TAKAKO SAITO, Body Music, 2000
18,5 x 5,8 cm
unique glass with hand painted text: Body music. Drink a glass of grappa and listen to its going down.
signed, numbered, edition 6
Takako Saito is a specialist in understanding sound and music from a different angle. In ‘Body music’ she creates a conceptual musical score.
HEIMO ZOBERNIG. Untitled (Bench), 1999
43 x 61 x 122 cm / 17 x 24 x 48 inches
styrofoam, medium density fiberboard, carpet
unlimited edition
published by The Renaissance Society, Chicago, USA January 2012 € 765,- / $ 1,000.-
LILY VAN DER STOKKER, Money, 1999
17,5 x 81 cm
sticker, 3 colours offset on adhesive film
signed, numbered on certificate
edition 25 + 2 AP + 2 PP, exhibition copies
published by Helga Maria Klosterfelde, Berlin, Germany
p.o.r.
LILY VAN DER STOKKER, Worteltje, 1998 [contemplation stone]
17 x 25 x 25 cm
acrylic paint on raisin, mat varnish
edition 4 (here nr 3/4)
published by the artist and Feature, New York, USA
p.o.r.
JAMES ROSENQUIST, Paper Suit, 1998
black version: jacket 47 x 85 cm, pants 109 x 40,4 cm
black and brown version, continental sizes 48, 50 and 52
coated paper, scissors, cardboard box
signed, numbered, edition 100
published by Deutsche Guggenheim, Berlin, Germany – cooperation with Hugo Boss clothing company
sold
cardboard box ‘Paper Suit’
‘Paper Suit’, brown version
In 1966 James Rosenquist was ‘The Man in the Paper Suit‘, due to the fact that the artist wore a brown suit made of paper by fashion designer Horst to various exhibitions and gallery openings. His idea to wear such a suit design harks back to the brief 1960s fashion for paper dresses like the Warhol dress with Campbell Soup prints.
History of prices:
Deutsche Guggenheim, Berlin, Germany € 400,- year of issue 1998
Auction house Van Ham, Cologne, Germany (Lot 875) € 750,- 2 December 2010
GERHARD RICHTER Schwarz, Rot, Gold II, 1998
21 x 29,7 x 1,3 cm /8.27×11.69 inches
synthetic resin paint behind glass, hard fiberboard mount, metal parts
4 different shades of each colour
edition of a unique series 64 + 3 AP
verso signed, dated on sticker
published by Galerie Fred Jahn, Munich, Germany
out of stock
This edition is marked with a three digit combination in felt-tip pen on reverse and each multiple with inv.id WV-Nr. 855-8 was made in conjunction with ‘Schwarz, Rot, Gold’ from 1999, a commissioned work by the German Bundestag for the Reichstag building in Berlin, Germany.
History of prices:
Auction Ketterer Kunst, Munich, Germany € 5.000,- / $ 6,657.- 24 April 2010
Auction Van Ham, Cologne, Germany € 6.200,- / $ 8,300.- June 2011
ROB SCHOLTE, Nu met gratis doek van Rob Scholte, ca 1997
27,5 x 9,3 x 5,5 cm
Glassex Ultra-Action pistol, flex print on cloth, sealed as issued
signed in print
limited edition unknown
inv.RSchol-pr 307
Rob Scholte is being looked at as the enfent terrible in the Dutch art scene. Appropriation of a polka dot, a Monopoly game or a Philips logo it is all in the game of making the notion copyright into a dispute. Here with ‘Nu met gratis “piece of fabric” van Rob Scholte’/’Now with free canvas of Rob Scholte’ he alludes to giving away a canvas to the buyer of a commodity item.
Next to a yellow spray cap there is a blue spray cap version called Glassex Multi-Action and a re-fill flask, both including a cloth with signature in print.
inv.RSchol306-pr
HERBERT ZANGS, untitled, 1997
60 x 43,2 cm
screen print
signed, numbered
edition 50
printed by Wartmann, Mönchengladbach, Germany
MARIJKE VAN WARMERDAM, ’92-’96, 1996
110 x 80 cm
offset on paper, aluminum
signed, dated
edition 50
published by Wiener Secession, Vienna, Austria / Marijke van Warmerdam
p.o.r.
“After the artist had made the final selection of works for her exhibition in the Wiener Secession, she noticed that her choice contained a work from every year between 1992 and 1995. Based on this fact she made a poster, but because the poster itself was also a work, the year 1996 was added as a new fact. The image of white dates on a black background created the suggestion of five consecutive frames of a film.” From text by Kees van Gelder in catalogue ‘Close by in the distance’ (2011), p. 74.
GERHARD RICHTER, Hood, 1996
44 x 43,7 cm / 17.3 х 17.2 inches
offset, cardboard
edition 110 + 20 AP, i.e. 50 numbered, signed and dated and 60 numbered, signed and marked exclusively for Dokumenta X in 1997
signed, numbered, dated
This print is based on a photograph taken from the Frankfurter Allgemeine Zeitung. The newspaper image was painted over, photographed and then printed in offset.
History of prices:
Christie’s, New York, US$ 2,125.- 7-8 February 2008
Christie’s, London, US$ 2,983.- 18 September 2013