GILBERT & GEORGE, As used by the sculptors, 1973 [signed postcard]

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GandG-glas-postcard_signed500

GILBERT & GEORGE, As used by the sculptors, 1973
14,7 x 10,5 cm
postcard
signed (recto)
pubished by Hôtel Carlton Palace, Paris, France
rare
perfect condition
€ 295,- plus € 15,- Track & Trace registered mail
inv.G&G 000

 

The signature is done with ballpoint at the lower part of the postcard. From a certain angle when the ink reflects the light one clearly detects the signature. This rather ephemeral handwriting makes the image undisturbed, and therefore very powerful.

Signature in detail:
GandG-glas-postcard_signed-closeup500

FISCHLI & WEISS, Ohne Titel, 1998-1999 [Texte zur Kunst, signed]

PETER FISHLI & DAVID WEISS, Ohne Titel, 1998-1999
60 x 86 cm (50 x 76 cm)
digital print
edition 200 + 50 AP
signed, numbered
published by Texte zur Kunst, Berlin, Germany
€ 740,- plus € 32,- Track & Trace registered EU mail
inv.F&We 000-pr
 

Each photograph is a double exposure, made by either Peter Fischli or David Weiss taking pictures and then handing the camera over to the other, or perhaps not, rewinding the film, and shooting again on the same roll of film. The result is a kaleidoscopic world of double-vision
“We were interested in the element of chance,” says Peter Fischli, adding “On the theoretical side, the photographs tread on rather thin ice.” David Weiss affirms: “In fact, they tread quite a thin line: we want to seduce viewers with floral opulence. But you can’t exactly view them ingenuously, either.”

History of prices:
Bernaerts Auctioners, Antwerp, Belgium € 500,- 5 December 2024 (hammer price)
Moderne und Zeitgenössischer Graphik, Cologne, Germany 21 March 2020 € 500,- (hammer price), poor condition
Grisebach, Berlin, Germany € 1.600,- 30 November 2019 (hammer price)
Koller Auction, Zurich, Switzerland SFr 1.000,- 9 December 2017 (hammer price)

FRANCK BRAGIGAND, Restoration of the daily life “The Red Nature Morte”, [1999-2001]

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FRANCK BRAGIGAND, Restauration of the daily life “The Red Nature Morte”, Amsterdam, 1999-2001
ca 200 x 250 x 120 cm
digital print, certificate (29,7 x 21 cm)
installation with table, four theatre chairs, painted carpet, painting and waste-paper basket, 8 parts
Private collection Thora Johansen, Amsterdam
inv. FB 000-pr

This certificate of authenticity has been signed more than several times and is eventually signed and dated in the lower left corner. This domestic installation was a proposal of Franck Bragigand after he got an open commission for a modest amount of money that was half of the heritage the owner of the basement got after her father died in 1999. The red painting on the wall and a red waste-paper basket were ‘added as a present’ to the installment of the owner’s renovated furniture. For some reason two years later a certificate was signed by the artist and dated “2001”.