SIGURDUR GUDMUNDSSON, Nutoen, 1997

SIGURDUR GUDMUNDSSON, Nutoen, 1997
23,8 x 16,7 cm
offset, 2 volumes (16 pp. + 32 pp.), transparent sleeve
edition 500
published by Frans Hals Museum, Haarlem, 1997

This publication could beconsidered as half catalogue, half artist book. The picture on the front of volume I and the picture on the back of volume II form together one image of a sculpture installation ‘Disturb me’ (1997) of Sigurdur Gudmundsson. Both volumes come with a Dutch text by the artist about the making of the book and the works in his exhibition in the Frans Hals Museum, Haarlem.

VOEBE DE GRUYTER, Dokalucht, 1996

VdG1996dokalucht_cover500

VOEBE DE GRUYTER, Dokalucht, 1996
29,7 x 15,2 cm
book with text in Dutch, each with original hand made charcoal drawing, tracing paper dustcover, SC, 24 pp.
edition 120
signed, numbered
published by The Bifrons Publisher / Galerie van Gelder, Amsterdam
€ 150,-

 

original sketch for the cover of the charcoal drawings of “Dokalucht”:

Dikwijls worden de werken van Voebe de Gruyter begeleid met een tekst. Hier reproduceert zij een dialoog:
“Je moet nog een titel vinden voor het boekje!”
“Ja, maar het moet niet te literair zijn door het bijvoorbeeld naar een van de stukjes te noemen.”

Ik vond het vreselijk moeilijk. Drie dagen later kreeg ik plots een idee. Ik kwam op een vroege avond buiten en rook een sterke, zurige lucht om me heen. Waarschijnlijk een mengsel van uitlaatgassen van auto’s en vrachtwagens en andere stadsapparaten. Vrijwel onmiddellijk wist ik de titel: beelden uit een stad die aan het ontwikkelen zijn, waarvan sommigen al beeld zijn geworden en vorm hebben gekregen in stukjes.

DIETER ROTH, Quick, 1994

DIETER ROTH, Quick, 1965/1994
20 x 32 x13 mm
mini book, plastic box, folded stencil ca A5, signed, dated: 1965/94
edition 45 + 105
published by Boekie Woekie, Amsterdam 1994                                    
Boekie Woekie, Amsterdam € 220,-   July 2012
Boekie Woekie, Amsterdam € 450,-   September 2013
Collection Kees van Gelder, Amsterdam

Artist book originally published by Rudolf Reiser in 1965 in an edition 150. In 1994 Rudolf Zwirner / Galerie Rudolf Zwirner in Cologne found one day a shoe box in his storage with left-overs of the edition. He asked Walter Koenig / Buchhandlung Walther Koenig if he was interested in these books. The latter contacted the artist who suggested that he could take the shoe box with the books to Boekie Woekie artist’s Bookshop in Amsterdam for a revival of this project started in 1965. Dieter Roth wanted to have a little container for the book, which was supplied by the bookshop. In this way the remaining 105 copies which remained unsold, were re-issued in Amsterdam in 1994, signed and dated ‘1965/94’ by Roth on the front cover, supplied with a wrap-around information sheet (apart from Dutch text, with stenciled handwriting of the artist) in Icelandic, German (recto), English and Dutch (verso); together with a small plastic box.

The artistic practice of Dieter Roth (Swiss, born in Germany, 1930–1998) encompassed everything from painting and sculpture to film and video, but it is arguably through his editioned works—prints, books, and multiples—that he made his most radical contributions. These experiments include the use of organic materials in lieu of traditional mediums, including book-sausages filled with ground paper in place of meat, and multiples of plastic toys mired in melted chocolate, as well as a dazzling array of variations on printed postcards. Here the magazine Quick was cut and used to the smallest book he ever made.

Mechanical Reproduction, 1994

MechanicalReproduction1994-cover700

Mechanical Reproduction, 1994
14,8 x 10,5 cm
artists: HENRY BOND & LIAM GILLICK, SYLVIE FLEURY, RICHARD HAWKINS, ARNOLD MOSSELMAN and WOLFGANG TILLMANS
17 machine produced photos, 2 pages with text, transparant celluloid cover, 20 pp.
hand numbered
edition 50
extremely rare
published by Galerie van Gelder, Amsterdam
€ 1.500,- plus € 18,- Track & Trace registered mail

Published on behalf of exhibition ‘Een goed in de weg staande tafel’ / “A table absolutely standing in the way” in Galerie van Gelder in 1994, curator Jack Jaeger.

SYLVIE FLEURY, The Art of Survival, 1993 [artist’s magazine / catalogue]

SF1993theArtOfSurvival-catalogue600

SYLVIE FLEURY, The Art of Survival, 1993
27 x 21 cm, 72 pp.
artist’s magazine & catalogue, Lumbeck binding
edition unknown
published by Verlag Walther König, Cologne, Germany / Neue Galerie am Landesmuseum Joanneum, Graz, Austria
very good condition
extremely rare
€ 420,- plus € 18,- registered mail

This is the first catalogue of Sylvie Fleury designed as if it is a fashion magazine. Due to its Lümbeck binding and aging of the glue almost all copies collapsed into a bunch of loose pages when used. Hence extremely rare.




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History of prices:
Booklooker, € 140,- November 2022
Amazon-USA, US$ 688.- October 2022
Amazon-USA, US$ 822.- 28 May 2021
Amazon-UK, GBP 590.12 21 April 2020
Amazon-USA, US$ 794.- 19 December 2017

JOEP VAN LIESHOUT, “Collectie 1989-1990 / Works 1991-1992”, 1991

JvLieshout1990bookcover600

JOEP VAN LIESHOUT, Collectie 1989-1990 / Works 1991-1992, 1991
22,5 x 20 cm
ring binder catalogue with price lists, ill., 76 pp. (complete)
edition unknown
published by Centrum Beeldende Kunst, Rotterdam and Galerie Roger Pailhas, Paris
rare
€ 400,-

Originally Joep van Lieshout – later known as ‘Atelier van Lieshout – had the idea to add up-dates of the price lists and lists of works in this folder, hence the ring binder. A difficult to find artist’s book and additions were never made. Very good condition apart from slight folds at top en bottom of spine. Collection Kees van Gelder, Amsterdam

 

JvLieshout1990bookpag1-600

JvLieshout1990bookpag39-600

Fluxus – Der Augenblick der stehen bleibt, 1991 [gummed stamps]

Fluxus1991derAugenblick600

Der Augenblick der stehen bleibt, 1991
29,7 x 21 cm
20 pp. perforated gummed stamps with text ‘Fluxeum Wiesbaden 1. Mai 1991’
published by Harlekin Art, Wiesbaden, Germany
pristine
€ 60,- plus costs of mailing
Fluxus 558

Participating artists are Geoffrey Hendricks, Klaus Staeck, Tim Ulrichs, Heinz Gappmayer, Charley Banana, Ben Patterson, Milan Kunc, Takako Saito, Corsin Fontana and many others

Fluxus1991derAugenblick-inside800

A.R. PENCK, I am ar. penck, 1989 [English version]

A.R. PENCK, I am ar. penck, 1989 – English version
30 cm x 38 cm
leporello, screenprint
size unfolded 30 x 453,5 cm
edition 100 + 20 AP
signed, numbered
published by Aschenbach Gallery, Amsterdam
condition: mint
€ 1.250,- plus € 24,- Track & Trace registered EU mail
inv.APen 157-pr

 

History of prices:
Bromer Booksellers, Boston, USA – (English version) US$ 1,045.- August 2022
René Schmitt Druckgrafik, Berlin, Germany US$ 8,500.- April 2020
Ketterer Rare Books, Hamburg, Germany € 240,- 22 November 2016
Versandantiquariat Elke Rehder, Barsbüttel, Germany – (German version) € 480,-  October 2012
Versandantiquariat Elke Rehder, Barsbüttel, Germany – (English version) € 450,-  October 2012

 

Extra information:
Artist’s book “I am ar. penck” was also issued in a German version.


A.R. PENCK, I am ar. penck, 1989 – German version
30 cm x 38 cm
screenprint
size unfolded 30 x 453,5 cm
edition 100 + 20 AP
signed, numbered
published by Aschenbach Gallery, Amsterdam

WIM T. SCHIPPERS, Going to the Dogs, 1986 [performance]

WIM T. SCHIPPERS, Going to the Dogs, 1986,
21 x 16,3 cm
offset brochure, 22 pp.
edition unknown, rare
published by Stichting Going to the Dogs, Amsterdam

This is the program-booklet of a Fluxus performance by Wim T. Schippers at the Stadsschouwburg, Amsterdam. The play ‘Going to the Dogs’ was performed by six German shepherd dogs. The booklet was only on sale at no more than 3 performances.

ALISON KNOWLES, A Bean Concordance, 1983

ALISON KNOWLES, A Bean Concordance, 1983 New York, 1983
28 x 20 cm / 10 x 7.5 inches
108 pp. of which 90 pp. illustrated
published by Printed Editions, New York, 1983

A Bean Concordance gathers together a variety of material that relates to beans from social detritus across cultures. Clippings include pieces about Native American bean rituals, the Japanese tradition of Setsubun, in which end of winter is marked by throwing beans, and Italian proverbs using beans as well as more graphic findings from newspapers and packaging. In short many bean stories, pictures and ephemera collected and designed by Alison Knowles. Contributors include Alison Knowles, George Brecht, Robert Filliou, Simone Forti, Geoffrey Hendricks, Dick Higgins, Anne Tardos, Yasunao Tone, and many others. Estimate $50.00 August 2013