MARLENE DUMAS, Collective Guilt, 1988 [porcelain cup and saucer, …]

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MARLENE DUMAS, Collective Guilt, 1988
diameter dinner plate: 26,5 cm
screen print on porcelain cup, saucer, breakfast and dinner plate
edition 250 + 5 AP (numbered from I-V) + 10 HC (numbered from VI-XV)
signed underneath in print, also hand signed and numbered on certificate
published by Kamer van Koophandel / Museum Fodor, Amsterdam
pristine
€ 1.450,- plus Track & Trace EU registered mail

 

This item is part of the collection of the Stedelijk Museum in Amsterdam, Netherlands

KEN LUM, I Can’t Believe I’m in Paris, 2011

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KEN LUM, I Can’t Believe I’m in Paris, 1995-2011
54,6 cm x 68,6 cm
ink on water colour paper
edition 100
published by artist/Vancouver Gallery, Vancouver, Canada
€ 520,-
not available

This work is from a series of repeated text portraits that Ken Lum began to pursue in the 1990s. Lum works in a variety of media, including sculptures made from rented furniture, photographic portraits combined with faux corporate logos and texts, mazes made of mirrors inscribed with text, and works that mimic the signage affiliated with working class mini-malls.

 

KEN LUM, I Can’t Believe I’m in Paris, 1995-2011
104,1 x 134,6 cm
ink on water colour paper
edition 5
published by artist and Vancouver Gallery, Vancouver, Canada
not available

History of prices:
Vancouver Gallery, Vancouver, Canada € 305,-/ $ 400.- February 2011 (edition 100)
Vancouver Gallery, Vancouver, Canada € 3.400,- / US$ 4,500.- February 2011 (edition 5)

DAVID HORVITZ, Studio Rent Editions [rent for July], 2016

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DHorvitz2016studioRentEditionsJuly-object-recto700
Photo: K. van Gelder

DAVID HORVITZ, Studio Rent Editions [rent for July], 2016
8,8 x 9,2 x 1,5 cm
ceramics, certificate
signed, numbered, dated on ink stamped certificate
wrapped in Raymond James bank account papers, addressed and mailed envelope
edition 10
published by the artist
inv.DHor 000-pr

 

DHorvitz2016studioRentEditionsJuly-certificate-verso340

 

‘July’s edition is a small ceramic depicting two seahorses mating. The seahorses were the object from my Frieze Projects in New York last May. I made these ceramics in Portland, Oregon. I pressed the seahorse into the clay… Looks like a fossil…’. David Horvitz, from mail 25 June 2016.

Frieze hired a pickpocket to roam their art fair, Observer, April 2016
Good morning on this foggy Wednesday, New York Times, 5 April 2016
Frieze artist David Horvitz retainers, New York Times, 5 April 2016

 
Additional information

DAVID HORVITZ, objects left in the pockets of visitors during Frieze Art Fair 2016
each ca 8 x 9 x 2 cm
edition 1000
10 objects have been used for the Studio Rent Editions July 2016

DHorvitz2016pickpocket-objectsB700

DHorvitz2016pickpocket-objectsA700

Eat Your Art Out – Food in the Arts, 2010 [with Alison Knowles, Bernhard J. Blume, a.o.]

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Eat Your Art Out – Food in the Arts, 2010
31,5 x 22,8 x 8,2 cm
cardboard box with stickers containing two black boxes with ceramic multiple, DVD, photos, prints:
Fredie Beckmans, Bernhard Johannes Blume (signed), Hugo Kaagman (signed), Alison Knowles (signed), Pauline Wiertz, Luuk Wilmering (signed), Ton Zwerver (signed)
hand numbered certificate with list of contributing artists
edition 50
published by Harry Ruhé / Jeannette Dekeukeleire, Amsterdam
inv.AKno 000

List of artists:
FREDIE BECKMANS
BERNHARD JOHANNES BLUME
HUGO KAAGMAN
ALISON KNOWLES
INE POPPE
DANIEL SPOERRI
PAULINE WIERTZ
LUUK WILMERING
TON ZWERVER
and Francesco Conz

 

JOHN M ARMLEDER, AP, 1995 [sticker]

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JOHN M ARMLEDER, AP, 1995
7,2 x 5,2 cm
sticker, black on white pre-coloured chrome polyester (aluminum foil)
edition 1100
published by Galerie van Gelder, Amsterdam
€ 10,- plus € 12,- Track & Trace registered EU mail
inv.JMA 379

In 1992 John M Armleder invited several gallerists for showing multiples at the Basel Art Fair. Participating publishers and gallerists: Daniel Buchholz, Cologne / Ecart, Geneva / Gallery John Gibson, New York / Galerie van Gelder, Amsterdam / Daniel Newburg, New York. His idea was to initiate nomadic exhibitions in different towns. For the multiple show in Galerie van Gelder in Amsterdam he designed the AP logo, i.e. a tumbled zero with the letters AP.

When it comes to typography read about JMA’s full stop NY Arts Magazine, Vol. 13