ZEGER REYERS, All The Stars in the Sky, 2007
vinyl, EP
recto: glued on special plate, verso: ink stamped text
special edition 60, here nr 46/60 signed, numbered
published by ZKM, Karlsruhe, German
mint, although slight bump at lower left part of cover Zeger Reyers talks about this record related to used fungi and Paul Thek.
€ 380,- plus € 18,- Track & Trace registered mail
This limited and special vinyl EP cover with glued on art plate by Zeger Reyers was for sale at the ZKM museum. An additional release of 150 copies without an art plate on the cover was issued at other venues.
History of prices:
Discogs, 23 April 2020, € 489,-
OLIVIER MOSSET, Untitled, 1998 [dollar sign]
70 x 70 cm
screen print
edition 40
mint
€ 1.500,- plus € 32,- Track & Trace registered mail
History of prices:
Place des Arts, Paris, France US$ 1,784 January 2023
Place des Arts, Paris, France € 1.650,- August 2021
Artsnap.net GBP 1,200.- March 2020
Place des Arts, Paris, France € 1.875,- April 2020
ArtCurial, Paris, France € 520,- auction 19 September 2016, incl. premium
ArtCurial, Paris, France € 650,- auction 12 December 2016
JIRI VALOCH, Do it yourself I – signs + Do it yourself II – dialogues, 1972
each 20,8 x 15 x 0,3 cm 2 portfolios with each 9 sheets
edition 100, here 26/100
signed, numbered
published by the artist
good condition, although slightly discoloured due to aging very rare
€ 885,- plus € 15,- Track & Trace registered EU mail
inv.JVal 847-pr
Jirí Valoch is a visual and conceptual poet and works with graphic and textual concepts. His minimal events and interventions in natural settings find their way often through conceptual drawings, short and ‘easy-to-make’ books and installations with texts.
Jirí Valoch had solo exhibitions since 1966 in the Czech Republic, Slovakia, Germany, Poland, Italy, The Netherlands and Austria. He participated in group shows in the Czech Republic, Slovakia, Great Britain, Mexico, Spain, Italy, USA, Argentina, Germany, Switzerland, Hungary, Poland, Portugal, Austria, France, Belgium, Yugoslavia, Austria, Israel and Canada. From 1968 – 1972 he was a member of Klub Konkretistu (Concretists’ Club) and since 1997 he has been a member of the Brno section of the Klub Konkretistu 2; since 1991 he has been a member of the TT Klub of Creative Artists and Theoreticians. He lives and works in Brno.
BARBARA KRUGER, Business as usual, 2019
5,7 x 6,9 cm
metal badge, print, glossy plastic coating, verso: two plastic parts
edition unknown
published by Printed Matter, New York, USA
inv.BKrug 000-pr
This metal pin comes with a one year subscription as a Friend of Printed Matter in New York for US$ 60.-
History of prices:
eBay-hotelmarquetteprints, Cleveland, Ohio, USA $ 175.- March 2021
Printed Matter, New York, USA $ 60.- March 2020
PIPILOTTI RIST, Pepperminta, 2005
25 x 18,7 x 2,8 cm
cardboard box, linen bound 17 parts + stiff paper board, printed matter and various items
published by Lars Müller Publishers, Zurich, Switzerland
€ 100,- plus € 18,- Track & Trace registered EU mail
inv.PRis 864
This box includes images of dreams, saints, dreams and ideas of paradise. Rist is renown for her mesmerizing slow-video installations that are mixed with visual art, music, architecture, and social politics. Her work features often erotic and uncanny images of her own body. She states on one of the inlays: ‘The body is a planet. It wants to be a paradise. Paradise calms down fever’
This box was published on behalf of the Venice Biennale 2005 in which Pipilotti Rist represented Switzerland with a solo exhibition. All loose items may be considered as artist’s publications, apart from the colophon insert.
BARBARA KRUGER, Untitled (Kiss), 2019
44 x 38 x 38 cm
Artek stool 60 with text, industrial paint, wood, screws, booklets
numbered verso on seat of stool, artist’s name ink stamped in red on cardboard box
edition 600, here nr 281
original packaging and booklets
published by ICA, London, UK
condition: mint
€ 1.250,- plus € 32,- Track & Trace registered EU mail
inv.BKrug 836
A second and final run doubled the original edition of 300, here number 281 i.e. part of the first run. Apparently publisher ICA had second and third thoughts when it came to a final edition number. It first decided to extend the edition from 300 to 500. Then another 100 were added and presented as a final second run of 300 copies. Below you will find a screen shot of their website made on 7th of December 2019 and a screen shot d.d. 4 March 2020.
History of prices:
New Art Editions. The Hague, Netherlands January 2025 € 1.500,-
Artsy-Kumi Contemporary, London, UK May 2024 GBP 1,750.-
Mo-Art Gallery, Amsterdam € 1.500 May 2024
Bonhams, London, UK GBP 600 20 September 2023 (hammer price)
Mo-Art Gallery, Amsterdam € 1.500 September 2023
Wright Auction, Chicago, USA € 2.040 4 May 2023 -2nd set of 2 stools (hammer price)
Wright Auction, Chicago, USA € 1.496 4 May 2023 -1st set of 2 stools (hammer price)
Bonhams Auction, London € 1.115,- 2 June 2023 incl. premium
1stDibs, Jersey City, USA € 3.617,- January 2023
Smolensky Gallery, Manchester, UK GBP 1,700.- January 2023
ICA, London, UK GBP 2,000.- September 2022
Artware, New York, USA US$ 3,500.- July 2022
Phillips Auctions, London, UK GBP 1,515.- 20 January 2022
Commodity Gallery, Los Angeles, USA US$ 3,500.- October 2021
Artsy-Alpha 137 Gallery, New York, USA US$ 2,400.- September 2021
Wright Auction, Chicago, USA € 1.525 15 July 2021 (hammer price)
Artware, New York, USA US$ 2,000.- April 2021
ArtRepublic.com, Benbury, England, UK € 1.785,- April 2021
eBay-artwiseonline, Brooklyn, New York, USA US$ 3,500.- March 2021
eBay-can-buy-my-art, The Hague, Netherlands US$ 2,200.- March 2021
Bonhams Auction, London € 846,- 10 December 2020 incl. premium
Bonhams Auction, London € 1.822,- 17 October 2020 incl. premium
Artware, New York, USA US$ 2,000.- 26 August 2020
Bonhams Auction, London € 844,- 19 June 2020 incl. premium
PopFineArt.com, between US$ 1,000 – US$ 2,500.- 8 March 2020
ICA, London, UK GBP 1,000.- 4 March 2020
ICA, London, UK GBP 650.- 10 December 2019 – sold out 30-12-2019
ICA, London, UK GBP 450.- 23 October 2019
WJM KOK, Off Color (Crimson), 2019
7 x 7 cm
oil paint on canvas, wooden mini-easel; ca 11 x 8 x 8 cm
open series, unique works
signed, dated
€ 222,- plus € 12,- registered mail Track & Trace
When ordered colour will differ from the colour shown above.
Striking in the work of Wjm Kok is his interest in open or closed series, i.e. limited in number as a pure consequence of a conceived system. He wants to make series that are not a goal in itself, but rather a result of a method to keep as far away as possible from an emotional choice. He likes to make work that is not hierarchical and that also does not refer to a pronounced uniqueness.
In the open series ‘Off Color’, Wjm Kok mixes a color directly on the canvas with the help of seven ad randem tufts of paint squeezed from the paint tube. The color is not easily predictable and often also produces a surprising effect for him during the making.
ANITA DI BIANCO, Corrections and Clarifications, 2001-2019
45 x 34 x 5,5 cm
cardboard box with 15 newspapers, various sizes
open edition; as a complete set published by the artist
signed, dated
mint
published by the artist
Corrections and Clarifications is an ongoing series of newspapers, each time containing an edited compilation of corrections ad randomly collected from daily international news. Each issue covering merely a list of corrections page after page.
In the paper issued in December 2016 (edition of 200) the colophon reads as follows: ‘Corrections and Clarifications is an ongoing publication, an intermittent compilation of daily revisions, retractions, re-wordings, distinctions and apologies to print news from September 2001 to the present. A reverse-chronological cataloging of lapses in naming and classification, of tangled catchphrases, detectable patterns of mis-speech and inflection, distraction, connotation and enumeration.’
DOROTHY IANNONE, A Thousand and One Songs for Erik Bock, 2019
43 x 30,7 x 2,5 cm
cardboard box, loosely inserted colour photo in glued on photo corners, 9 offset prints incl. index sheet with credits, 2 CD’s fixed on inner side of lid, postcard
signed, numbered
edition 150
mint
published by Tochnit Aleph, Berlin, Germany
inv.DIan 000-pr
“Not every love is forever, nor is an unimaginable longevity necessary in order that a love qualify as memorable. I once derived a great deal of pleasure as well as artistic inspiration (and eventually, some pain, I must admit) from a sexual and intellectual friendship with an emotionally thrifty (as he himself would be the first to admit) but very beautiful gentleman from a neighbouring country, north of Berlin, my adopted home, and whom I’m so glad I met long ago.
“These recordings were made for him, to give him pleasure, and pride in his being, as well as for myself, so that I could continue my immersion in our relationship when, for short periods, we were apart…..”
From the liner-notes by Dorothy Iannone, November 2017
SALIM BAYRI, Sad Ali, 2017 [small version]
16,2 x 4,9 cm
print, lasered sky leather
signed, numbered, dated
edition 4
€ 250,-
Salim Bayri surrounds himself with an alter ego that he calls Sad Ali, a shortening of “sad alien”. This figure has no organs, undertakes no actions and opposite to a cartoon personality he doesn’t talk. As a kind of ambulant search machine he runs around checking out situations and things.
Salim Bayri: ‘I mostly use computer generated images, sound, footage and short actions because of their speed and fluidity.’
Salim Bayri is nominated for the Nationale Nederlanden Group Award 2018. The other nominees:
Pauline Curnier Jardin
Sam Samiee
Rafaël Rozendaal
GILBERT & GEORGE, As used by the sculptors, 1973
14,7 x 10,5 cm
postcard
signed (recto)
pubished by Hôtel Carlton Palace, Paris, France rare
perfect condition
€ 295,- plus € 15,- Track & Trace registered mail
The signature is done with ballpoint at the lower part of the postcard. From a certain angle when the ink reflects the light one clearly detects the signature. This rather ephemeral handwriting makes the image undisturbed, and therefore very powerful.
Lost & Found, invitation, 3 juli [2009]
21 x 14,8 cm
card
creased for easy folding
published by Stichting Lost & Found, Amsterdam
€ 50,- plus € 8,- Track & Trace registered EU mail
inv.L&F 000-pr
For this event on 3 July 2009 the following artists made selections for the evening: Constant Dullaart, Katja Mater, Julia van Mourik.
Lost & Found, 1997 – 2018
various sizes and printing techniques
numerous invitation cards and posters in folders extremely rare as a collection
all published by Stichting Lost & Found, Amsterdam
inv.L&F 000-pr
It is unclear whether this collection is complete, but for a very large part it certainly is.
Invitation card, 2009:
Lost & Found, 2009
23 x 17,8 cm
invitation card
published by Stichting Lost & Found, Amsterdam
YANN SÉRANDOUR, How…, 2019
ca 25 x 10 x 5 cm
bleached cow bone, engraved text, white linen bag, chord
edition 4 + 2 AP
certificate, signed, numbered
published by More Publishers, Quenast, Belgium
According to the publisher (mail 08-02-2025), this work is related to an edition in which Yann Sérandour included a found book on dog training called “How to train your dog”.
Additional information
“L’Enseigne [How to Train Your Dog]” is an edition (8 + 4 AP) from 2015. It is unclear why this was added to a book cassette with a picture of French Rococo painter Antoine Watteau who is known for his hunting and love scenes.
PATTI SMITH, Seventh Heaven, 1979
18 x 12 cm
SC, 48 pp.
uncommon, i.e. this 1979 version with different type font
excellent condition
published by Expanded Media Editions, Göttingen, Germany
€ 55,- plus € 12,- Track & Trace registered EU mail
inv.PSm 855-pr
The photo on the front was taken by Robert Mapplethorpe.
This book contains all 22 poems, including Patti’s tributes to Edie Sedgwick and Marianne Faithfull.
A separate version (paperback, 48 pp.) was published by Expanded Media Editions, Bonn, Germany in 1979. See image above.
Additional information
The first publication from 1972 included 50 signed and numbered copies.
History of price:
2e Hands-ebbo, Belgium, February 2025 € 75,-
ROSEMARIE TROCKEL, Ex Voto Platte, 2000
28 x 28 x 0,8 cm
screen print, cellular rubber, self-adhesive circular die-cut
incl. original wrapping with protection sheets
blue version: edition 50 + 5 AP
signed, numbered 33/50 mint
published by Texte zur Kunst, Berlin, Germany
€ 475,- plus € 12,- Track & Trace registered EU mail
inv.RTr 854-pr
Rosemarie Trockel photographed a hot plate and printed it on a thick layer of cellular rubber, as a small object. There is a self-adhesive sticker on the back so that the owner can determine the background himself. Instead of framing the work, it can be mounted on a wall or window and thus become part of an interior.
There are 3 colour versions: yellow, blue and white. Each colour version has an edition of 50 plus 5 AP.
verso:
History of prices:
AaG Auktionshaus am Grunewald, Berlin, Germany, 21 September 2024 € 550,- (hammer price)
Van Ham Kunstauktionen, Cologne, Germany, 14 March 2024 € 500 (hammer price)
Phillips, London, UK, 11 June 2015 GBP 313.- (hammer price)
FRANCK BRAGIGAND, Garbage in order to…, 1999
invitation cards in 6 different colours
each 10.1 x 15 cm
offset
mint
published by Galerie van Gelder, Amsterdam
€ 35,- plus € 12 Track & Trace registered EU mail
inv.FBr 000-pr
Franck Bragigand has made two working methods he devised an essential part of his work. A visitor can approach him at any time with, for example, a chair or cupboard and ask to have it painted. The object taken can be painted monochrome or each surface is given a separate color using his method of ‘un plan, une couleur’, as he calls it. In the latter case, there is more work and the asking price is higher. After the painting method has been determined, a price is agreed. The 6-part invitation card from 1999 is printed in both monochrome and ‘each area, one color’. KvG
Additional information
FRANCK BRAGIGAND: PSS (Public Street Sculpture), 1999
The title of the exhibition “Garbage in order to…” refers to a recycling method. Franck Bragigand found all kinds of objects in the garbage on the street, which he cleaned, sanded, painted and exhibited as brand new in the gallery.
After the exhibition, the objects were thoughtfully placed back on the street – almost like an installation. The ‘consumer’ could take the originally discarded rubbish from the street back into his home, varnished and well. Bragigand brings street waste or second-hand goods back into circulation through various systems. KvG
BART CHABOT, Popcorn, 1981
21 x 13,5 cm
SC, 60 pp., 4 zwart-wit afbeeldingen
1e druk
Uitgeverij De Bezige Bij, Amsterdam
pristine, as mint
€ 30,- plus € 12 track & Trace EU mail
inv.BCh 000-pr
ERIK VAN LIESHOUT, Selbstentzünderer, n.d. [1999]
29 x 41 cm
exhibition poster, with stamp dated envelope
condition as mint
€ 65,- plus € 12,- Track & Trace registered EU mail
inv.EvL 863-pr
PETER HALLEY, Maintain Speed, 2000
26 x 21,8 x 2,5 cm
HC, 226 pp.
published by D.A.P./Distributed Art Publishers Inc., Baltimore MD, USA
mint
inv.PHal 000-pr
History of prices:
Bol., Netherlands January 2024 € 69,59
Paper Cavalier, London, UK January 2024 € 307,79
RIRKRIT TIRAVANIJA, Community Cinema for a quiet intersection (against Oldenburg), 1999
14,8 x 21 cm
invitation card on thin paper
condition: some tiny folds in corners
published by The Modern Institute, Glasgow, UK
€ 30,- plus € 12,- Track & Trace registered EU mail
inv.RTir 000-pr
“The Thai artist Rikrit Tiravanja created the installation Community Cinema For a Quiet Intersection (Against Oldenburg) as part of the City of Architecture Festival in Glasgow, Scotland, in September 1999. He created a temporary outdoor cinema composed by four screens and accompanied by a Thai café right on the traffic intersection in a residential neighbourhood in Glasgow and after dusk showed films that had been chosen by the local community.”