleire, Amsterdam
inv.AKno 000

List of artists:
FREDIE BECKMANS
BERNHARD JOHANNES BLUME
HUGO KAAGMAN
ALISON KNOWLES
INE POPPE
DANIEL SPOERRI
PAULINE WIERTZ
LUUK WILMERING
TON ZWERVER
and Francesco Conz

 

INTENTIONAL STANCE, 2012, artists book [Eric Bell and others]

INTENTIONAL STANCE, 2012, artists book
35 x 27,5 cm
with loose inserted A3 posters, folded as issued + brochure, certificate
signed, numbered
edition 70
published by De Ateliers, Amsterdam
inv. EBell 373

Participating artists: Eric Bell & Kristoffer Frick, Fritz Bornstück, Mitchel Breed, François Lancien Guilberteau, Fiona Mackay, Saskia Noor van Imhoff, Emma van der Put, Laurens Stok and Amanda Wasilewski

KLAAS KLOOSTERBOER, 16168(1-11) – % covered, horizontal and vertical, 2016

kk2016-161681-covered700

KLAAS KLOOSTERBOER, 16168(10) – % covered, horizontal and vertical, 2016
each ca 29, 5 x 42 cm
lacquer, handprinted newspaper pages, 2 parts
signed, dated, numbered
edition 11
sold out

 

KLAAS KLOOSTERBOER, 16168(2) – % covered, horizontal and vertical, 2016
kk2016-161689-covered700

 

KLAAS KLOOSTERBOER, 16168(3) – % covered, horizontal and vertical, 2016
kk2016-161683-covered700

 

KLAAS KLOOSTERBOER, 16168(4) – % covered, horizontal and vertical, 2016
kk2016-161684-covered700

 

KLAAS KLOOSTERBOER, 16168(6) – % covered, horizontal and vertical, 2016
kk2016-161685-covered700

 

KLAAS KLOOSTERBOER, 16168(5) – % covered, horizontal and vertical, 2016
kk2016-161686-covered700

 

KLAAS KLOOSTERBOER, 16168(7) – % covered, horizontal and vertical, 2016 sold
kk2016-161687-covered700

 

KLAAS KLOOSTERBOER, 16168(3) – % covered, horizontal and vertical, 2016
kk2016-161688-covered700

 

KLAAS KLOOSTERBOER, 16168(9) – % covered, horizontal and vertical, 2016
kk2016-161682-covered700

 

KLAAS KLOOSTERBOER, 16168(1) – % covered, horizontal and vertical, 2016
kk2016-1616810-covered700

 

KLAAS KLOOSTERBOER, 16168(11) – % covered, horizontal and vertical, 2016kk2016-1616811-covered700

DANIEL KNORR, Portrait, n.d. [ca 2006]

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DANIEL KNORR, Portrait, n.d. [ca 2006]
10,4 x 6 cm
colour photo, perspex tube
unique series
produced during Liste 2012, Basel, Switzerland

During the Liste art fair in 2012 visitors were invited to have a picture taken by Daniel Knorr who had installed himself with a 3-D studio camera in the Druckerei of the building. Surrounded by print machineries and letterpress wood blocks Michel Ritter – director of the FRAC in Fribourg – urged him to have a portrait taken of gallerist Kees van Gelder.

BEN PATTERSON, Swan Lake, 2013 [video and multiples]

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BEN PATTERSON, Swan Lake, 2013


1 VHS tape ( A live-video performance, Wiesbaden, Germany), 30′, 2 VHS boxes ‘Do-it-yourself kit’ with various items in box 1 and 2
signed, numbered, dated on VHS sticker
Deluxe edition items: magic rainbow bubbles, 3 chocolate rabbits, tape cassette Swan Lake, silicon glove (box 1) / 4 colours, 4 sugar decoration cream, tooth brush, silicon glove (box 2)
edition 30 (here nr. 26/30)
published by Edition Hundertmark, Düsseldorf, Germany
p.o.r.

 

bpatterson2001swanlake-videotape-verso

This Deluxe edition of Swan Lake shows a choreography by Ben Patterson based on a composition of Peter Tchaikovsky. These 30 deluxe copies include “Do-It-Your-Self Kit, Box 1” and “Do-It-Your-Self Kit, Box 2”, both provided with chocolate Easter rabbits.

 

 

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Regular edition
BEN PATTERSON, Swan Lake, 2013
1 VHS tape in cassette ( A live-video performance, Wiesbaden, Germany), 30′
edition 100
published by Edition Hundertmark, Düsseldorf, Germany

MIKE MILLS, The Fabric of Events, 2013 [The Thing Quarterly, issue 18]

mmills2013thefabricofevents650

MIKE MILLS, The Fabric of Events, 2013
20,9 x 13,3 cm
pocketbook, unpaginated, ill., cardboard box
issue 18
published by The Thing Quarterly, San Francisco, USA
mint
inv.MMil 000-pr

The Thing Quarterly is ‘a magazine in the form of an object’, sometimes being a book. The artist’s book The Fabric of Events of Mike Mills is a compilation of factual stories on social and political issues published in newspapers and other media. Ultra short stories about a catched wild bear in the 19th century, Sammy Davis Jr. staying in the White House, an Iraqi shoe thrown at U.S. President George W. Bush, etc. The idea of reconstructing historical moments by describing an event creates the fabric of events.
inv.MMil 343

 

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OLIVIER MOSSET / George Maciunas, n.d. [heap of confetti ca 1969]

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OLIVIER MOSSET / George Maciunas, n.d. [heap of confetti ca 1969]
35 grams confetti as “Production Art”
handmade by George Maciunas for “Flux Dots By Mosset Total Art Nice”, in plastic box with label

In 2008 Olivier Mosset prepared a solo exhibition in Galerie van Gelder in Amsterdam. Next to several huge monochrome paintings he brought a white envelope. As part of the legacy of George Maciunas the heirs didn’t know what to do with the left-overs of the multiple box Flux Dots By Mosset Total Art Nice. So they gave it to me, he said while handing over the envelope: “I don’t know what to do with it, so I thought I just give it to you. You can do with it what you like.”

Usually George Maciunas only produced a Fluxus box when someone was interested in buying one. So this envelope with confetti originally comes from his stock.

In short this envelope with confetti is neither art nor just a bunch of confetti. These pieces of handmade “Flux dots” (a name Olivier Mosset would never use since he never considered himself to be associated with the Fluxus movement) were once meant to be part of a plastic box series called “Flux Dots By Mosset Total Art Nice”. In the end both artists have touched these particles; for sentimental and also historic reasons this piece could best be named On hold Art.

inv. OMoss302