GILBERT & GEORGE, Living Sculpture [1969], 1993
15 x 10,5 cm
postcard, signed
published by Pentagraf Impresores, Valencia, Spain
mint condition
€ 180,- plus € 8,- Track & Trace registered mail
Since their performance “Living Sculpture” at the Stedelijk Museum Amsterdam in 1969 various postcards have been produced. This postcard was printed in Spain in 1993. Below the original postcard published by the Stedelijk Museum Amsterdam in 1969.
JOHN M ARMLEDER, Associated Publishers card, 1992
14.7 x 10.5 cm
copy shop print
hand out designed by John Armleder
mint
€ 45,- plus € 8,- Track & Trace registered mail
inv.JMA 987
In 1992 John M Armleder initiated a plan to bring publishers of art editions together in a booth at Art Basel Edition. For that he coined the name Associated Publishers in order to come up with a convincing proposal to the art fair committee. His idea was that after the fair the publishers involved would open their own spaces for showing jointly their published editions. With this in mind he made an AP design that also exists as a small edition of enamel. For the first time this black and white plaque was shown in Galerie van Gelder, Amsterdam in The Netherlands in 1993. Until today an AP sign is hung next to the entrance of the gallery.
LONE HAUGAARD MADSEN, untitled, 2011
12,4 x 17,5 cm
painted postcard on invite Galerie Gisela Capitain, Cologne (2006) signed, dated
series of unique painting on card
published by Haubrok Edition, Berlin, Germany
€ 380,- plus € 12,- Track & Trace registered mail
inv.LHMa 978
DAVID SHRIGLEY, DDWOPT Idiot, 1996
14,2 x 10,2 cm
SC, unpaginated
limited edition: series of unique hand drawn cover
regular edition 400
published by The Armpit Press, Glasgow, Scotland
condition: used with smudged and aged couver rare
€ 250,- plus € 12,- Track and Trace registered mail
inv.DShr 973-pr
Very rare edition and early artist’s book by David Shrigley, his 7th self-produced book. The cover is a drawing in coloured felt tip pen. The letters on the cover are standing for ‘Drawings Done Whilst On Phone To Idiot’.
The Armpit Press is a self-publishing press created by David Shrigley.
‘Very very rare limited edition early book work by David Shrigley, from a limited edition. The 7th book self produced by Dave Shrigley. The cover is a drawing in coloured felt tip pen by the artist.’ WorthPoint, Atlanta GA, USA
KIMBALL GUNNAR HOLTH, Tile painting: Blue, 2020
40 x 30 cm
oil paint on solid paper
signed, dated
series of 14 unique drawings
€ 300,- plus € 18,- Track & Trace registered mail
Kimball Gunnar Holth doesn’t make anything, or it should be that he found something right before it’s finished. This drawing is what his hand found painting on paper. He left it for what it is, but still gave it a title. These works come from the series ‘Tile paintings’.
Intimacy, 2020 – G o l d E d i t i o n
32 x 23 x 4,5 cm
cardboard box with magnet clam strip, 69 parts
numbered box, with extra contributions several signed items
edition 23, here number 3 / Gold Edition
published by Cult Club, Amsterdam
order at www.multiples.nl
This box was produced in an edition of 48 copies, i.e. a Silver Edition of 25 copies and a Gold Edition box of 23 copies, the latter containing several signed items and extra contributions. Artists documented and/or participating:
MARINA ABRAMOVIĆ Role Exchange, Amsterdam, 1975
AY-O Finger Box-Kit, 1991; Ay-O in New York, n/d.
MATTHEW BARNEY Dildo, 1995
PAUL BLANCA Father & Son, 1985
TRACEY EMIN Everyone I Have Ever Slept With (The Tent), 1963-1995
VALIE EXPORT Tapp-und-Tast-Kino
KAREL GOUDSBLOM All of This, 1998
AL HANSEN anna banana clacla fluxcomix, drawing, early 1970s
DON JUAN, flyer, 1978
KIRSTEN JUSTESEN RYGSKRIVER (write on one’s back), 1985
ALISON KNOWLES Serenade for Alison (Paik), Amsterdam, 1962
BAS KOSTERS Hope Bracelet / Hope card + BAS KOSTERS TV Head Inflatable Art Doll signed
SHIGEKO KUBOTA Vagina Painting, New York, 1965
JOHN LENNON & YOKO ONO photo: Annie Leibovitz, 1980
ANDRIES DE MAREZ OYENS Love-Stop-Touch, sticker and postcard signed on envelope
PIERRE MOLINIER Selfportrait with dildo, 1966
CHARLOTTE MOORMAN & NAM JUNE PAIK performing Chamber Music , Asolo, 1974
OTTO MUEHL with Mrs Conz, and people living in commune Friedrichshof, ca. 1983
YOKO ONO (with ANTHONY COX), The Bag, Knokke, 1967
ORLAN L’Origine de la Guerre, 1989
WILLEM DE RIDDER SUCK nr 8 (The Last Suck), front cover, 1974 + SUCK nr 7, back cover, n.d.
NIKI DE SAINT PHALLE (with JEAN TINGUELY and PER OLOF ULTVEDT) Hon, Stockholm, 1966
JOEP VAN LIESHOUT, 3000 Prefabricated sanitary units for application of mobile-homes, 1992
29,7 x 21 cm
SC, 12 pp. edition 50
published by the artist
condition: very good, cover slightly discoloured
€ 180,- plus € 12,- Track & Trace registered mail
inv.JvLie 963
ULISES CARRIÓN, The Muxlows, 1978
22,9 x 11 cm
SC, 100 pp.
edition 300
published by Verlaggalerie Leaman, Düsseldorf, Germany
condition: slightly aged, at cover top side 3 tiny dents
€ 1.200,- plus € 18,- Track & Trace registered mail
inv.UCar 06-pr
Introduction on fly leave: ‘The Muxlows’ is the history of an English family from Yorkshire. I found it in 1972, in the city of Leeds, in the last pages of a badly damaged bible. U.C.’
This book is a dry list of names that goes back to 1835 when Thomas Muxlow was born. It is the start of genealogical facts limited to birth and death. The first chapter “Parents names” is followed by “Childrens names”, “Marriages” and “Other family events”. In this way a family story is told as a family drama of generations, i.e. family members come and go. Again with this book Carrión’s shows his strong affinity with the method of archival order to set out a story similar to writing a novel.
KvG
A copy is in the Collection of Stedelijk Museum, Amsterdam.
History of price:
Ecart-Books, Geneva, Switzerland June 2022 SFr 1.700,-
LAWRENCE WEINER, AMS Multiple, 1992
Art Meets Science unique drawing, twice fold, ink, felt pen,
snippets of photo stat, pencil, colour pencil, collage
45,5 x 60,8 cm
signed “L.W. NY-96”, dated
splendid condition
p.o.r.
inv.LWein 403
Lawrence Weiner’s primary medium is language, often in combination with red, yellow, blue coloured signs, or in mere black and white. He is a New York and Amsterdam-based sculptor who prefers to make art that is accessible, open-ended, mutable and transferable. In the ‘Art Meets Science Multiple’ the artist skipped linguistic language completely, making this work an uncommon outspoken pictorial piece within his oeuvre.
The depicted drawing here is a draft for a new envelope as soon as the first run of 1992 is out of stock. Until today this never happened. The image on the brown envelope suggests that the multiple ought to be installed as depicted. In fact at a later stage Lawrence Weiner preferred to have the piece installed as one likes, although he did not want to have that explicitly mentioned as such.
LAWRENCE WEINER, brochure AMS Multiple – Art Meets Science, 1992
14,7 x 21 cm
offset, brochure, stapled, 8 pp.
very slightly aged
€ 45,- plus € 8,- Track & Trace EU registered mail
inv.Wein 1036_1038