PIETER LAURENS MOL, Middelpuntvliedend – middelpuntzoekend, 1973
4,2 x 11 x 8,7 cm
marble stone, rope, text on label on inner part of lid, wooden box with label on outer part of lid
signed, numbered
edition 15
Collection Thora K. Johansen, Amsterdam
The work of Pieter Laurens Mol is interweaved with balance and inertia, next to facts from astronomy and history put in a constructed form of poetic (often Latin) language and images. In this sculpture, as the artist names it, references are made to his own history, namely his childhood; one of his other themes. The label on the inside reads:
Een beeld uit mijn kinderjaren of het verband tussen beweging, afstand en snelheid. Er zijn 3 elementen:
de beeldhouwer, een stuk touw als gereedschap en het materiaal, de steen.
De steen wordt aan het touw vertikaal voor je uit geslingerd zodat hij een cirkel beschrijft. Dan wordt de hand met een snelle stoot naar voren bewogen waardoor het touw zich om de pols windt. De steen zoekt in een spiraalvormige versnelling het midden en belandt tegen de pols. Het beeld is statisch.
MARIA LASSNIG, Animation, 1973
29 x 21 cm
plastic transparent cover, ring binding
6 pp. with individual animation drawings
published by Galerie im Taxispalais, Innsbruck, Austria
splendid condition; hardly aged extremely rare
€ 500,- plus € 15,- Track & Trace registered EU mail
inv. MLas 544
Maureen Furniss: ‘Maria Lassnig’s animation is consistent with the larger body of feminist production appearing internationally, beginning just when she was creating her early work – focussing on domestic spaces and literally giving an authentic face to female experience.’
During the seventies Maria Lassnig produced her own films Encounter (1970), Chairs (1970), Shapes (1972), Palmistry (1974) a.o. These works refer to observations of the body or what she called the ‘bodily consciousness’. The latter is typically shown on the pages of this remarkable artist’s book.
The artist’s book ‘Animation’ contains 6 images related to animation techniques, incl. one page with an artist’s biography.
page 2
page 3
History of price:
Antiquariat Uebue, Zurich, Switzerland November 2023 € 533,-
DIETER ROTH, Karnickelkoettelkarnickel (Rabbit-shit rabbit), 1972
21 x 19 x 10 cm
rabbit droppings, straw
verso signed and numbered on label
edition 200 + 26 AP (numbered I-XXVI)
splendid condition; as new
p.o.r., Margin scheme
Dieter Roth is known for his artist’s books, speedy drawings, sculptures and installations. He was an extreme example of a Fluxus artist using found materials, including rotting food, melt chocolate and, like in this multiple, animal droppings. He once said: ‘Wait, later this will be nothing’. He is known as Dieter Roth and Diter Rot.
This edition is in the collection of the Moma in New York, USA: Dieter Roth, MOMA.
History of prices:
Koller, Zurich, Switzerland € 1.867,- (hammer price) 26 June 2025
Korff Fine Art, Ilmmünster, Germany € 13.500,- January 2025
Nosbüsch & Stucke, Berlin, Germany € 2.200,- (hammer price) 10 November 2023
Van Ham Kunstauktionen, Cologne, Germany, € 2.500 (hammer price) 12 January 2023
Christie’s, Netherlands € 5.000 – € 7.000 estimate 22 November 2022
Karl & Faber, Munich, Germany € 7.500,- (incl. premium) 9 December 2021
Van Ham Kunstauktionen, Cologne € 7.000,- (hammer price) 30 November 2016 – nota bene: same edition number was auctioned on 2 June 2016
Van Ham Kunstauktionen, Cologne € 5.000,- (hammer price) 2 June 2016
Christie’s, Zurich, Switzerland € 10.350,- (hammer price) 5 May 2015
Germann Auktionshaus, Zurich, Switzerland € 11.500,- 11 June 2012
In 1987 Eat Art Galerie in Düsseldorf published “Karnickelköttelkarnickel” in an edition of 250 + 26 AP:
DIETER ROTH, Karnickelkoettelkarnickel (Rabbit-shit rabbit), 1987
21 x 19 x 10 cm
rabbit droppings, straw
edition AP: 26
published by Eat Art Galerie, Düsseldorf, Germany
TAKAKO SAITO, unique performance garment [beetle], 1972
ca 72 x 164 cm
cotton, peasant blouse, buttons, embroidery
two unique garments
signed, dated
inv.TSait 158-pr
TAKAKO SAITO, unique performance garment [pine trees], 1972
ca 68 x 130 cm
cotton, peasant blouse, buttons, embroidery
signed, dated
inv.TSait 158-pr
In the seventies these unique garments have been used by Takako Saito during performances in the US. Both peasant blouses are all-over hand embroidered with flowers, puppets, trees, animals and abstract decorations. Provenance Steven Leiber, New York, USA.
KRISTJÁN GUDMUNDSSON, invitation / announcement Galerie 845, 1972
27,7 x 21,9 cm
printed paper
typeset and published by the artist
pinholes and small tears
extremely rare invitation, folded as mailed
€ 740,-
HREINN FRIDFINNSSON, invitation card In-Out Center [hand written], 1972
6,5 x 9,8 cm / 7,2 x 10,4 cm
pencil on card / envelope
signed
edition ca 15
published by and handed out by the artist
extremely rare
inv.HF 688
Hreinn Fridfinnsson preferred to avoid to draw attention to his exhibitions. Yet is was important to get some friends and colleagues to his opening. Instead of having a printed invitation card for his solo show in In-Out Center he handed out a completely handwritten invite with name. It could quite well be that this card is the only one that still exists. As this hand made card represents quite well the attitude of Hreinn Fridfinnsson it ought to be considered a piece in itself, actually.
KRISTJAN GUDMUNDSSON, Nidur / Down, 1972
26,4 x 27,2 x 2,2 cm
offset, SC, book object, hand bound by the artist
edition 150, of which very few handmade by the artist signed, numbered
condition: excellent, although aged, some traces of use on couver extremely rare
published by Silver Press, Reykjavik / Amsterdam, 1972
Collection Kees van Gelder, Amsterdam
p.o.r.
inv.KG 000-pr
‘Nidur / Down’ is an object book a hand bound by Kristjan Gudmundsson who produced several of these books in Daniel Stalpertstraat, Amsterdam, in the seventies. It is a book about the ‘Highest point of land’ and the ‘Lowest point of sea’ containing many parallel horizontal lines on each page. The total amount of lines are equal to the distance of the highest point on earth and the deepest point in sea.
The production of this self published book by Silver Press – a publishing house founded by the artist – was very laborious and no more than ‘circa 30-50’ [sic] copies were hand bound, as stated by the artist. (Probably much less have been made). In 1982 Ottenhausen Verlag in Aachen / Munich, Germany, took over the project and published a limited edition of 100 copies. KvG
History of price:
Zwiggelaar Auctions, Amsterdam 8 December 2023 € 2.600,- (hammer price)
HANNES VAN ES, Confrontated, In Crisis and Portraits, 1971
A4, 5 parts
black & white photos in original frames
signed, dated, number 1/8, unique
planned edition 8 of which only this unique series came into production
published by Galerie van Gelder, Amsterdam
€ 3.400,-
inv.HvE 000-pr
In the early seventies the artists Hannes van Es and Louwrien Wijers lived on a boat. Both artists were only influenced by their time of hippie dom and alternative ways of living together. In their case they were specifically inspired by Ben d’Armagnac and Ger Dekker. The individual titles of this series of photos are “hannes van es confrontated” [sic], “louwrien wijers in crisis”, “louwrien wijers in crisis”, “portrait of louwrien wijers” and “portrait of hannes van es”.
Lesbian Dream Press, 1971
ca 24,5 x 17 cm
12 pp.
paper collage, typed written texts on cover; recto and verso, book block of empty pages
dummy for issue # 6
published by Jón Gunnar Árnason, Reykjavik, Iceland
inv.SG 000-pr
This issue number 6 was handed out to Sigurdur Gudmundsson with machine types instructions on the back of the cover on how to participate with a contribution to the magazine. A handwritten text reads: Þessi bók er fyrir Sig Gu∂mundson (trans. ‘This book is for Sig Gudmundsson’).
DAAN VAN GOLDEN, Speciale Editie Ameland-Rapport, 1971
ca 22,5 x 15 x 2 cm or ca 30 cm x 21 cm
various sizes and techniques of sealed and assemblaged herbarium, includes colour postcard, feathers, sand, tree-leaves, grass, fern
published by Rotterdamse Kunststichting, Rotterdam
€ 550,- plus € 18,- Track & Trace registered mail
Daan Van Golden spends October and November 1971 on the island of Ameland; while walking and cycling he collects leaves, mosses; the result is a series of 500 cellophane wrapped herbariums. His Ameland-Report is distributed as the 6th edition of the ‘Atlas voor een nieuwe metropool’.
In 1971 -1972 in total 8 editions were made by Hans de Vries, Lex Wechelaar, Wim Gijzen, Cor Blok, Sjoerd Buisman, Daan van Golden and Pieter Engels.
Foto: K. van Gelder
